Extract In Les Miserables, By Victor Hugo

This quote represents the way that the author’s anti-utopian style further depicts the alienation between people and literature, as well as the isolation of people from other people, as a negative effect of the advancements of modern technology.

This implies that something clicked within the man and woman that they cannot keep tugging back and forth living the way they had been. Lines 13-15 resembles a hyperbole that seems to exaggerate an x-ray, “we held ourselves up to a light that X-rayed our flesh to see if we were made for one another”. Though an X-ray does allow one to see inside their bodies, it cannot literally tell one whether or not they are a perfect match with someone. Throughout the stanza, the theme is represented in a way that the couple starts to question whether or not they are right for one another. This shows one of the many issues real relationships face in the real world—questioning whether what they have is real and worth

I agree with the statement that in the novel Les Miserables, the author Victor Hugo is trying to say that human nature is basically good. In the most basic sense, the definition of good trying to do the right thing, even if there are negative consequences. It often means having to sacrifice and give up something to do the right thing. Throughout the book, many characters sacrifice their happiness and morals in order to do what they believe is the right and fair thing. Even when faced with serious consequences for being honest, characters more often than not still choose to do the right thing. Some may argue that Victor Hugo is saying that human nature is basically evil because some characters commit evil actions. However, in most cases, characters don’t always have evil intentions, their execution is just poor and makes them seem evil. Everyone thinks of themselves as a hero, almost everything a character does is because that’s what they believe is the right thing to do. Whether or not it really is could be up for debate but for the most part, most characters don’t have evil intentions and attempt to usually do the right thing. Victor Hugo is saying that as a whole, human nature is inherently good.

Throughout this lay, there is a sense of hope in the author's tone, almost good-natured and kind hearted. She also sets a series of sorrowful tones that creates an atmosphere for the troubles the lovers have gone through to be in the presence of each other. However, the majority of the story is the happiness and joy from the lovers finally being with one another. Toward the

At this point in the poem, the speaker takes a moment to explain that, beauty and the ability to enjoy life to the fullest fades with time, and that the two of them should show off or 'sport'; their love and beauty before time passes by and they loose there chance.

Sacrifice is seen throughout the Les Miserables, because it is a prominent part of human living. Sacrifice is greater in those who have less. Hugo conveys sacrifice through the characters Jean Valjean and Fantine, showing how they sacrificed in order to gain a better life, self-forgiveness

Realist writers choose to reveal the blemishes and authenticity of everyday life, by avoiding the idealism commonly found in romantic literature. Gustave Flaubert’s “A simple heart” is not a story which contains any substantial climatic event. Instead it entails the entire life of Félicité in only five sections and arguably embodies a realistic biography, although fiction. There is flatness in the style of writing, but although it is simple, Flaubert’s short story reflects the complex tribulations of real life with the unfortunate events Félicité encounters. Sympathy therefore, is intended to arise from the readers as the impersonal and honest narrator reveals the height of Félicité’s misfortune. In this particular extract her social environment, the way she is treated and the communication between Flaubert’s characters, undoubtedly adopts the art of realism.

Everyone needs someone to love and care for as well as someone who can return that love and care. When Cosette comes into Valjean’s life, it makes him feel something he didn’t feel in a long time, “When he saw Cosette, when he had taken her, carried her away, and rescued her, he felt his heart move” (123). At this point, she becomes more than just a girl but another symbol in Valjean’s

Soren Gordhamer once wrote on mashable.com, “...social media, likely more than anything else, has significantly impacted most of our daily lives.” However, social media would not have been so influential back when it did not exist. So what were the influences on the greatest people of the nineteenth century? French poet, novelist, and dramatist of the Romantic movement, Victor Marie Hugo is considered one of the greatest and most renowned French writers of all time, specifically for his innovative brand of Romanticism developed over the first decade of his career. Considering Hugo’s popularity amongst readers everywhere, it is not surprising that many sources can be found on Hugo and his works. Many of these sources focus specifically on Hugo’s most famous work: Les Misérables. Certainly, Victor Hugo’s Les Misérables was heavily influenced by people and events of the time period.

In paragraph eight, Chopin begins to use personification as well as imagery. Mrs Mallard “young, with a fair, calm face” (158) is sitting in the armchair with a “dull stare in her eyes” (158) which “indicated of intelligent thought” (158). Reading this, the reader can form an idea of what Mrs Mallard looks like, and we understand that there’s something going on in Mrs Mallards head, something changing everything in her mind. Mrs Mallard is still struggling to figure it out but “she felt it, creeping out of the sky, reaching towards her through the sounds, the scents, the color that filled the air”. From this we understand that she is beginning to realise it, and her soul is beginning to fill with happiness of freedom, which is in all the sounds, smells and things she sees. For one moment, however, she is somewhat afraid of feeling happy about her freedom and “she was striving to beat it back with her will” (159). This shows that Mrs Mallard is a “product” of her time, and is striving to feel what is socially accepted. She realizes that society would determine her thoughts of freedom inappropriate, but she can’t stop herself from feeling that way.

"It [bourgeois] has but established new classes, new conditions of oppression, new forms of struggle in place of the old ones. Our epoch, the epoch of the bourgeoisie, possesses, however, this distinctive feature: it has simplified the class antagonisms. Society as a whole is more and more splitting up into two great hostile camps, into two great classes directly facing each other: Bourgeoisie and Proletariat."

The Marquis de Sade was a controversial writer from the Enlightenment period. His works were highly controversial at the time although he did acquire some sort of a cult following. The Marquis de Sade uses a variety of techniques in his writing to great effect. The passage being analysed is an extract from The Philosophy of the Bedroom published in 1795.

As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As

Cosette is deprived of the love that she desires and deserves. She longs for love and instead receives the opposite. The Thenardiers do not care for Cosette and do not view her as their child, to them she is a servant girl. When Jean Valjean offers to take Cosette away from the Thenardiers, they reply, “Ah monsieur! My good monsieur! Take her, keep her, take her away, carry her off, sugar her, stuff her, drink her, eat her, and be blessed by the holy Virgin and all the saints in paradise!” (154). The Thenardiers want Cosette out of their house, and no longer want the responsibility of taking care of the “imbecile child” (147). It is a blessing to them that this traveler has come to take Cosette away forever. Because of Jean Valjean's good deed, Cosette's life can improve and she can finally experience the emotion of love she longs for. Although Jean Valjean offers Cosette all the love he is capable of giving, it is not enough to satisfy Cosette. She craves for a different, romantic love after she is introduced to Marius. Hugo,

The woman and man caught in their passionate embrace are set above the wartime images. It seems that symbolically the man and woman are above the war, that their love transcends the tragedy and the tumult that surrounds them, if only because they are fighting their own romantic war. Below them is a burning city. The couple on the carriage fleeing the city looks to be the same couple that is staring into each other’s eyes. This further suggests that they were apart of the events in the war, but were still caught in the throws of their own love life. The girl that rushes from her