Expressive Typography Essay

Over the past few decades, enhancements in the visual fields have greatly improved, giving weight on the importance of visual material in text. Something that is more visually stimulating can usually make a text more convincing or credible. The term “seeing is believing” proves this fact. As humans, we tend to believe something if we can actually see it, which is why Jay David Bolter has referred to this phenomenon of the changed role of text and graphics as the “visual culture” in his book Writing Space. “Mere words no longer seemed adequate; they had to share their space with images.” (Bolter, 69).

In the beginning of chapter four, The Typographic Mind, Neil Postman delivers an impressive narrative argument about the impact of print information culture on 17th and 19th century minds. Postman makes a few claims with respect to the contrasts between the written and spoken word. In this essay, there are four qualities of the typographic mind: attention span, listening ability, knowledge of issues, and literary language.

The anecdote entices the reader and her poetic description of the way each stroke of a letter can be subtly varied and the way the letters smudge. Connects her with the reader as a person and not an endorser.

I am looking at a visual illustration of Charlene Nieves. The body she has chosen to represent her exterior image is an outline of a female. She has chosen to draw and color in her hair. She also chose to split the image horizontally into two parts. The upper half colored in red whereas the lower half of the body is colored in blue. In the exterior of the bodies outline, Charline has written two words (humble, determined) in big letters vertically, placing them on opposite sides of each other in a parallel manner. One of the letters she has written in red (humble), and the other in blue (determined). The inside of the body includes many words that fill it’s volume, words that are a characterization of her persona.

Throughout time, there have been countless artists, designers and typographers that had the opportunity to make a bold statement, invent the next best thing or to engrave their name in the design industry for all eternity. Although ordinary people don’t realize a good design when they see it, they know it has attracted them somehow and they feel the need to ask and wonder how it came to be. Without question, Eric Gill has note ably revolutionized the type world. Without him there would be no benchmark for humanist typefaces; without Gill, there would be no Gill Sans, the font that will consistently be seen as a crisp, clean and readable font; as all typefaces should be. Despite for his one notorious face, he has created 11 typefaces, wrote

Whether an artist sits at a work desk or steps up to an easel, they all have a common goal; to create a message. Some express their message through visual mediums and others through text. Each type has its pros and cons but certain messages are more accurately represented by a specific medium.

the transitional form of typefaces due to the contrast between the thicker vertical strokes and the

For example, a simple thought bubble in place of speech can communicate that upon realizing a piece of information, a person decides to keep their knowledge of it a secret. “My grandpa was a prince”, written in swirly childish lettering, accompanied by a picture of an angry lion holding a sword, a smiling sun and a man riding an elephant all serve to provide insight into the comically infantile perspective a young developing mind might still hold. Certainly, the use of artwork with text provides a uniquely immersive experience for readers, but that is not to say that there are no drawbacks either. At times, this simplification becomes apparent, and the victories or losses experienced by characters come across as

When I started this class, I did not know anything about the history of graphic design. I had no idea what influences have held a strong presence or why things are the way that they are. During this typography research project I learned a lot about the history of graphic design and especially the history of the Dadaism typography movement.

Typography was completely transformed when the printing press by Gutenberg was invented in the 15 century. Since it’s creation, typography has been advancing non stop. The importance of typography is conveying meaning with the design of typefaces. Typography can create different meanings and feelings just by the use of a certain typeface. The typeface can influence a formal, informal, playful, serious, etc mood on the reader and viewer of the font. There are two different types of designs, schooled and unschooled. However, one is design is not better than the other just because it’s schooled and the other is not. To explain the different uses of the designs, this paper is going to compare two Italian restaurants that take place in Charlotte.

“The 20th century was a time of social, cultural and technological revolution and change. Inevitably this had an effect on visual communication of the time.” One of the key factors in typography that I believe to be central to the development and progression of visual communication in the 20th century is the typeface Helvetica.

The subject of this artwork by Rose Jaffe is a professor of ceramics at the University of Michigan. The theme explored is a professor drawn, using monoprint from a sort of bird’s eye view. This artwork is relevant to Rose Jaffe as some of the work she does is monoprinting of portraits. To work with our theme of text in art we are using monoprinting to draw out our designs with text and repetition– so this artwork is relevant to me as well. The fact that the actual drawing is quite small on the page and that Rose uses different mark making appeals to me visually. The relationship between the visual elements communicate the use of monoprinting to make aesthetically pleasing work. As this work is simplistic and their isn’t a busy composition,

In the previous installment of this series, we took a closer look at Transitional style typefaces, so-called because they mark a transition from the former Old Style types—epitomized by Baskerville—and the subject of today’s brief history, the Moderns, also known as Didone (the terms Modern and Didone are used synonymously throughout this article).

Eduardo Recife is an artist, illustrator, and typographer. Most of his artwork and illustrations are collage based. Within his artwork, Recife adds a mixture of narrative drawings, stains, textures, and hand lettering to create a retro and vintage piece of artwork. Recife decided to create his own typefaces in 1997, at first for himself. The then figured it would be good to let others use it, so he distributed it online. He then thought to name the foundry “Misprinted Type”, after the name of his first typeface (Aloa). His unique artistic collage

The type designer I chose to research is named Robert Slimbach. He is very well known for his contributions to graphic design, being the designer of many widely used typefaces such as Myriad, renditions of Garamond, Minion, and ITC Slimbach.