Exploring Free Will and Decision Making in Albert Camus' Short Story "The Guest, "

He knows that he needs to risk his life for Hassan’s son and be the person that Hassan had always been to Amir. Amir is finally able to make a good decision; a decision that would change his character and his life.

Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.

In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.

This one decision left a stain on Amir for the next thirty years. A quote on pg. 88 states “I wish someone would wake me up, so I wouldn’t have to live with this lie anymore” This quote explains how guilty Amir felt after seeing Hassan get raped as he desperately sought for anyone to find out but didn’t chose to tell anyone the actual truth. Another example from the text is when Amir tries throwing pomegranates at Hassan, as an attempt to get Hassan to fight back and punish Amir for choosing to leave Hassan. However, Hassan refused to throw any pomegranates at Amir, but instead smashed one into his face. A quote on pg.94 states “I wanted Hassan to fight me back for the way I failed him” This quote indicates that Amir wanted Hassan to fight him back, so he could have the “punishment [he] craved” (93) This demonstrates that Amir wanted to feel the act of being punished for his wrongdoing, similar to how Hassan was brutally raped due to Amir’s apparent mistake. Amir’s guilt forces him to travel across two countries to seek redemption for the mistake he made. 15 years later, Amir’s guilt led him to make the hefty decision of returning to Afghanistan “to be good again” (189) by rescuing Hassan’s orphaned son, Sohrab, from the terrible conditions he was left to face in Kabul. Amir sees this as an opportunity to redeem and free himself from

My purpose on earth is to bring peace and happiness. As of 2015, this world is the opposite of peaceful. Many people are being killed just to get education, kids are in poverty, and a plethora of international terrorism’s Martin

The idea of self pride and doing what’s right for your family have a large impact our decisions and actions. Amir was in a situation where he could either help his best friend Hassan, or impress his father with a kite. Unfortunately, Amir believed “Hassan was the price {he} had to pay… to win Baba”(77) Amir had a hard time impressing Baba so he took this selfish chance, one that he regretted forever. Later when Rahim Khan, a well trusted family friend, asks him to take Sohrab from the orphanage to the Caldwell’s, Amir’s first decision was “I can’t go to Kabul, I have a wife in America”(226) and is sure because he wants to do what will make his wife happy, go home. However, quickly changing his mind, Amir returns to Rahim and “told him [he] was going to Kabul”(227). Once he realises that just like the day in the alley the reason he doesn’t want to go on this mission is because he is afraid, he returns and does what’s right for his half-brother and late best friend. Baba, just like his son, wants to be respected and show love for his family.

    In the beginning, Hassan was not only loyal to Amir because that was his duty, but also because Amir was his best friend. Ever since Hassan was a baby he grew attached to Amir. For example, when Hassan was a child, his first word was Amir. Hassan would follow Amir around and do anything he asked. He would do anything “a

The Guest is a short story written by Albert Camus and first published as a part of the collection Exile and the Kingdom in 1957. The main character of the story is a teacher in a remote school Daru. The man was alone because of the snowfall, until gendarme Balducci with the apprehended Arabic person appeared. Daru was asked to take prisoner to a nearby town Tinguit where he would be tried for relative’s murder. The teacher did not want to take part in these events, but Balducci still left Arab in the school. Daru did not treat the man like a prisoner. In the morning he took Arab outside, gave him money with food, explained how to reach Tinguit or nomads and gave him an opportunity to choose his own fate. The teacher

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

In the novel, The Stranger, author Albert Camus confronts some important issues of the time, and uses the singular viewpoint of the narrator Meursault to develop his philosophy and effectively weave together themes of absurdity, colonialism, and free will. Through the progressive disruption of Meursault’s life and his characterization, Camus presents the absurdity of the human condition along with the understanding that a person can actually be happy in the face of the absurd. Camus also intentionally sets the story in the colonized country of Algeria, and hints at the racial tensions that exist between French-Algerians and Arabs.

In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.

this by his refusal to turn the Arab in, and the conflict he goes through when

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.

Albert Camus, born in colonized Algeria, a father to absurdism, and author of The Stranger confronts the philosophical themes of purpose, integrity, and passivity. The Stranger’s main character, Meursault, is a laconic man whose passive actions and brutal honesty lend to connections in his court trial. Those of which condemn him to execution. Meursault falls victim to his complete honesty, complete passivity, and disregard for the purpose of action. He is straightforward, and his actions usually follow his thoughts. Actions and decisions that most average people regard as serious, Meursault regards as arbitrary. Meursault’s exemplification of absurdism proves to not only lend to his characterization, but as a comfort in his death as well.