Exploring The African American Woman 's Identity Through The Arts

In Lorraine Hansberry’s 1959 play A Raisin in the Sun a number of social issues are both explicitly and subtly exemplified through out the characters experiences and relationships. Living in a cramped Chicago apartment, the Youngers’ display both influential goals and conflicting restraints. Beneatha Youngers is a controversial character; she complicates society’s typical gender roles, introduces the wrestle between assimilation and ancestry of African-Americans, but specifically serves as a paradigm for her generation in the play.

The play Raisin in the Sun by Lorraine Hansberry is identified as a modernist text for it challenges the life of African-American families living in an industrial environment. Walter and Beneatha’s mother,

Lorraine O’Grady uses her essay “Olympia's Maid: Reclaiming Black Female Subjectivity” to address the issue of how the black female body is portrayed within art. She discusses the racist portrayal of the black female body compared to the white female body in art, explaining how the black body is only their to accentuate the white one, in the contrast of colors and subject matter. The black female is presented in art often as a slave only their to serve the white female. Lorraine O’Grady explains how the black female body is given no individuality and is objectified. She describes how the black female is presented in the back or shadows of art as a supporting role to the main focus of the white female. Lorraine O’Grady uses this essay in order to reclaim how the

Lorraine Hansberry’s play “A Raisin in the Sun,” was a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred.

Lorraine Hansberry’s play, A Raisin in the Sun, centers on an African American family in the late 1950s. Hansberry directs her work towards specifically the struggles faced by African Americans during the late 1950s. Through the dialogue and actions of her characters, she encourages not only a sense of pride in heritage, but a national and self-pride in African Americans as well.

In order to provide culturally appropriate care, an examination of one's personal views, beliefs, and prejudices must be examined. The first portion of this paper will examine my personal values, beliefs, biases, and prejudices. The remaining paper will analyze the African American culture relating to the Ginger and Davidhizar's Transcultural Assessment Model cited in Hood (2010). This model uses six key cultural elements that include communication, space, social organization, time, environment, and biological variations. This model provides a systematic approach for assessing culturally diverse clients. I will also discuss an aspect of care that I would

As stated in Webster's II Dictionary, a woman is defined to be an adult female human. In today's society being an African American woman is a rigid task to live up to. It means to reside to what their ancestors have left behind, which means to be stronger than ever. Rosa Parks was strong, Harriet Tubman was also strong, and Jezebel was even stronger. So what exactly does it mean to be a woman? It means to stand up for what is right, even if that means sacrifice, it means to be strong whether it be physically, emotionally, or mentally. African American women are perceived to be the backbone of the family, meaning that even though the male may support the family financially, that the women have the emotional and mental part in the bag.

Lorraine Hansberry’s play A Raisin in the Sun opened in a New York theater March 11, 1951. This play, although based on Hansberry’s own life and personal experiences was also inspired by Langston Hughes’s poem “Harlem”. Hansberry used this play to tell the story of a 1950’s African American family trying to better themselves. She also used this play to shine a light on the issue of racism that were prominent during this time frame. This highly successful play “ran for 530 performances and was nominated for the 1960 Tony Award for best play”, and has had several adaptations made in its honor(Aurora). Despite the fact that these adaptations were made to equal the original play there are many differences between them and their predecessor.

Lorraine Hansberry was the first Black woman to pen a Broadway play. In her writings, she wrote male characters, many of whom were male protagonists. Being the feminist that she was, many people saw Hansberry’s depiction of Black men in one of two ways; either as an unhappy retreat from her feminist concerns or as a negative representation of Black manhood. Throughout her career, in works such as “The Village Voice” and “Les Blancs” Hansberry’s wrote other male characters that showed a progressive, revolutionary movement towards a positive and withstanding view of Black masculinity.

    Lorraine Hansberry faced many obstacles in her life which has made her  write this book A “Raisin in the Sun.” As said in Blooms Literature “She was the youngest of four children whose parents were well-educated, middle-class activists centrally engaged in the fight against racial discrimination. Early figures in the Civil Rights movement.” In the book “A Raisin in the Sun,” the first play written by an African American she made through experiences of  black people who live on Chicago’s South Side, Hansberry used members of her family as inspiration for her characters. Lorraine Hansberry life had comparisons in this book dealing with poverty

Race was a primary factor used to shape the identity of African Americans which was seen through their culture. Race is portrayed through the narratives such as The life of Frederick Douglas by Frederick Douglass and the Autobiography of an Ex-colored man by James Weldon Johnson.

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

The mission of the students around the country who fought for an education that would shed light on African Americans. The progress the students created is seen today in American Universities ,and also HBCUs, where (AAS)African American Studies is implemented into the curriculum. Before, the dissection the formation of AAS, it should be noted that without the sacrifice from others I undoubtedly would not be writing about AAS ,or reflecting on the significance it has created for generations so far.

The African American community has sat at the end of a discriminatory lens from the moment they set foot in the United States. For that reason, black communities have undergone the process of community building to ensure that all members feel a sense of belonging.

In an introduction to her collection of her plays, Ntozake Shange criticized black dramatists for “integrat[ing] the notion that a drama must be words...cuz we all remember too well/the chuckles & scoffs” (63).The fear of being laughed at has steered black artists away from embracing humor. This fear stems from the distortion of blackness in minstrel shows and racist tropes . Tragically, black dramatists have overlooked the usage of humor in African traditions. While in the past humor has been often used for ridicule, it has also been utilized as an act of sly resistance. The African trickster still lives on in black narrative. It has evolved from African folk tradition to provide an observation of the African-American experience. However, the subtlety and indirection of tricksterism sometimes causes it to be easily misunderstood. An example of misread humor is found in the praise for Lorraine Hansberry’s drama A Raisin in the Sun. The play was an immediate success among critics and audiences. In speculation of its popularity, many have argued whether this play is specifically black or universal. The play is often dubbed a genuine depiction of life in America. White critics praised Hansberry’s ability to harmoniously unite the black and white experience in one play. This “compliment” is humorous in itself. It demonstrates just how subtle Hansberry’s humor is. Her dry, witty observations scattered throughout the play require a personal understanding of blackness. Through