Essay on Fairy Tale Love

Many romantic films do not have fairy tale stories or happy endings, although love serves as a shield against the harshness of the real world. Romantic films often elaborate the main theme of love at first sight. Romanticism refers back to the romantic characters of the Middle Ages and also modern films. Romantic love on film is a universal human experience that produces intensely powerful, strong feelings. Romantic Literature has had a strong influence on modern day films through pathos, folklore, and love.

Since they are taught at such a young age, they do not have the critical thinking skills and they automatically believe the ideas that their parents taught them. For example, in Sula, Nel is under the control of her mother. After she sees her mother places herself in an inferior position and smiles to the men on the train, she realizes that she does not want to be like her mother. Nel says, “I’m me. I’m not their daughter. I’m not Nel. I’m me. Me” (Morrison 28). She wants to be wonderful, unique and free. However, since she is too young, she cannot persist her dream of freedom under the control of her mother and she utterly gives up. Morrison writes, “Under Helene’s hand the girl became obedient and polite. Any enthusiasms that little Nel showed were calmed by the mother until she drove her daughter’s imagination underground” (Morrison 18). She finally becomes one of the “normal” women who does follow all the social conventions and loses her sense of self. She cares about how other people and the society think instead of how she feels. She marries a man and their marriage is not based on love, but instead, it is aimed to satisfy the normative expectation of their community. Therefore, one of the reasons why Nel loves Sula is because Sula succeeds in being unique, free and ignores all the social conventions that she does not like agree

Nel follows all the stereotypes of what a woman should be. She is a simple God-fearing, church going women who marries young and is very domesticated, tending to the house and her children. Nel chooses to settle into the conventional female role of wife and mother while all throughout her life she has been careful to stick close to the "right" side of conformity. She was raised in a stable, rigid home by a family that has always been careful to keep up a socially respectable persona and an immaculately clean house. Sula on the other hand is the complete opposite. Sula gives social reforms no mind and is in a sense a wild woman that can not be tamed. She defies social conventions by never marrying, leaving her hometown to get an education and having multiple affairs with different men. The home she grew up in was in a constant state of disarray supplied by a steady stream of borders, three informally adopted boys all of whom were renamed Dewey and a line of men waiting for her openly promiscuous mother.

The journey that Richard and Mildred Loving took is important for history and for the future of civil rights in the United States. I recently watched the documentary The Loving Story and enjoyed the footage, pictures, and interviews of everyone involved in the Loving v. Virginia case. The documentary addressed the issue of interracial marriage in Virginia in 1967.

Love is either a fickle crime or an ever-changing satisfaction of desire. For some, it can ruin even the brightest minds, while for others, there is never doubt that it is worth living for. Children grow up with fairy tales and anecdotes of wild love stories, enthusiastic over the prospect of love. Yet has anyone considered the negatives of those dreams?

The love story is one of the oldest and most cherished traditions in any world culture. The prevalence of romantic works throughout history, whether Greek myths, Jane Austen’s dramatic narratives, or today’s dime-a-dozen romantic novels, ultimately encourages us to believe in the power of true love. We identify with the archetypal star-crossed lovers, who combat established convention in order to assert their romance, because we too yearn for our own “happily-ever-afters.” When used in conjunction with reason, love is the highest form of compassion – without it, we could not possibly interact productively with one another or develop as individuals. But when we take a new perspective and examine love as an independent,

Young girls are often stuck in a world of make believe, they are fed fairytales, dream up unimaginable views of reality and believe everyone will find their prince charming. This unrealistic perspective is formed through their experiences with different fairytales. As G.K. Chesterton tells the fairytale are a realistic world for children, “Fairy tales are more than true — not because they tell us dragons exist, but because they tell us dragons can be beaten”. Fairytales lead these girls to believe that in order to find true love there is some sort of intense journey one must go on. This idea of a journey for love has created a specific ideology for what love is and how to achieve it. In the text Beauty and the Beast by Madame Le Prince

Sagas about princes and princesses, beauty, magic, and love, fairy tales like Snow White and Cinderella among others have become children’s favorite bedtime stories. However, as parents tuck their sons and daughters in, they fail to realize that there is a much more daunting purpose to these stories. American writer and poet, Jane Yolen suggests that fairy tales indicate life values. Furthermore, Yolen insists that these tales are “thumbprints of history” (Yolen 27). Studying fairy tales in depth, she proves that the “functions of myths” consist of “creating a landscape of allusion [and] enabling us to understand our own and out culture from inside out” (Yolen 18). Yolen confirms that these stories comment on, “the abstract truths of our

Love is defined in numerous ways. It is one of the first and foremost feelings that each being experiences throughout their lifetime. The simple word goes a long way, as it triggers differing images to people. For instance, there is the romantic love that many aspire to have. Additionally, there is also familial and neighborly love. However, as great as love is, the authenticity of it is what discombobulates many. Love may be the feeling that is life sustaining, but at the same time, it can also be life threatening. Humans are vulnerable to fall into an untruthful love due to the fact that we fantasize over the thought of being in love. Through William Shakespeare’s tragic play, “Romeo and Juliet,” a fabricated false love is manifested.

In addition, romantic comedies also give the wrong impression on relationships. If viewers are getting the wrong idea about love itself, then that leads them into expecting more out of relationships as well. “Almost every romantic movie is generally targeted toward women and has the same basic format: Boy meets girl, mutual feelings develop, conflicts arise and are overcome. Then, the story concludes with a happy ending as the two characters live happily ever after together” (Hefner). The article “Contradictory Messages: A Content Analysis of Hollywood-Produced Romantic Comedy Feature Films”, written by Kimberly Johnson and Bjarne Holmes, explains a study that they had conducted together. Their study analyzed the romantic content of a sample of 40 romantic comedy

During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.

Nel, however, is exposed to outside elements that allow her to have a glimpse of feminine independence.  She is introduced to her prostitute grandmother, and she also becomes a good friend to Sula.  When she spends time in Sula's home, she sees the looser lifestyle of Sula's family.  Although she is interested, and wants to change to a more independent lifestyle, she does not.  She marries young, following in the footsteps of her mother.

Love is difficult to define, difficult to measure, and difficult to understand. Love is what great writers write about, great singers sing about, and great philosophers ponder. Love is a powerful emotion, for which there is no wrong definition, for it suits each and every person differently. Whether love is between family, friends, or lovers, it is an overwhelming emotion that can be experienced in many different ways.

I met her two years ago and we did not have much to say at that time. Little did I know that she would later steal my heart and become an intimate part of my life. As the saying goes "there is someone for anyone at any time in this life" and I was about to find out that this saying was so true. I have had a wall built around me and my defense was as a stronghold to protect myself from all the relationships that have come and gone over the years. I thought that I was meant to be alone in this old life and happiness was forever gone from me. This wonderful woman I am speaking of is Mary Doe, and the joy she has given me has revived my hope and faith that I may have finally found love and peace within. She has made me feel like I am a child

In Barbara Graham’s “The Future of Love”, she says long-term fairy tale romance inspires true love believers and their perspective towards love itself. Graham expresses the idea that to her, a lot of relationships fail because both partners in the relationship fall in love with an idealistic view of who the other person is. She explains that couples jump into relationships thinking their significant other was this perfect image they made him/her out to be only to come to realization that it was a figment of their imagination. Graham also defies the sappy happy endings that she says everyone believes in since heartbroken romantics oversee a lot of the incompatibilities and faults in a relationship to make it more