Exploring The Copyrighting Options For The Trio Essay

Copyright, Design and Patents Act 1988 – protects the rights of the creators of literary, dramatic, musical, and artistic works, recordings and broadcasts. Copyrighted material can only be copied with the copyright owner’s permission, which includes books, music, photographs, drawings, diagrams, etc;

As an artist, the protection of all intellectual property created for distribution should be a priority. The type of protection this case focuses on is the protection granted by copyright. When a piece of work is copyrighted, the copyright grants the creator the exclusive right to use and distribute the piece for the duration of their life plus 70 years. As a creator, copyrighting completed art before disclosing the art with any other interests is very beneficial when proving ownership in a federal court proceeding. Devin Copeland v. Justin Bieber is a case that is based around the copyrights to a song entitled “Somebody to Love”. The facts will be introduced, followed by the issues that arose in court, then the courts analysis of those issues, closing with the lessons learned to be applied to the future of Planet Florida Artist Managements business ventures.

In her 2010 TED talk, titled “Lessons from fashion’s free culture”, Johanna Blakely describes how the fashion industry’s lack of copyright and patent protection has allowed it to thrive in the economic market. This is mainly because designers have been able to recycle the same building blocks of fashion to create innovate, utilitarian designs into what we regard as art to adorn ourselves. In this talk, she urges other creative industries to adopt this concept.

Is important for anyone who has created any intellectual property to protect it. In the music industry, in order for someone to protect their work, they must obtain a copyright. Music has been around before anyone could obtain a copyright and when the invention of the computer came along it made it easier for someone to steal another artist's intellectual property with the help of the internet. This paper will cover what events have taken a big role in copyright protection for artist, the consequences if someone was to break the rules of a copyright which is called copyright infringement, and how will a copyright hold in the future. Were copyrights enacted without the thought of life changing technology, and how can some music companies

Longer copyright terms can prove beneficial for large mass media companies as evidenced by The Walt Disney Company’s lobbying for the Copyright Term Extension Act. This act, often dubbed the Mickey Mouse Protection Act, extended copyright protection for an additional twenty years in 1998. Consequently, Mickey Mouse is now set to enter the public domain on January 1, 2024. Disney will once again have the opportunity to lobby for extension and evade Mickey’s copyright expiration, thus preventing its most iconic character from entering the public domain. This holds pressing significance because lobbying for further extension legislation would likely occur within the next few years.

Now : Songs are created by synthesizers. Nobody can realistically take credit for their own songs because most songs are re-mixes or a collage of dubs from other people's  music.

I don’t think this invention can be a copyright since it’s not an artistic creation or printed matter like literary, dramatic, musical work.

Album covers are an important aspect in the music culture and industry. Many album covers vary, depending on the artist itself and music genres. However, all album covers are meticulously designed to represent an artist’s vision and work from their music. Musicians will choose an album artwork that represents them and their music. BADLANDS by Halsey and True Colors by Zedd are respectable examples of artists who choose their covers based on their inspirations. These two album covers are well thought of and beautifully created with depth and substance. Music is art, and so are album covers.

Over the past fifty years, the British Music Publishing industry has undergone dramatic changes. It has evolved as an entity with innovations in technology, changes and creations of laws and new mediums to promote and exploit songs to a wider audience. Therefore, the way in which the music publishing industry operates and exploits its assets has completely transformed, and continues to do so at a rapid pace. This paper will attempt to explore the ways in which publishers exploit song copyrights and the way in which this has changed over the past 60 years. It is important to define what is meant by copyright and its role within the industry. The Performing Right Society website states: “Copyright

While the term authored is traditionally applied to literary works, the term can be used in a broader sense to refer to any piece which employs rhetorical devices in order to serve a specific purpose or put forth a specific message. In terms of an audio album, the cover artwork is the first part a listener is exposed to and can be expected to pique that person’s curiosity so that they are led to learn more about or buy the album. The artwork created by Christopher Austopchuk for Billy Joel’s album The Nylon Curtain exemplifies this concept of authoring as the scene he uses both draws one’s interest when first seen and embodies a part of the social commentary presented through the lyrics of the album.

The Copyright Act 1968 (Cth) seeks to protect individuals who have created original literary, dramatic, musical and artistic works. Sections 14(1) and 36 provide that copyright is infringed when a person reproduces a substantial part of another’s work without the license of the owner of the copyright. In 2010 the Federal Court of Australia considered whether the flute riff in ‘Down Under’ a song by popular Australian group Men at Work was a substantial reproduction of the iconic children’s song ‘Kookaburra’ composed by Marion Sinclair. This case attracted significant media coverage and public interest.

Music Copyright is a very important aspect of the music industry. The Copyright law was established to preserve the creativity and rights of authors, composers, performers of expression. Copyright is the law that protects the property rights of the creator of an original work in a fixed tangible medium. (http://dictionary.reference.com/browse/copyright) A fixed tangible medium is something substantial like copying lyrics on paper or putting a song on tape or CD. Copyright can be seen every where in the music industry. Many music artist of our culture today have been involved in copyright issues. Recently, on MTV news it was stated that, "As the music industry becomes increasingly concerned about protecting the

To those who are not familiar with the processes within the fashion industry, this world of style is characterized by a peaceful coexistence between all the stakeholders. To those in the know however, this is far from the truth with the fashion industry. The value of the United Kingdom fashion industry is large contributing to about 20 billion pounds into the country’s economy on an annual basis. To have a better understanding, the contribution made by the fashion industry to the country’s Gross Domestic Product is almost twice that being brought in by car manufacturers which is valued at 10.1 billion so fashion is no doubt a major business and clothing designs one of the core assets. In considering this, it is therefore a surprise that businesses that are operating within this industry within this industry are not given the opportunity to do more to protect the designs that they have. This paper puts forward the assertion that based on the case law of J Choo(Jersey) Limited v Towerstone Limited and Others, the system of intellectual property protection available in United Kingdom law is not fit for use in the fashion industry in its present condition.

Jasper, Summer and Dak are a group of three young and highly talented creatives who make up all three members of The Trio. By putting their innovative minds together, the group managed to create a unique and intricately designed dress made from vinyl that has succeeded to be the next big thing in the highly lucrative market of adolescent and young adult consumers. As the manager of The Trio, it is my duty to protect the intellectual property of the group. Such a responsibility will involve researching into the potential solutions of copyright laws and creative common licences, within the field of fashion. My research will not only be focused in relevance to New Zealand but will also extend to overseas markets as The Trios creative product is set to be released worldwide. With my collected information, I will then recommend a justified course of action that I believe would be best for the group to take in regards to their intellectual property.

One of the biggest driving forces in the fashion industry nowadays is the continuous introduction of new trends and the opportunity for designers to display their creativity. So, when that individuality is stolen or copied from a designer, it can produce uneasy consequences. Known as “design piracy”, this widespread reproduction of designs has actually been around for decades. Not much has been done at a federal level to prevent the moral and economic repercussions that stem from it. However, despite the fact that designers lose both independent recognition and profit for their work, in the long run, fashion piracy actually helps grow the industry by swiftly moving styles through society to make way for the next line of innovative