Exploring Rest Cure Therapy in The Yellow Wallpaper

Where exactly did the rest cure come from and is it used today? Silas Weir Mitchell created the rest cure in the 1900s to treat hysteria and other nervous depression conditions. The cure was worse than the so called disease itself. The rest

The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.

Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and

“The Yellow Wallpaper” a short story about a mentally ill women,written by Charlotte Perkins Gilman at age 32, in 1892 is a story with a hidden meaning and many truths. Charlotte Perkins Gilman coincidentally also had a mental illness and developed cancer leading her to kill herself in the sixties. The story begins with Jane, the mentally ill woman who feels a bit distressed, and although both of the well respected men in her life are physicians she is put simply on a “rest cure”. This rest cure as well as many symbols such as the Yellow Wallpaper, her journal, and her inevitable breakdown are prime examples of the typical life of a woman in this time period and their suppressed lives that they lived even with something as serious as a

In 1877, a prominent American physician named Dr. Silas Weir Mitchell developed what he called the "rest cure" for hysterical women. It involved strange restrictions and routines, which in this day and age would be considered cruel and unusual imprisonment. He wrote, "I do not permit the patient to sit up or to sew or write or read. The only action allowed is that needed to clean the teeth." At the end of six weeks to two months of such treatment, he expected that women would be as good as new. It was stated by a medical journal of the time, that a physician must "assume a tone of authority" and that the idea of a "cured" woman was one who became "subdued, docile, silent, and above all subject to the will and voice of the physician." Famous

In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.

In an article titled, “Why I Wrote The Yellow Wallpaper”, Gilman talks about her personal experience with the rest cure, also denouncing the diagnosis as a whole. “For many years I suffered from a severe and continuous nervous breakdown tending to melancholia--and beyond.”(Gilman). While this ailment would not be handled as heavily today, Gilman would actually be subject to the rest cure by Silas Weir Mitchel himself. Mitchel would tell Gilman to “live as domestic a life as far as possible”, “(to) have but two hours intellectual life a day”, and “never to touch pen, brush, or pencil again.” Like the fate of her stories protagonist, the treatment would almost drive Gilman

Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through

"The Yellow Wallpaper," is a larger-than-life version of Charlotte Perkins Gilman’s own personal experiences. She grieved for several years in depression, as her physician diagnosed her with “neurasthenia” and prescribed the "rest cure" seen in the story. Unable to write or seek company, Gilman's rest drove her insane for three months. Gilman wrote the story not simply to change one man's view of neurasthenia, but to utilize the floor as a symbol of the oppression of women in a patriarchal society as mentioned in her article “Why I Wrote The Yellow Wallpaper”.

Neurasthenia is the nervous disease the narrator is suffering from. Gilman expresses if the narrator is ill or if the “rest cure” treatment she is on is making her crazy(Wilson). Weir Mitchell was the authors/narrators doctor who prescribed her the “rest cure” treatment, which did not succeed(Gilman). The narrator tells her husband to help her and change the treatment, but he refuses her desires. As a result, the narrator became insane because her husband forced his wife to be in an oppressed situation with her health(MacPike).

recuperate from her “nervous condition” where she is told to rest in an old nursery room with

    In the late 1800's/early 1900's, when Charlotte Perkins Gilman experienced her episode of "temporary nervous depression" (Gilman 885), and wrote her autobiographical short story, "The Yellow Wallpaper," the workings of the mind were mysteries that few medical people attempted to investigate. A patient who was poor and ill-educated and exhibiting signs of mental disorder was institutionalized -- ala Bedlam. The patient who was rich, educated, and/or from a "good family" was called eccentric and given a prescription for complete mental rest and controlled physical exercise combined with the consumption of phosphorus enriched tonics. This regimen was to be followed in an environment

Within the medical community, doctors often neglected women 's health during the nineteenth century. Society viewed women as weak and fragile beings making them more susceptible to illness. Surprisingly some believed that women could consciously control their sickness to gain attention or to avoid their womanly duties (Poirier 16). Silas Weir Mitchell was a well-known neurologist during Gilman 's life. He made many medical discoveries during his career along with creating treatment for locomotor ataxia (a nervous disease), neurotic women, and gunshot wounds that disrupted the nervous systems (Poirier 17). This procedure, called the Rest Cure, consists of the patient resting and exerting as little energy as possible alongside maintaining a balanced diet. Gillman personally visited Mitchell in seek of help during a time of great depression post the birth of her daughter. However, his treatment did not help but, caused her almost to lose her sanity. Gillman addresses Mitchel in her literature "John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall. But I don’t want to go there at all. I had a friend who was in his hands once, and she says he is just like John and my brother (Gilman 197)." Janes husband, brother, and Mitchell are alike in the fact they all believe a woman 's hysteria correlates with their sex. These men also agree in one form of treatment: isolation, rest, and food. Showing that men of

"Mitchell's patients lost much of themselves as people" (53).  Gilman herself, after sinking into a deep depression, was sent to Mitchell in Philadelphia for his rest cure.  After a month of treatment Mitchell concluded that there was nothing wrong with her and sent her home with these instructions: "Live as domestic a life as possible.  Have your child with you at all times.  Lie down an hour after each meal.  Have but two hours of intellectual life a day.  And never touch pen, brush or pencil as long as you live." (Gilman, Autobiography 62).  Gilman followed these instructions for several months until she came extremely close to losing her mind.  Says Gilman of this time: "I made a rag baby, hung it on the doorknob and played with it.  I would crawl into remote closets and under beds to hide from the grinding pressure of that profound distress." (63).  It is exactly this situation that lead Charlotte Perkins Gilman to write her eerily accurate tale of one woman's forced regression into insanity.

Charlotte Perkins Gilman and Silas Weir Mitchell were part of two worlds, one having to live and be treated for a nervous condition and the other having to study the conditions of nerves. Yet, in this particular moment in the late-19th century United States, one can detect a dialogue between doctor and patient in each of their short stories. That is exactly what is detected between Charlotte Perkins Gilman and S. Weir Mitchell. While both The Case of Dedlow and the Yellow Wallpaper use fiction to express themselves more thoroughly about mental health and science, The Case of Dedlow is more concerned with the aspect of scientific case study while the Yellow Wallpaper focuses on indicting science. This paper will compare and contrast the narratives of the aforementioned short stories and discuss the significance of their reception and how their audience understood them.