Expression of Self-worth in Homer’s Iliad

Thesis statement: Within the Iliad, the consequences of Helen’s actions and the motif of beauty are demonstrated through her self-blame, passions, and conflicting intentions, which ultimately results in the destruction of Troy.

The Greek forces won the Trojan War. The story of the war is a cornerstone of Greek legend, and pervaded Greek literature and culture. Though the evidence for the Trojan War as historical fact is scarce, it was a formative event in Greek cultural memory, producing some of the classical world’s most famous heroes and narratives. The War was won, Helen was retrieved from Paris, whose violation of ξενία was redressed, the heroes attained the κλέος that many of them fought for – and yet the positive outcomes of the Trojan War are difficult to grasp. For the victims of the Trojan War, the tragedy is obvious; the War ended in genocide and total cultural destruction. But such a war, burnt into legend, should have left the victors far better off; and yet, the Greek heroes only suffer because of it. They die tragic, dishonourable deaths; their households are left in ruin; their families are torn apart. From both modern and classical perspectives, the Trojan War is a tragedy, a “harrowing destruction of life” (Euripides, Andromache, 291). The victory is pyrrhic, the loss of life is horrific, the reparations non-existent.

The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.

The theme of honor can be seen throughout the storyline. In book 3, the war is started when Menelaus honors his wife, Helen, by fighting for her against the Trojans after Paris runs off with her (Homer 50-51). Homer uses Menelaus to show he is motivated by honor when going after his wife. It would give him a cowardly image to let another man run off with his wife and him do nothing in return. The contrast to Menelaus going after his wife is Paris. Paris is shameful for running off with another man’s wife instead of finding his own. He shows shame later on in the story as well. Homer uses these characters and their motivations actions to set up the main conflict in the story and to predict the later decisions that they make.

Barry Strauss organizes his summary of the Trojan War by referencing Homer 's the Iliad and the Odyssey and compares it to the historical contexts of what he thinks happened. Most scholars agree that the Trojan War dates back around 1200 B.C. during the Bronze Age. The most popular tale of how the Trojan War starts is when Paris, Prince of Troy, goes to visit Sparta to mend relations. In Sparta, Paris is welcomed by Menelaus, King of Sparta and his beautiful wife Helen. According to ancient sources, Menelaus went to Crete for business and foolishly left Helen all alone with Paris (Strauss, 15). Afterward, Helen is seduced by Paris and flees Sparta to accompany him back to Troy, along with bountiful treasures.

In The Iliad, Paris is seen as unhonorable and unmanly. He runs from his problems and even Helen, who was gifted to him by Aphrodite, is ashamed to be seen with him. He is afraid of death, and would much rather be enjoying Helen than fighting alongside his people. Helen is repulsed by his unmanliness and self-centered behavior and tells Aphrodite such.

Nowhere in the Iliad is Hector's superiority more obvious than when he is contrasted with his brother Paris, the man who bears the sole responsibility for the chaos and terror that engulfs Troy. Hector finds Paris "polishing (and) fondling his splendid battle-gear, his shield and breastplate, turning over and over his long curved bow" (VI, 243-245).

Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.

Honor and shame is a theme started long before the Iliad’s opening. Homer did this intentionally, beginning a thread that will connect the storyline beneath the surface. One such reason is to connect the story to a larger narrative; this is not merely a story of war, but of humanity itself. While the characters and the storylines are fictitious, honor and shame are not. This link creates a sense of camaraderie between the characters and the audience, making the plot more real and impactful. On the other hand, the decade old feud is what fuels the Trojan War and thus the Iliad itself. Such a long standing conflict between Paris and Menelaus serves to point out the futility of honor and shame. Paris first shames Menelaus’s by stealing Helen, Menelaus’s wife, and he then, in turn, refuses to admit his wrongdoing and give back Helen, all in fear of being shamed in front of the

Paris then took her back to Troy. Menelaus heard and the ex-suitors of Helen made a deal with Agamemnon saying that If the princess of Grease won that Menelaus would get Helen back and Agamemnon would get Troy. Rumors have it that Odysseus the king of Ithaca, was sent on a journey to find you and persuade you to join the war between the princes of Greece and the Trojans. Odysseus was a great persuader , and with you thirst for adventure and glory, he talked you in the joining the fight and you sailed for Troy. You took 50 ships, each carrying 50 men of your best men from your private army, the Myrmidons. Is it true that Agamemnon and you had a falling out and you withdrew from the conflict? and that the quarrel started after you had taken two women in one of your raids? and that you gave one of the women to Agamemnon. But, the girl’s father offered a ransom for the girl’s safe return. and that Agamemnon refused because the girl was a priestess of Apollo, and that the god was unhappy with this decision and sent a plague to wreak amongst the Greek camp. and that Agamemnon eventually gave back the girl, and to mourn the loss, he took your woman from you? and without you, the Greeks were fearful of loss and the Trojans gained confidence of winning from your absence, even reaching close to the walls of the Greek camp in their attacks and managing to set a few Greek ships on fire. what was your thoughts when your great friend Patroclus begged you to re-enter the war or at least allow him to lead out the Myrmidons in battle? and when you agreed was it hard to give him your armour made of gold, silver, and enamel, and the graves were of shining tin and army? and why did you make him promise only to engage in defensive action and not pursue the Trojans back to Troy? To my understanding you killed Troilus and were very smitten with Priam's daughter Polyxena. Priam decided

Embodied in Paris, the antagonist of the Trojan war, is the reflection of Troy's lack of piety. When Paris captured Helen, he stole her while Menelaus’ guest in Mycenaea and under the ancient code of hospitality. However, the abduction of Helen went further than breaking

While this circumstance may be easy enough to understand, such setting or background in the plot actually entails more history: Even before Paris was born, a prophecy was carried out that the handsome prince would cause the destruction of Troy; thus, King Priam and his queen banished the baby to be raised in the wilderness. Later on, as a shepherd, he encountered the three goddesses, Hera, Pallas Athene, and Aphrodite, and set the motion of what would be the war that extinguished the Trojan line—Paris was to decide who is the most beautiful of the goddesses. Each goddess tried to bribe him with promises of power, riches, fame, and glory, but it was Aphrodite who succeeded in the end as she promised Paris that he can have the most beautiful mortal, Helen. This simple arrangement would then serve as the catalyst of a war that would kill thousands of Trojans and Greeks as soon it is revealed that Paris has stolen Helen and the gods and goddesses of Olympus have each taken sides on the war which would further complicate the lives of the people of Troy and Greece. (Buck Jr. , 11-12)

The suspected start of the war- over the abduction of Helen, Queen of Sparta- was caused entirely by a godly conflict over who was the most beautiful- Hera, Athena, and Aphrodite. Paris, son of King Priam of Troy, was selected to judge. He chose Aphrodite, who in turn gave him Helen, who was her equivalent in beauty amongst humans. In both versions, Paris is portrayed as a wife stealing, thief in the night. His brother Hector and he were on a peace mission in Sparta on behalf of Troy visiting the king, Menelaus, when Paris ran off with Menelaus' wife, Helen. This action divides the Gods who constantly meddle with the mortal's lives. Naturally, Aphrodite is on the Trojans' side, as was her lover and God of War, Ares, and Apollo. Although Zeus, King of Gods, tried to be neutral, he was pro-Trojan. Hera, Queen of Gods, and Athena help the Greeks because they were mad that Paris chose Aphrodite. Poseidon, God of the Sea and Zeus' brother, also sided with the Greeks whenever Zeus was not looking. An example of this constant intrusiveness of the Gods in the Iliad was when King "Menelaus hurls his spear, lightly wounding Paris. Paris' helmet strap becomes caught at his chin and Menelaus has nearly dragged him away before Aphrodite intervenes, breaking the strap. She then wraps Paris in a mist, sets him in his own perfumed bedchamber, and hurries to catch Helen" (Bloom 13). Of

Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the

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