During the time of Shakespeare, women did not have as much freedom and power as they do today. In the 1500’s women were dominated by men. Decisions that impacted women were decided by men. This dominance is evident with Ophelia in Hamlet. Ophelia was controlled by her father and brother. They told her to stay away from Hamlet; however, Ophelia wanted to continue to see Hamlet. This is an external conflict that Ophelia faces. The internal conflict Ophelia faces is her continuing love for Hamlet, after their breakup. Ophelia eventually went mad and killed herself because she struggled with an internal and external conflict that eventually overwhelmed her. Ophelia struggles with an external conflict because Polonius did not want her to interact …show more content…
After Hamlet killed Polonius, Ophelia lost her father. Ophelia’s love for Hamlet was also turned to naught (Gates). She lost those she loved when she most needed them. She spent her time thinking about Hamlet and at times ignoring Polonius’s commands. In the end, she lost Polonius and the love for Hamlet. Once she lost Polonius, her madness was driving her to suicide. Eventually, she began to sing songs in order to comfort herself. The hymens enabled her to mourn her father’s death (Carroll). She relied on her songs because she had no one else. Ophelia’s speech became representative of her mental health. Her hymens gave an insight to how she was truly feeling. Ophelia began singing her songs after her father’s death because they comforted her. She states,” He is dead and gone, lady, he is dead and gone” (Shakespeare). She is clearly singing of her father’s death. At this point, Ophelia is completely mad. Ophelia could not handle her father’s death. She also states that she can only weep when she thinks about her father being buried (Shakespeare). Her internal conflicts finally overwhelmed her. She was been crippled with sadness that prevented her from thinking clearly. She was powerless then and she is powerless
William Shakespeare’s Hamlet can be read as a feminist play given Ophelia’s experiences within the Danish society. Through Ophelia’s interactions with the men of the play, the audience can see that the male-dominated society brings inequality, distrust, and destruction. As Ophelia interacts with her brother, her father, and Hamlet, she is completely unable to assert her own independence, and her lack of personal autonomy eventually drives her to madness. These three men all deny Ophelia’s individuality and desire for self-control because they are accustomed to their male-dominated world. However, once Ophelia is driven to madness, she is regarded as an individual and finally has political and social power. Shakespeare’s Hamlet is a feminist play located within a misogynistic culture that Ophelia struggles to escape.
Ophelia’s role in Hamlet is a very tragic one, because in all honesty, she was one of the most innocent characters of them all. She loved her father dearly, but he was taken away from her by complete accident. As Ophelia’s story progressed, her composure slowly started slipping away from her when she sang to Gertrude and Claudius about her father’s death and starts taking off her clothes (Act 4, scene v). When
The “attachment loss and betrayal” (Doctor and Shiromoto 2) turned her into someone she was not. Hamlet, the main character in “Hamlet” was the source of her instant change. She says to her father that, “he [Hamlet] has wooed me in an honorable fashion” (Shakespeare 61). But all of the sudden that changed and Hamlet says that “You [Ophelia] shouldn’t have believed me” (Shakespeare 147). That the gifts and affection that he gave her were never real. Ophelia’s heart was broken. Almost instantly after that, her father was murdered by Hamlet. An accident that started the effects of her mental illness. She could no longer control “the poisonous effect of deep grief” (Shakespeare 231) like she did when she lost Hamlet’s love. She rambled a whole bunch of songs that no one would understand, then she drowned “like somebody unaware of her own dangerous predicament “ (Shakespeare 257) Ophelia was a young, loving daughter and sister that was changed by the horrors around
It could be perceived that since she is singing about her father in her current mental state it could point to the root of her madness being her father’s death. The rest we hear from Ophelia in the play is her singing about her dead father and how she hopes that is soul is at rest and talking to her brother about how their father is dead.
2mention again that Ophelia is mourning her father's death. She sings about it, talks about it and even dies for it. She didn't care about anything else except her feelings she had towards this situation. She ended it all by committing suicide. Like the other girls in the play, when Ophelia was asked to do something she obeyed without question. She loved Hamlet a lot but couldn't bear the loss of her father , and in my opinion that makes her strong, she would give her own life just so she wouldn't have to live without her loved one.Similarities. The Queen and Ophelia wish for Hamlet to be happy and for him to go back to being himself again. Everyone around him feels as though he’s
When Ophelia sings it really draws attention to her character. By song her inner self is really expressed and communicated. She uses it as a tool of expression and empowerment to really show how she feels psychologically and emotionally. Ophelia’s songs really become her voice at this moment and they move the audience in the play. However the explicit sexual references in the song’s Ophelia’s song account for her obsession with the now absent Hamlet, he “promised her his love” earlier in the play. The lines like “Young men don 't they come to’t/ By cock they are to blame” really signifies the meaning of man promising love or sex but backs out after time (4.5, 59-60). This is followed by the line “You promised me to wed, / So would I ‘a’ done, by yonder sun, / An thou hadst not come to my bed.” and this is part of song that likely dangs Hamlet as a cause of her mental
Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.
Ophelia allowed herself to become a sort of marionette in Polonius' schemes toward understanding the seemingly mad prince. While her relationship with Hamlet was on the line, she allowed Polonius to commandeer the strings that determined her actions. Polonius was determined that Hamlet's supposed madness stemmed from lovesickness for Ophelia. He convinced Ophelia that her betrayal of Hamlet was a necessary evil and she began to relay all of Hamlet's messages and attempts at communication to him. He told the king and queen:
In the play, Hamlet, by William Shakespeare, Ophelia, the daughter of Polonius, is seen as a fair maiden who wants her love with Hamlet to be eternal. Due to the many warnings from her father Polonius and her brother Laertes, she succumbs to her father’s wishes and plays the role of a good daughter, thus betraying Hamlet. Previously in the play where Hamlet gives his soliloquy on life and death, Ophelia has been ordered to break off her relationship with Hamlet while Polonius eavesdrops to prove that Hamlet has truly gone mad. As a result of Hamlet’s supposed madness and Ophelia’s docile character during the confrontation, both of their fragile hearts shatter and Ophelia begins her dark descent into madness, leading to her eventual death.
Ophelia is Hamlet’s love interest throughout the entire play. However, in an attempt to be strategic, Hamlet feigns insanity in order to be deceiving and in turn breaks Ophelia's heart. His sudden disinterest towards her coupled with her father Polonius and brother Laertes’ commands to stay away from Hamlet composes a dire internal conflict within Ophelia's mind. She is torn between her undying love for Hamlet versus her desire to be an obedient daughter and sister. In addition, Hamlet unintentionally murders Polonius rather than Claudius, which also adds to Ophelia's insanity. To make matter worse, Ophelia has no mother figure within her life. So taken all together, she is stuck in a constant battle within herself with nobody who is there for her. “I hope all will be well. We must be patient/ but I cannot choose but weep/ to think they would lay him/ i' th' cold ground” (Hamlet v, iv). This quote from Ophelia demonstrates her deep sorrow towards her father's death, as well as the start of her path to insanity. Her lack of a maternal figure leaves her with nobody to discuss her feelings and troubles with. Because of this constant battle within her life, Ophelia finds herself in a confrontation with her emotions, which ends in her official decision of suicide. Which one could argue makes her decisive in the end which may be true, but her internal struggle leading to her choice of suicide is what makes her a great example of a character struggling with uncertainty during times of
In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William
In contrast to Hamlet, Ophelia did in fact go crazy for many reasons, one being Hamlet’s madness. After “going mad,” Hamlet taunts Ophelia numerous times when he says things like, “I could interpret between you and your love,/ if I could see the puppets dallying” (Ⅲ.Ⅱ). It is Hamlet’s statements that leave Ophelia embarrassed and confused, which eventually lead her to madness. She becomes so distressed by the thought of Hamlet’s incapability to love her back. When Ophelia went mad, even a gentleman just passing by noticed how “she speaks things in doubt,/ that carry but half sense. Her speech is nothing” (Ⅳ.Ⅴ). When Ophelia loses it, she really goes insane. Her words only make sense “half” of the time as if she is only half there in her brain as well. Ophelia is pitied by most people who come into contact with her and when she dies, Gertrude justifies Ophelia’s death by saying that she was “incapable of her own distress” (Ⅳ.Ⅶ). The amount of pity that Ophelia received is so much that “Poor Ophelia” is mentioned twice in act four. While Ophelia’s madness becomes a pity party, Hamlet’s madness is seen as strange and unusual. Ophelia became mad because of her confusion inflicted by Hamlet.
Even in death, she displays yielding and passive behavior: Ophelia does not have the intention of committing suicide, though she fails to save herself from sinking. She is essentially a casualty of a society that enforces unreasonable expectations for its women and is never afforded the liberty of thinking for herself and making her own judgments and decisions. Her passive death represents the lack of control she has over her own person and the dependence she has developed on other people. Therefore, Ophelia is mentally unstable and not capable of realizing that her life is on the line. Ophelia is trained by the men in her life to be compliant with their demands, preventing her from practicing her autonomy and enabling her to be easily manipulated by Hamlet.
Allowing herself to continually feel her grief without support and guidance causes Ophelia to lose her mind. King Claudius says of her, “O, this is the poison of deep grief: it springs/ All from her father’s death…; Poor Ophelia/ Divided from herself and her fair judgement,/ Without the which we are pictures”(4.5.74-75,83-83) Without her father and his ability to reason and tell her what to do, Ophelia loses the little control she has over herself. Previously, she could rely on Polonius to speak for her, but her only support is gone, and her coping strategy is ineffective and detrimental. By being separated from “herself and her fair judgement”, Ophelia is no longer herself, and the girl who she used to be has been destroyed.
As a result of spending her life under the protection of her father and his orders, due to her submissive nature, Ophelia remains naive and unaware of the deceit and bitterness surrounding her which renders her incapable of facing the harsh realities of life once her father dies and Hamlet leaves her. After the death of her father and with the absence of both Laertes and Hamlet from her life at the time, Ophelia is driven to madness and Gertrude explains it the King: “She speaks much of her father, says she hears there’s tricks i ' the ' world, and hems, and beats her heart, spurns enviously at straws, speaks things in doubt that carry but half sense.” Finally seeing the grim reality of her surroundings without her father to hide behind, Ophelia loses her sanity and eventually end her own life as she no longer knows how to lead an independent life. In conclusion, Ophelia is portrayed as a puppet on strings being pulled around by the males in her life, making all her decisions and controlling what she can and can’t do, and once all the men are gone, she no longer able to function on her own and she ends her life as a result.