Fairy Tales And Sleeping Beauty

Most modern fairytales are expected to have happy endings and be appropriate for children, nonetheless, in past centuries most were gruesome. Consequently, fairytales have been modified throughout time. The stories “Beauty and the Beast” by Jeanne-Marie LePrince de Beaumont and “The Summer and Winter Garden” by Jacob and Wilherm Grimm share similarities and differences. The two stories are distinct because of the peculiar year they have been written in. LePrince de Beaumont’s story is written in London of 1783 and Grimm’s in Germany of 1812. At the time, wealthy people in London, were educated and had nannies who would read to their children; whereas, in Germany, the Grimm brothers created their own interpretation into a short story.

Cinderella has changed so little over time that it seems we’re still in the 1700’s listening to Charles Perrault. And yet it remains of the most popular fairy tales read to children. The role of women continue to be either the cruel, evil one or the good, docile one while the prince continues to be the saving grace of the helpless girl. The skeleton hasn’t changed much as well. A damsel in distress, saved by a knight in shining armor, who falls in love with her and they live happily ever after. Does this sound familiar? This sentence might as well be a fairy tale. We’ve seen this over and over in Cinderella, Rapunzel, Sleeping Beauty and Snow White.

The story of Sleeping Beauty has evolved over time and has been changed slightly throughout the different versions. It has changed in order to fit social norms for the time and context has been altered to appeal to the current audiences. The three main versions of Sleeping Beauty are the Charles Perrault in 1697, which was adapted from the original fairy tale Sun, Moon, and Talia by Giambattistas Basile in 1634. Perraults version was a tale of rape, adultery and cannibalism. The Brothers Grimm interpretation, from 1812 that made the story more tame and the Walt Disney version from 1959 that was drawn mainly from the St. Petersburg Ballet version of 1890 and the Grimm Brothers

But both stories go beyond the simple idea of true loves power, and turn into something more sinister by having Talia and Aurora expected to succumb to the sinister affections of the King and Maleficent. In Basile’s story a king abuses Talia's vulnerable state, and unapologetically rapes her. “He lifted her in his arms, and carried her to a bed, where he gathered the first fruits of love” (Hallet & Karasek, 2009, p. 68). The passive way in which the author brings up the rape is clearly a product of the time it was written. The king’s ‘love’ for Talia is seen as a noble act. In the end, Talia’s own struggles are used as an anecdote for the king’s heroism. Aurora, in Maleficent, also has a male love interest but the movie’s modern retelling has their love tossed away as a simple fling. In the end, it is Maleficent true love that wakes Aurora. The creators of Maleficent clearly thought it would be revolutionary to have Aurora not fall in love with Prince Philip. Women being subservient to men, and desperate for their affections, is often critiqued by feminist, which is why Maleficent attempts to go against this trope. Basically it takes the role of the prince and swaps it for Maleficent without offering anything new. In each narrative Talia and Aurora are the stereotypical damsel, who falls victim to Stockholm like tendencies.

In The Sleeping Beauty in the Wood by Charles Perrault, the message is quite different. This version is gruesome and should not be watched by children. This version of the tale could be viewed that killing is okay if a person does not like someone or is jealous of something that person has. Cannibalism and killing are the two main themes in this version of Sleeping Beauty. It is clear that that this fairytale was made for people who enjoy reading gruesome stories.

Most people cannot imagine coveted childhood fairytale with pure sadistic characters, blood, death and neglect. Disney motion pictures have depicted their classic fairytales by painting picture of princess with a loving parent, a dead parent, and a wonderful outlook on life with just the hope of dreams coming true. Many people cannot fathom the idea of a beloved fairytale containing the dark acts of rape, torture, and cannibalism. After all, Snow White’s apple was just meant to put her to sleep; and Sleeping Beauty did find her prince right? Wrong. In the original Grimm Fairytales Snow Whites apple was meant to kill her for good and Sleeping Beauty’s prince was

Fairytales, arguably some of the most historical forms of literature, have remained popular throughout the decades. Tales such as “Little Red Riding Hood,” “Beauty and the Beast,” “The Frog King” and “The Swan Maiden,” were originally written between the mid-eighteenth century and mid-nineteenth century. Whether it is the fanciful love-story or the magical transformation which attracts and has kept attention throughout the decades, fairytales, specifically those in which either the protagonist or antagonist undergoes a physical change, teach an important lesson to readers. In this day and age, the media has put so much pressure on particularly young women to look a certain way; what seems to be missing is the idea that physical beauty does not necessarily parallel inner beauty. The theme of transformation in many fairytales serves to portray certain truths about

Many fairy tales were created to serve a purpose, to tell not only a story, but to also get a message across to an audience. Sometimes the message may be told for humor, but can also be told for another serious purpose. For example, Little Red Riding Hood has several versions but the message still stays the same. In all versions, there is the theme of love and how even monsters crave it, there’s also the idea the struggle of dominance between sexes.

Most fairy tales involve characters with heroic tasks to complete in order to grow. They might have legendy strength, or a genie to help them. Sleeping Beauty is different because it involves long periods of concentration. Sleeping Beauty has been argued to represent the time period before and during adolescence. Children often need to go through a period of deep thought. Some may mistake this for inactivity, but their minds are still developing. Many children will make up for this inactivity after puberty, and will become successful in life (Bettelheim 225).

We have often seen numerous folktales that appear to be similar among different cultures. Often at times, the characters or locations change to accommodate the surrounding culture, but the message or moral of the story stays the same. In the case of the story, Sleeping Beauty, we notice that the earlier versions of the story are more crude and “adult” and as time passed on, the story evolved to become more suitable for a younger audience. Sleeping Beauty became a story of “rape, adultery, sexual rivalry, and attempted cannibalism” (Hallett, 1) to the clean and innocent Disney version we know today. The three versions of Sleeping Beauty that I will compare are Sole, Luna, E Talia (Sun, Moon, And Talia) by Giambattista Basile, The Sleeping

Fairy tales make an important part of cultural prophecy, because they contain wisdom which is passed from parents to their children. They contain basic moral and ethical guidelines for children. Images and symbols used in fairy tales can help to judge about cultural, ethical, social and moral values popular in the contemporary society. Changes and similarities, which can be found in the popular fairy tale Cinderella by Jacob and Wilhelm Grimm, version of 1812 and the Disney version of Cinderella (2015), can help to realize the changes in cultures and historical epochs.

1. What is the genre of this story? Are there any other possible genres this story could fall into?

As we grow up, we hear fairy tales and we read them into our lives. Every word and every image is imprinted into our minds. The fairy tales we read are never abandoned. They grow with us and our dreams become molds of the many morals and happily ever afters fairy tales display. We tell children fairy tales when they go to sleep and they read them in school and we even have them watch Disney adaptions that reinforce them further. Generally, they were everywhere while we grew up and they continue to be present while children are growing up now. But what influence do these stories have? We casually expose our children to these tales, but in some cases they can have particularly, harmful personal effects on them, although there is nothing completely or visibly “bad” about them or about the characters in them. Before we divulge our youth to these stories, we should assess their substance and see what sort of effect they may be having on them. They have received so much scrutiny and have been studied by many. Recognizing fairy tales effects on the minds of children is vital in their development. This paper will focus on the underlying messages that the average person wouldn’t recognize in these everyday stories. There’s a modern distort with fairy tales because while they still are widely popular with the youth, they influence children’s self images, outlooks on reality and expectations for their futures, especially for young women.

Examine any two versions of a fairy-tale of your choice. Consider their intended audience, themes and motifs they have in common as well as distinguishing features of each version.

Did you know that your favorite fairytales were once violent? Originally, Grimm’s Fairy Tales were intended for children to read. However, because they contained remarkably dark elements, parents soon believed these stories were too violent for their children. Eventually, only adults read the tales. In the 1950s, Walt Disney created a non-violent version of the classic Grimm fairytale, Cinderella. Walt Disney’s cinematic version is more accessible to a wider audience than the Grimm tale because Disney removed most of the violence and simplified the tale while maintaining the original story.