Essay on External and Internal Conflict in The Minister’s Black Veil

Father Hooper, a character in The Ministers Black Veil, has put a wall up between himself and his parishioners with the simple adornment of a veil. The veil is symbolic of secret and sin the Father is trying to hide from the world. A secret so massive, it is not even to be removed by his Fiancee’, Elizabeth. While he, himself will not let his secrets be known until his earthly departure, it can be presumed that they carry the weight of infidelity. On his deathbed, Father Hooper described seeing a black veil on everyone he has met, perceiving that everyone has their own walls and

Nathaniel Hawthorne’s short stories are strongly developed around his unique and powerful use of physical setting. Often the location and the time of day of the story speak as much -- if not more -- of the plot, giving a deeper meaning then just the outside world. However, this emphasis on the physical setting is not always present, as in “The Minister’s Black Veil.” Instead, Hawthorne here used primarily the psychological setting of the characters (and most of all with Parson Hooper) to create this masterpiece work that creates just as much an impact - if not more so -- than any physical setting could ever achieve. Hawthorne’s gift as a writer who knew the power of darkness is evident in his short story “The Minister’s Black Veil”.

    There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.

In Nathaniel Hawthorne's “The Minister's Black Veil” there are many secrets, many dark areas, both literal and metaphorical. An intensely private man who allowed few to know him well, Nathaniel Hawthorne was fascinated by the dark secrets of human nature. One of the first American writers to explore his characters’ hidden motivations, Hawthorne broke new ground in American literature with his morally complex characters. He explored such themes as sin, hypocrisy, and guilt. This essay is discussed about a pleasant scene in Milford, a small Puritan town where men, women, and children mill about enjoying the prospect of another Sunday. This peace is interrupted by the

Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.

Whatever his reason for his odd clothing, Reverend Hooper's veil caused more than a physical separation from the people of his town. The people felt the veil was "the symbol of a fearful secret between him and them" (Hawthorne 256). Their fear and confusion of the minister's motives caused strange behavior and unnatural withdrawal from their spiritual leader.

In the 1600’s the Puritans were the main religious group of that time period and they had very strong ideals on how religion and government should go together. Jonathan Edwards, who shared many of their ideals, preached a sermon called, “ Sinners in the Hands of an Angry God” and it had a very big impact on the congregation. Nathaniel Hawthorne, although he was a writer in the 1800’s, he was fascinated with the Puritans and their lifestyles and wrote a short story called, “ The Minister’s Black Veil.” Both authors use specific details, tone, and imagery to convey their meaning and style, Edwards harsh and accusatory style was more effective than Hawthorne’s melancholy and mysterious style because Edwards helps the reader understand the effects sin can have in one’s life.

Mr. Hooper has an effect on people by wearing the veil and he uses it to express his original purpose. Everyone on Earth has sinned, “for the Earth, too, had on her Black Veil.” This shows that Mr. Hooper believed that sin is a part of nature and it is a natural thing to be sinners. Even Earth, His own creation, is hiding her secret under a black veil. Hawthorne says this to show Mr. Hooper’s point that people have an inborn sinful nature and it is not always represented by literally wearing a black veil. In other words, he says that even people who do not wear a black veil equally have secret sins, “If I hide my face for sorrow, there is a cause enough…and if I cover it for secret sin, what mortal might not do the same?” People hide their real self to prevent being criticized by society and because they are ashamed of what they have done. He pays a high price in the attempt of teaching society the nature of sins. The people who used to admire him are now afraid and confused so he is forced to live a lonely live. Following this further, he influences people to believe the moral lesson behind his decision of wearing the veil. He wants people to

Specifically, Hooper’s spasmodic behavior leads him to wear a black veil over his face, which comes short just above his mouth. “There was but one thing remarkable in his appearance. Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil.” (Hawthorne 2). Living in a deeply religious society, as well as being a preacher, wearing such an inappropriate garment is asking for persecution. “ He seemed not fully to partake of the prevailing wonder, till Mr. Hooper had ascended the stairs, and showed himself in the pulpit, face to face with his congregation, except for the black veil. That mysterious emblem was never once withdrawn. It shook with his measured breath…” (Hawthorne 3). All eyes are on the minister; his status does not bring him this attention, but the mystery and the astonishment of the black veil. The veil and Hooper are one; both are religiously symbolic and are the center of the

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

“The Minister’s Black Veil” seems like a moral allegory. Not just the veil but the act of wearing it is important. The veil also alienates the parson from people.

At this point begins the external conflict of the drama – between the minister and the people of his congregation, which will last until his death. Except for the sable veil, Reverend Hooper is quite a compatible and sociable personality:

One reaction to Father Hooper’s veil was wonder. The second reaction to Father Hooper’s veil is the people of the town would look away, not invite him to lunch, and not walk with him in the street.

The short story “The Minister’s Black Veil” by Nathaniel Hawthorne follows the minister Mr. Hooper whose simple change in appearance alters the very nature of his existence in society till his death. While his decision to begin to wear a black veil over his face ostracizes him from society, it also turns him into a more influential clergyman. With the symbolism of the black veil and in a somber tone, Hawthorne makes a statement on the involvement of society in personal matters and the “black veil” that is present over the heart of every man, making the point that everyone is guilty of being sinful.

If we take “The Minister’s Black Veil” as a horror story, it leads us to certain conclusions about the nature of the veil and Hooper’s refusal to take it off. If horror is something that centers upon the horrifying or macabre, especially concerning the supernatural, one can see that this story could belong. Hooper never divulges the exact nature of the veil, and we are left to speculate about what it could possibly mean. Several possibilities present themselves if we think of this story as a horror story; it could be that the veil is covering Hooper’s face to be a constant reminder to his congregation and all who see him of secret sin. It seems that the idea that he could possibly know someone’s secret sin is terrifying to the townspeople. Indeed, this veil does give Hooper “awful power over souls that were in agony for sin” (943). Sinners fear him, because they feel that the black veil is a reference to their own personal secret sins. And the veil gives him an association with the dead and ghostly qualities; after the girl’s funeral at the beginning of the story, one woman remarks that she thought she saw Hooper walking hand in hand with the ghost of the dead girl. Such things would not have been imagined if he had never donned the veil.