External Crisis Throughout Wuthering Heights

Mr. Earnshaw, the father figure at the Wuthering Heights estates, upon returning from a trip to Liverpool, has brought a young orphan boy in place of the gifts he promised his children. Despite Mr. Earnshaw’s kind heart, the family refuses to accept the boy. Wuthering Height’s maid, Ellen “Nelly” Dean, narrating the family’s history to Lockwood, tells him the family’s first impressions and their treatment of the boy. She states, “they entirely refused to have it in bed with them, or even in their room; and I had no more sense, so I put it on the landing of the stairs, hoping it might he gone on the morrow” (Brontë 40). Both children are upset at Heathcliff for have crushing the gifts their father has promised to bring back to them. Neither let him room with them, resulting in Heathcliff sleeping on the floor outside of Mr. Earnshaw’s room for the first night of his arrival. Aside from being an orphan, this was Heathcliff’s first experience with rejection at Wuthering Heights. Not only did the children dislike Heathcliff for have ruining their gifts, but the adults did not appreciate his arrival either. Nelly claims she hopes “it might be he gone on the morrow” (Brontë 40). In addition to wishing the boy would disappear, she refers to Heathcliff as not the pronoun “he,” but with the word “it,” degrading him to a “thing” as opposed to a human being. Nelly then descripes Mrs. Earnshaw’s opinion on the boy, “Mrs. Earnshaw was ready to fling it out of doors: she did fly up, asking how he could fashion to bring that gipsy brat into the house, when they had their own bairns to feed and fend for?,” (Brontë 39). She is just as welcoming as the children and maid, Nelly, are. She refers to him as a derogatory, gypsy boy,

The complex and furious creation of Emily Brontë, Wuthering Heights is a powerful novel that fiercely combines many of the greatest themes in literature, such as love and its intricacies, revenge and the its terrible effects, and the contrasts between nature and society. One of the most prevalent themes in this celebrated work is that of crime and punishment, or sin and retribution. One character in particular, Heathcliff, stands apart as a conduit for both of these, es-pecially his sins. His past crimes, both worldly and metaphysical, coincide with his punishments.

The Development of Heathcliff’s Character in Wuthering Heights Heathcliff is a character who is ever present in “Wuthering Heights” and throughout the novel his character changes. At first he is a poor, homeless child, then he becomes a loved and neglected victim, then he is a degraded lover, and finally he transforms into a vicious, lonely master. Heathcliff is introduced into the novel as a homeless child. He is a ‘“dirty, ragged, black-haired child”’ who Mr. Earnshaw brings to Wuthering Heights from Liverpool. He is constantly referred to as ‘it’ and a ‘gypsy’.

13. Mr. Earnshaw returned home from Liverpool with an orphan (Heathcliff). His daughter Catherine took to Heathcliff, as did Mr. Earnshaw, but Hindley hated the boy and tortured him. Heathcliff had to be hard and insensible in order to cope with Hindley’s abuses. Nelly Dean repeatedly describes Heathcliff as “sullen.”

In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.

Cruelty compels one to inflict cruelty upon others. In her novel, Wuthering Heights, Brontë illustrates the rough life of Heathcliff, conflicted with whether he should focus his life on loving Catherine Earnshaw or inflicting revenge on those who tortured him as a child. Mr. Earnshaw adopts Heathcliff into the Earnshaw family as an orphan gypsy, a social class that most of the Earnshaw did not care for. The eldest child of Mr. Earnshaw, Hindley, abuses Heathcliff horribly, shaping the way Heathcliff perceives the world around him. Catherine Earnshaw, Hindley’s younger sister, motivates Heathcliff to endure this pain through their affectionate relationship. With his heart focused on revenge, Heathcliff devises a cruel plan to retaliate those who hurt him; he returns to Wuthering Heights as a refined, powerful man. He takes some of his anger out on Hareton Earnshaw, Hindley’s son; this parallels Hindley’s abuse towards Heathcliff. Through Hindley’s and Heathcliff’s abusiveness in Wuthering Heights, Brontë asserts that cruelty cycles from its perpetrators to its victims.

However, despite changes, the literary world remained predominantly male, and women writers not encouraged, or taken seriously. Consequently, to counteract this Emily Bronte published her novel Wuthering Heights, under the male pseudonym of Ellis Bell. Wuthering Heights is the story of domesticity, obsession, and elemental divided passion between the intertwined homes of the Earnshaw’s residing at the rural farmhouse Wuthering Heights, and the Linton family of the more genteel Thrushcross Grange. This essay will discuss how the language and narrative voices established a structural pattern of the novel, and how these differing voices had a dramatic effect on the interpretation of the overall story.

This parallel is ironic – the reader is not inclined to view Lockwood as a ‘hero’, yet the novel is seemingly framing him as if he invariably is one. This distorts our reading of the novel, as Lockwood’s cowardice and pomposity renders this reading nigh improbable. Therefore, the ironies present in this implied portrayal of our central narrator tends to bend our reading of Wuthering Heights more as a pastiche, rather than a direct addition to the pantheon of Gothic fiction. This is supported when other characters from the novel are scrutinised: the younger Cathy is interpreted by Lockwood as the typically virginal maid present in Gothic literature, and – adhering to the literary tradition – feels compelled to rescue her from the Heights and

Heathcliff is introduced in Nelly's narration as a seven-year-old Liverpool foundling (probably an Irish famine immigrant) brought back to Wuthering Heights by Mr. Earnshaw. His presence in Wuthering Heights overthrows the prevailing habits of the Earnshaw family, members of the family soon become involved in turmoil and fighting and family relationships become spiteful and hateful. Even on his first night, he is the reason Mr. Earnshaw breaks the toys he had bought for his children. "From the very beginning he bred bad feelings in the house". Heathcliff usurps the affections of Mr. Earnshaw to the exclusion of young Hindley-: "The young master had learnt to regard his father as an oppressor rather than a

The primary topic, which is the theme discussed in Wuthering Heights, is on “natural supernaturalism.” In Wuthering Heights, there seems to be this idea that the novel focuses on metaphysics. However, the author does also minorly note other primary themes, such as “human love, its possibilities, limitations, and consequences.” Moreover, the writer notes that there is some similarity in style of Bronte’s in comparison to that of the poets Wordsworth and Coleridge -- as in some of Wordsworth and Coleridge’s works involve nature, as well as supernaturalism. Essentially, the character/narrator Lockwood -- in Wuthering Heights -- is the individual in where the themes of “natural supernaturalism” can be present. It is disclosed that this character had various dreams, in which Williams seem to interpret as involving some sorts of supernatural elements. Williams also claims that the closing words and conclusion of Lockwood’s narration suggest and emphasize a link to the idea of natural

In the first three chapters of Wuthering Heights, Lockwood is forced to grapple with the mystery of Heathcliff’s cruelty, watching him do things from “[striking] his forehead with rage” and “savage vehemence” to threatening to physically assault his daughter-in-law (27). The narrative which the original text of Wuthering Heights provides, however, is not concerned with the emotional progression of the individual, assuming that Heathcliff’s savagery is simply characteristic of his very existence. It is through Catherine Earnshaw’s perspective, manifested through her diaries, that Heathcliff’s cruelty can be assessed, not only as a product of his social environment, but as something deeply entrenched in his racial differences. Catherine’s sympathy

The description of the setting of Wuthering Heights is described so thoroughly, which emphasizes the gothic tradition in this book. It is 1801 and Mr. Lockwood, a new tenant at Thrushcross Grange, writes in his diary that he has rented a house in the Yorkshire countryside, or New England. After he arrived there, he visits his landlord, Mr. Heathcliff. Heathcliff lives

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.

Many authors use the setting of a novel to illuminate certain values and principles in their writing. In Wuthering Heights, Emily Bronte utilizes this technique to enhance the theme of the work. The novel is set in a harsh environment in Northern England, highlighting two specific estates, Wuthering Heights and Thrushcross Grange, as the main places of action. The dreary landscape and houses not only serve as the primary setting, but also as major symbols that aide in establishing the tone and enhancing the novel's theme of good versus evil.

Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly