Extremes Versus the Norms in Wuthering Heights

In Wuthering Heights one of the themes that is being expressed through the novel is a central theme, and it is often experienced by most of the characters through the book. One of the characters that has experienced acts of cruelty is Heathcliff who is seen as both a bad person and a romantic hero. He also shapes how others in the book becoe victims of cruelty. Being in the House for so long with a family that depicted him as a fierce man that soon became so brutal and unsympathetic after being ruined and victimized at the hand of Hindley who is his step brother. A few ways that hindley tormented Heathcliff , was by treating Heathcliff like a servant.

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Wuthering Heights is a novel whose main character is said to have a double significance. He is said to be both the dispossessed and the dispossessor, victim of class hatred and arch – exploiter, he simultaneously occupies the roles of working class outsider and brutal capitalist. Heathcliff has all these characteristics because of his experiences. He is a character moulded by his past.

Heathcliff has an obsession with Catherine, and undergoes emotional stress after her death (Bloomfield 291). His unsympathetic personality is also a trait of his mental disorder (Bloomfield 297). Heathcliff’s obsession can be classified as Monomania, he is fixed on one idea to the extent of physical and mental destruction (Bloomfield 295). Heathcliff lets hid ID take over instead of suppressing his instinctual feelings. Heathcliff becomes reckless and self-destructive and develops psychotic depression, he then retreats to Catherine’s room to die (Bloomfield 291). Throughout the novel it seems as though Heathcliff completely ignores his Ego and Super-Ego, and lives only by his ID. Emily Bronte uses mental illness in her characters and their death to alter the plot of Wuthering Heights. All of the characters fit into periodically correct illnesses, but the focus

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

Cruelty compels one to inflict cruelty upon others. In her novel, Wuthering Heights, Brontë illustrates the rough life of Heathcliff, conflicted with whether he should focus his life on loving Catherine Earnshaw or inflicting revenge on those who tortured him as a child. Mr. Earnshaw adopts Heathcliff into the Earnshaw family as an orphan gypsy, a social class that most of the Earnshaw did not care for. The eldest child of Mr. Earnshaw, Hindley, abuses Heathcliff horribly, shaping the way Heathcliff perceives the world around him. Catherine Earnshaw, Hindley’s younger sister, motivates Heathcliff to endure this pain through their affectionate relationship. With his heart focused on revenge, Heathcliff devises a cruel plan to retaliate those who hurt him; he returns to Wuthering Heights as a refined, powerful man. He takes some of his anger out on Hareton Earnshaw, Hindley’s son; this parallels Hindley’s abuse towards Heathcliff. Through Hindley’s and Heathcliff’s abusiveness in Wuthering Heights, Brontë asserts that cruelty cycles from its perpetrators to its victims.

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

The ugliness of human nature is undoubtedly shown through toxic relationships in Wuthering Heights. They toxicity can be shown through almost every character relationship. The bain of toxic relationships can be shown right in the beginning of the novel with Hindley and Heathcliff. They immediately get off on the wrong foot all because one of them chooses to let their ugliness take over. Hindley is extremely jealous of Heathcliff, “...and is subject to Hindley's jealousy almost right away” (Galt). His jealousy sparks from the fact that his father seems to favour Heathcliff over him. This does Heathcliff no favours as it causes Hindley to be cruel and brutal towards him. Infact, on several occasions Hindley can be found almost abusing Heathcliff, "Take my colt, Gipsy, then!" said young Earnshaw. "And I pray that he may break your neck: take him, and he damned, you beggarly interloper! and wheedle my father out of all he has.” (Bronte 4) and “‘ Off dog!’ cried Hindley, threatening him with an iron weight used for weighing potatoes and hay.” (Bronte 45). The abuse and hatred that Heathcliff receives from such a young age cause him to give the same treatment in the other relationships in his life. In Heathcliff’s relationship with Isabella he can be seen showing the same abuse towards her, Heathcliff seized, and thrust Isabella from the room; and returned muttering—"I have no pity! I have no pity! The more the worms writhe, the more I yearn to crush out their entrails! It is a moral teething; and grind

Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.

Novels often use the emotion of hate to create tension and distress in the plot. Wuthering Heights uses Heathcliff’s disdain for the other characters to add conflict to the story. Wuthering Heights examines the source of Heathcliff’s hate as well as its effects on the other characters throughout the story. Heathcliff’s relationships with other characters also suggests the universal theme that breeds hatred.

The novel of Wuthering Heights involves passion, romance, and turmoil but most significantly carries cruelty as an overarching theme. Cruelty is apparent throughout the work most importantly when dealing with relationships between Heathcliff and Hindley, Heathcliff and Hareton, and even the emotional cruelty between Heathcliff and Catherine.

Bronte, The author of the Wuthering Heights, expresses many themes and morals in her book. The one most important in the Wuthering Heights is the theme of love and cruelty. The main characters, Catherine and Heathcliff, show these actions time and time again. They occur because of the other, much like the yin and the yang. Love leads to cruelty and cruelty leads to love. In Wuthering Heights, there are two different types of love shown: platonic and passionate. Both of these types of love lead to cruelty to other characters. As Heathcliff states boldly within the first few chapters of the novel, love’s cruelty survives even beyond death. “Cathy, do come. Oh do – once more! Oh! My heart’s darling; hear me this time, Catherine, at last!”

Wuthering Heights is depicted as a cold, threatening, and dark manor, situated on a "bleak hilltop." In the novel, "wuthering" is the local adjective to describe the "atmospheric tumult" present in the region. The rugged manor, Wuthering Heights, represents a "storm", characterized by the wild emotions and harsh behaviors of the inhabitants. The depressing atmosphere causes people to "shiver through every limb" at the "sorrowful sight" of the Heights. In deep contrast, Thrushcross Grange is described as a "splendid place" of elegance and comfort. The peaceful dwelling of the Grange represents higher values and morals, and is considered the "calm" residence of the novel. The author creatively reveals the theme of good versus evil, or the calm versus the storm, through the pronounced symbolic differences in the houses.

            When hate is generated into the conflict, it always induces power and becomes domination to the situation. Three years had passed when Heathcliff expatriated Wuthering Heights, comes back as a rich man and finds that Catherine, the only woman he loves on earth, married with Edgar Linton.

In Emily Brontё’s Wuthering Heights gothic elements such as recurring deaths, and the ruins of Wuthering Heights work together to further the plot and support the theme, nature vs. nurture.