Exploring Insanity And Imperialism In Joseph Conrad's Heart Of Darkness

An interpretation of Marlow's changing feelings towards Kurtz is that he ends up being disgusted and

From his first mention in the novel--“[Mr. Kurtz] is a very remarkable person”--it is made clear to readers that Kurtz is no ordinary member of the Company. Before narrator Marlow actually encounters this man, he is described as “exceptional”, “of the greatest importance to the Company”, and a “universal genius”. Readers learn that Kurtz came to Africa “equipped with moral ideas” and has brought in an unprecedented amount of ivory, which is the primary goal of the Company. Overall, Kurtz is a prodigy, expected to move up the Company hierarchy quickly, and becomes a sort of obsession for Marlow. Despite this, higher-ups in the Company seem to fear, and

Kurtz was a centralized character in Conrad’s Heart of Darkness who began his expedition as a trading post commander and ivory collector. Before they met, Kurtz was described to Marlow as an idol by the Company’s chief accountant. “‘He is a very remarkable person.’ Further questions elicited from him that Mr. Kurtz was at present in charge of a trading post, a very important one, in the true ivory country, at ‘the very bottom of there. Sends in as much ivory as all the others put together…’” (Conrad 382). Kurtz is obviously very valued

Joseph Conrad, in his novel Heart of Darkness, uses the contrasting places of Europe and Africa in order to represent opposed forces or ideas that are central to the entirety of the work. This journey back in time, “to a prehistoric earth” illustrates Marlow’s physical journey as well as relates to his emotional and spiritual experience. Marlow characterizes events, ideas, and locations that he encounters in terms of light or darkness. Marlow continuously equates light with knowledge and civility and darkness with mystery and savagery. When he begins his narrative, Marlow evokes light and, therefore, civility, with reality, believing it to be a tangible expression of man's natural state. Similarly, Marlow uses darkness to depict savagery as a vice having escaped with nature. However, as he proceeds deeper into the heart of the African jungle and begins to understand savagery as a primitive form of civilization and, therefore, a reflection on his own reality, the metaphor shifts, until the narrator raises his head at the end of the novel to discover that the Thames seemed to 'lead into the heart of an immense darkness.'' The alteration of the light-dark metaphor corresponds with Marlow's awareness that the only reality, truth, or light about civilization is that it is, regardless of appearances, is instead darkness.

He is telling his story of his adventure to his job on the Congo, presenting the story inside of a story notion. In the reminiscent story he is telling, he talks about a man named Kurtz, the ivory manager at the company is going to work for in the Congo. He learned about the characteristics of Kurtz, which happened to be the opposite of his. At first, he is slight displeased and shows disgust towards the actions of the other workers’ at the company and Marlow; stopping in plot ever so often to regain his thoughts because it made him upset. However, as he continued deeper in the Congo, he starts to change into Kurtz making Kurtz and Marlow complex. The reader can not tell if they are different people or perhaps the same. Before this transformation, Marlow and Kurtz was already similar in a few ways. For example, Marlow and Kurtz both shared a certain amount of respect for the natives, Kurtz even had a mistress that was native. However, they may have a certain level of respect for them they both feel that they are savage like and they are not equal to the white men. This shows the white man’s burden, of the white man that feels the need to educate the natives. Marlow even ends up agreeing later on in the book that they should be

There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a

Joseph Conrad's novella, Heart of Darkness, describes a life-altering journey that the protagonist, Marlow, experiences in the African Congo.  The story explores the historical period of colonialism in Africa to exemplify Marlow's struggles.  Marlow, like other Europeans of his time, is brought up to believe certain things about colonialism, but his views change as he experiences colonialism first hand. This essay will explore Marlow's view of colonialism, which is shaped through his experiences and also from his relation to Kurtz.  Marlow's understanding of Kurtz's experiences show him the effects colonialism can have on a man's soul.

Mr. Kurtz was the "chief of the inner station" (Conrad, pg. 28). He was "in charge of a trading post, a very important one, in the true ivory country." Kurtz sent in "as much ivory as all the others put together" (Conrad, pg. 22). The company described him as the "best agent, an exceptional man, of the greatest importance to the company" (Conrad, pg. 25). Kurtz went to the jungle for many reasons, but mostly to make money to return to Europe and marry his intended. Marlow "heard that her engagement with Kurtz had been disapproved by her people. He wasn't rich enough or something." He had given Marlow "some reason to infer that it was his impatience of comparative poverty that drove him out there" (Conrad, pg. 74). He had been driven into the jungle to procure money for the company and for himself and for his life with his intended. Greed is what kept him out there so long and clouded his mind regarding thoughts of nobility.

In Heart of Darkness, by Joseph Conrad, the interpretation of pre-colonial times is interesting in a way that supersedes other books I’ve read because it’s very honest with how the world worked it that era. The central aim which the shipmates in Heart of Darkness are pursuing is the expansion of their home countries’ empires. Yet many people are hurt in this enterprise, and it’s not only the colonized territories that are impacted negatively by imperialist Europe. Europe’s explorers that go to the Congo are constantly dying of sickness. Compare the ways in which the consequences of imperialism affect the different groups of people in the book, the more one can understand about characters’ actions.

 Marlow's journey leads him in an urgent search for Kurtz, the one man who can provide him with the truth about himself. Like Marlow, Kurtz came to the Congo in hopes to bring "light" and civilization to a backwards society. He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. "The physical shortness in Kurtz implies a shortness of character and spirit" (Heart of Darkness: A systematic evaluation). Marlow and Kurtz both symbolize the two conditions of human nature. "Kurtz represents what man could become if left to his own intrinsic devices outside protective society. Marlow represents a pure untainted civilized soul who has not been drawn to savagery by a dark, alienated jungle." (Heart of Darkness: A systematic evaluation). When the two come face to face, each man sees a reflection of what he might have become in the other. In Kurtz, Marlow sees the potential

  Kurtz was a personal embodiment, a dramatization, of all that Conrad felt of futility, degradation, and horror in what the Europeans in the Congo called 'progress,' which meant the exploitation of the natives by every variety of cruelty and treachery known to greedy man. Kurtz was to Marlow, penetrating this country, a name, constantly recurring in people's talk, for cleverness and enterprise. Joseph Conrad's Heart of Darkness is a portrait of the degeneration of the ideal of Kurtz symbolizing the degeneration of the ideal of colonialism as 'civilizing work'.

The Heart of Darkness by Joseph Conrad is a frame narrative which creates a clear and organized structure. This structure helps emphasize upon the hypocrisy of imperialism in the novel and Marlow’s journey to discovering his true identity. The orderly and systematic nature of the structure corresponds with the Company in the novel and how it seems so structured on the outside while their mission is actually extremely chaotic underneath as displayed by Kurtz. The cyclical structure of the novel outlines Marlow’s journey in finding himself and his true identity. As the chaos of the journey is uncovered, Marlow delves deeper and deeper into uncertainty regarding the things going on around him in his life.

"The horror, the horror!" Kurtz exclaims prior to his last breath of life on earth. In those final moments, Kurtz was able to say something so true about the whole mess of human life. A life dominated by the fittest, perceived differently through each human eye, and full of judgement lacking understanding of all sides. The various ways the world is viewed causes many problems amongst its people. Whether they are about racism, wealth, or even common sense, conflicts are still subject to arouse. Why? The answer to this is not yet clear because of its complexity and endless variables. Yet what is clear is that it ties into two other aspects-prejudice and social

Evil: Morally bad or wrong; wicked. Causing ruin, injury, or pain; harmful. Characterized by or indicating future misfortune; ominous. Bad or blameworthy by report; infamous. Characterized by anger or spite; malicious. The definition of evil, a term used very cautiously in modern society, is very diverse among different people. In Joseph Conrad’s Heart of Darkness, the term evil is articulated through several ways mainly four characters: the cruelty within the people of the Belgian Congo, main mystery of Kurtz, the setting upon which the characters reside, and the atmosphere in which the Belgian Congo produces from the elements prior stated. The smarter Europeans used their intelligence and arms strength to cruelly overcome the weaker

As Kurtz’s title grows, he is able to work his way into the natives’ minds. He becomes their leader, even though he is an outsider. Little does Marlow know, Kurtz’s corruptness and his imperialistic and colonialist efforts to rule the African land would become his demise. In the end, Marlow understands that Kurtz is not all he is made out to be, and finds that his practices are harsher than necessary as he reads in Kurtz’s book his plans to “Exterminate all the brutes!” (50). Kurtz is referring to the natives he befriends and uses to his advantage. While Marlow and Kurtz move throughout the Congo as foreigners of a “First World” country, the Natives of the Congo are forces reconcile with Kurtz’s colonization and rule of their land and over their people. What Conrad presents in Heart of Darkness are the dangers of naiveté regarding “First World” practices of imperialism and colonialism, and then becoming aware, as Marlow gradually does, of their implications.