Exploring The Alienation Theme Of V.s. Naipaul 's ' A House For Mr. '

In The House on Mango Street the women are either empowered or constricted. Rosa Vargas was constricted because she had lots of children and had a husband who left her for no reason. Rafaela was limited because she was so beautiful he thought she would run away. Sally was restrained because she could not express herself without getting beat by her father and when she gets married to escape she is still held back. In The House on Mango Street Rosa Vargas, Rafaela, and Sally are constricted because of thing that have happened to mess up their lives and because of decisions that hold them back.

In A Home Is Not a House, Reyner Banham starts by arguing that the main function of the typic American house is to cover its mechanical structure. In fact, he states that the use of mechanical services in architectural practice varies constantly because mechanical services are considered to be new in the profession, as well as, a cultural threat to the architect’s position in the world. To show his argument, Banham states that American houses are basically large single spaces divided by partitions inside that give a relative importance to the use of internal mechanical services, causing a threat to the need of architectural design. Similarly, American cultural characteristics, like cleanliness and hygiene, also foster the use and need of mechanical

In “The Joy of Reading and Writing: Superman and Me”, published in the Los Angeles Times, journalist Sherman Alexie expresses the division between the Indian and white culture also how hard it

Jhumpa Lahiri’s Unaccustomed Earth is comprised of eight short stories about different Indian families’ struggles in America, many of them going through the immigrant experience. The conflicts are with friends and family, and also with themselves, as each of them attempt to find their own identity along with fitting in with the rest of society. One of the causes of these struggles that because the families in the stories are mixed in terms of generation. Many of the adults in the stories were first generation immigrants from India, while many of the children were raised in the United States, which is the second generation. This led to blending of culture and at the same time, clashes between the immigrant mentality of living and the American mentality of living. In Unaccustomed Earth, Lahiri demonstrates to the reader the important influence of environment, specifically culture and how it impacts parental teachings, on the personality and development of an individuals’ identity, and how the actions and development of characters can affect one’s family and friends; the impact of environment and culture is shown especially by the characters and stories “Hell-Heaven” and “Hema and Kaushik”.

Issues of racism, women discrimination and the corruption of power used to be subtly touched upon or ignored. However they were also viewed differently depending on the era it was brought up in. Yet as time passed by, it seems these issues have become common discussion. This change of significance in how the audience responds and view texts that carry the notions of marginalization can be seen by Joseph Conrad’s ‘Heart of Darkness’ and Arundhati Roy’s

A boy feels trapped and isolated in his house. He wants to go outside with his friends and explore the landscape, but he can't. His mom isolates him inside making him study and do extra work for school. He wants to leave, breathe in the fresh air, but he can't escape his mother’s grasp. This scenario represents a similar idea addressed in the vignette “The House on Mango Street”: Isolation. In The House On Mango Street, Sandra Cisneros is able to incorporate details and characterization to illustrate Esperanza’s isolation due to her moving constantly. Ultimately, the way Cisneros develops the use of symbolism, the theme of identity and literary devices in the vignette leads one to see why it is the most powerful chapter in the novel.

Richard Van Camp's, The Lesser Blessed, contains elements that classify the novel with both Indigenous and Modern genres. Featuring both genres in a text can lead to contradicting themes that form a binary. This binary has the potential to limit the extent readers can connect to the story, suggesting the presence of a barrier. Barriers hinder the readers' lack of understanding or relatability to either Indigenous or Modern works of literature. This paper will serve to analyze how Richard Van Camp deconstructs the binary by having the sides work together rather than against one another. Furthermore, this paper will discuss how by breaking down the binary, Richard Van Camp is allowing his novel to be accessible to all readers.

It is looked upon that in the memoir, Infidel, woman are treated as dirt and this ultimitely leads to her leaving the home she once knew. This inspiring true story sheds light on a issue that most including myself are blind sighted by. The story is upsetting, more so because it is facts, the issues in this book aren’t make believe but a true story of a young woman and her journy for the freedom we take forgranted. In Frontiers of Love by Diana Chang, the novel although a work of fiction still has some insight on racism that didn’t just occur years ago but still occurs in some countrys today. Each character in her book had their own racial issue to overcome even if it was against oneself. The enlightening story of three main characters brings to light a look upon what it was like for some mixed enthicities. Today, we still find racism in other ways, people are still today called names that are of different “mixes”. Each author although telling different stories made their main points completely clear throughout their book and each book had its own heartache to

Remote surroundings can cause one to feel extremely isolated. In Sinclair Ross’ The Painted Door, the writer illustrates alienation through setting and imagery. More specifically, by analyzing the weather in addition to the figurative language, it is clear that the main character Ann possesses an inner struggle.

The dominant idiom of Indian writing today is firmly entrenched in pain, anxiety of displacement, nostalgia, yearning to belong to roots, and so on. Arundhati Roy’s The God of Small Things and Kiran Desai’s The Inheritance of Loss are two such novels that explore the tragedy of man on several levels using different perspectives. Both the novels are about averted culture-clash tragedies, homogeneity vs. heterogeneity, and about Indian sensibilities.

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

In fact, by attempting to glamourize suffering by portraying it superficially, writers may lose the connection with us that appreciates literature. Instead, what we are left with is an over extended attempt to glorify suffering, or hide it within a guise of reality that is too savage to be true. Instead of the appreciative feeling that reality imbues within me as a reader, I am left with a sense of disgust, confusion and dissatisfaction. This feeling almost overwhelmed me while reading Adiga’s “The White Tiger” and it tainted my experience with the book. Adiga had written the novel without any firsthand experience in the rural areas of India to which his main character referred to as the darkness. Instead, being of a higher class, his accounts were based on second or third hand experiences which do not adequately depict the lower class’ realities. I found the following depiction of India’s ghettos both farcically unrealistic and eventually

This semester we have studied five works that all communicate different themes and views of existentialism through each protagonist's point of view. From reading, watching, and analyzing each piece of work, we have come to know existentialists as having a very interesting outlook on life. Almost all the existentialists in the five works we studied believe in freedom of choice. That humans define their own meaning in life and try their best to make rational decisions in spite of existing in what they consider an “unreasonable universe”. The protagonists in each short story and movie we have watched, have similar qualities between each other and quite a few differences. The two pieces of work that will be focused on are, ‘The Wall’ by Jean-Paul Sartre and ‘The Guest’ by Albert Camus.

binary oppositions in V.S. Naipaul’s short story ‘The Flag on the Island’. This aim is achieved via using Derrida’s deconstruction and Bhabha’s definition of these terms. Considering culture as a means of domination to get possession of control over the instruments of ‘collective self-definition’ is considered as a very significant policy in the political and cultural conflict for emancipation. This article focuses on a tension between recently autonomous nation and former colonial beliefs which results in binarism between modern and traditional values that led to the denigration of non-Western cultures. Therefore, the writer attempts to show how the characters of this story make effort to abolish this idea and retrieve the local and native traditions that were destructed during colonialism. This study concentrates on all characters and examines their contradictions and their effort for consistency that can be discussed through a deconstructive analysis.

Bharati Mukherjee is one of the accomplished diasporic writers. Her writing focuses mainly on women’s suppression, struggle to overcome the problems and attempt to attain identification. Bharati Mukherjee also depicts the cultural conflicts between the East and the West. When a person enters into a new culture from the old one, the conflict arises between the two cultures in the alien land. This paper explores how the female character, Jasmine is portrayed as protagonist in Bharati Mukherjee’s Jasmine. Bharati Mukherjee portrays Indian woman as protagonist in all her novels and the character takes brave decision to emigrate which is the first major step of heroism. The character is portrayed with the capable of facing adventures and creates own happiness and identity, unyielding by conventionality. In Jasmine (1989),