Faith In Life Of Pi, By Yann Martel And Pi

I personally feel that Yann Martel’s intent was to establish a theme around mental boundaries. The two different forms of Pi’s story when he was stuck out in the middle of the ocean differ drastically. In one story there is the plot where Pi is stuck on a lifeboat with wild animals, and then in another story the boat is full of real people. The assumption is that Pi only substituted all the people with animals to create a more fictional version of the harsh reality that his family either died or was killed on that lifeboat. Keep this is mind when you consider the plot especially in parts two and three of the novel.

Life of Pi takes the reader through Pi’s life and frequently turns back to his faith as a means of survival. As a young child Pi was deeply affected by the way people treated him because of his religious beliefs. Love, the core part of the Christian faith, contributed to Pi’s survival during his journey on the lifeboat. While Pi was on the lifeboat Martel makes various references to the Christian religion. As Pi aged and became deeply rooted in the faith it also kept him going.

His journal was a key element, since he always wrote about what happened. Therefore if Pi has a written record his story is believable. After Pi's last journal entry, he relies on his memory in order to tell the rest of the story. There's no evidence in the journal of what happened after his last entry, this means his memory could be inaccurate. Possibly, Pi tells the reader events that did not actually happen or he changes how things happen. Just as the Japanese businessmen did not believe Pi because he had no evidence, a reader could think the same way. The Japanese businessmen say, “Come on, Mr.Partel it's just too hard to believe” (374). People may also say that most of Pi's events are hard to believe because they might be

Throughout the entire novel the author gives us characteristics about Pi, he is the protagonist and, for most of the novel the narrator. In the chapters that frame the story and tell us everything that has happened they portray Pi as a shy, graying, middle-aged boy, whom tells the author about his early childhood and the shipwreck that changed his life, and gave him a new friendship with someone whom you would never believe a human could become friends with. This novel makes everyone question the truth which makes us wonder if Pi’s story is accurate and makes us wonder what pieces we should believe. Pi emphasizes the importance of choosing the better story which makes

In the novel, Life of Pi, by Yann Martel, the theme of truth is seen most prominently in the last part of the book when main character, Piscine Patel is being interviewed by two Japanese men. Pi defines truth as being relative and an invention of man, when the believability of his story is questioned. He argues that even stories, such as his, can still be true to some no matter how difficult to believe they are.

When writing, authors focus on what they wish for their audience to gain from the story, what they want the readers to learn from the actions and thoughts of the narrator. In The Life of Pi Yann Martel uses Pi and his experiences whether the audience believes Pi’s grand story of his survival or not, to impart upon them the relativity of truth. In the beginning this is shown threw Pi’s explorations with different religions already guiding the reader to consider what truth means with his thoughts on the different religions. It is later explored in Pi’s telling of what occurred to him while shipwrecked to the officials and their reactions to his tale. Especially once it becomes clear that the few differences between the stories were the lack of animals in one. Pi asks the officials which story they prefer; the officials can choose to believe whichever story they prefer, and that version becomes the truth to them.

At the beginning of the novel, Pi’s story is described as “a story that will make you believe in God.” Writer himself Yann Martel was going thru his writers crisis, traveling world looking for a good story to write something about. Martel found a man who told his story. His man named Piscine Molitor Patel who is a practicing follower of three religions: Hinduism, Christianity and Islam. For this reason, extremely mature boy must constantly fight the lack of tolerance and understanding in his surroundings. While in the case of adult people the lack of a specific decision on the faith can be perceived as humiliating, but Pi is fully justified because of his young age. His desire is to find the road to the creator will be seriously tested during

Again, within this story illusion leads to God. Chapter 94 brings to attention the fact that that this story is being told through an intermediary. “We must give things a meaningful shape.” Brings to attention again that through story telling, life is given shape and can be believed in with the most extraordinary details by believing in God. (pg.341-343) By not ending the book after Pi’s story ends, Martel is again questioning the audience to believe or not believe the story. The remaining five chapters of the book, the dialog Pi has with the two men from Japan ends. Truth is juxtaposed to reality in order to encompass God. “So tell me, since it makes no factual difference to you and you can't prove the question either way, which story do you prefer? Which is the better story, the story with animals or the story without animals?' Mr. Okamoto: 'That's an interesting question?' Mr. Chiba: 'The story with animals.' Mr. Okamoto: 'Yes. The story with animals is the better

Pi (and by extension, the author, Yann Martel) seems to think that what should compel one to believe a story is whether the story is a good one – whether it helps readers “see higher or further or differently”. Story and narrative automatically cause viewpoint, or perspective. Perspective as a literary device is a result of stories with framed narration. Is this narrator trustworthy, asks the reader in that ageless dilemma, can I believe what is written? As a form of narration, it both enriches and challenges perspectives on truth. Truth, it seems to say, can also be multi-faceted, appearing in many viewpoints.

In Yann Martel’s Life of Pi, Pi teaches us to keep faith, have something to live for and accept the circumstances. To begin, Pi is a religious young boy who prays everyday. It’s important for him to keep his faith to survive. Religion is one of the most important things in Pi’s life and this didn’t change while he was on the boat. He used his religion to gain hope about surviving this terrible situation.

On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which

Yann Martel’s theme of truth being relative is again established when Pi experiences a shipwrecked. On the lifeboat, Pi continues to survive living with a bengal tiger, he survives after seeing the other animals on the boat kill each other, and he survives by eating fish even though he is a vegetarian. Inspite of all the suffering Pi is going through he still turns towards God. This is proved when Pi says, “I practised religious rituals that I adapted to the circumstances – solitary Masses without priests or consecrated Communion Hosts, darshans without murtis, and pujas with turtle meat for prasad, acts of devotion to Allah not knowing where Mecca was and getting my Arabic wrong. They brought me comfort, that is certain. But it was hard, oh, it was hard. Faith in God is an opening up, a letting go, a deep trust, a free act of love – but sometimes it was so hard to love. Sometimes my heart was sinking so fast with anger, desolation and weariness, I was afraid it would sink to the very bottom of the Pacific and I would not be able to lift it back up...The blackness would stir and eventually go away, and God would remain, a shining light in my heart. I would go on loving” (208-209). Through this quote, Yann Martel is showing how Pi continues to worship God even though he was suffering and struggling with his faith. Pi still believes that God is the most important to him inspite of what his is going through emotionally

When Yann Martel tells of Pi Patel’s life story after the shipwreck, he presents it in two distinctive ways: one being with animals, and one without. As a young boy, Pi began to develop a love of animals as a result of growing up on the lands of Pondicherry Zoo, his family zoo in India. He also finds that he has a deep passion for religion. Supposedly, Life of Pi will make one believe in God, as it did to Pi in these two stories.

In the novel, Life of Pi, by Yann Martel, it tells the tale of Pi from dual perspectives, Pi’s and the author’s. Pi tells the majority of the story, describing his adventure of surviving being stranded on a lifeboat, infested with zoo animals, for 227 days. The reader is put into a position where they are learning along with Pi about religion, faith, and being extremely resourceful. Pi transforms based on his experiences, spirituality, and relationships showing how the author utilizes his character’s faith to shift the reader’s perception of religion.

The evident motif of religion plays a major factor in Pi’s life; however the author chooses not to focus on one religion specifically but instead enforces a glorification of more religions. Martel creates a main character who is a curious young boy who decides to learn about Christianity, Hinduism and Islam all at once. Even though Pi is primarily