False Identities By Toni Morrison

In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,

Toni Morrison’s Beloved tells the story of ex slaves struggling to define themselves in their now free life. However, their traumatic experiences with slavery have left the characters cracked; they have been damaged to the point where they are only fragments of a true free person. The corruptive nature of slavery shines through these cracks in the characters, highlighting the fact that their experiences with slavery continue to fragment their personalities despite being free. This begs the question: can ex slaves truly be as “free” as a person who was never a slave? As shown by the ex slaves’ struggle to define themselves, Morrison argues that, compared to a free man, the ex slaves can never be truly free.

The past comes back to haunt accurately in Beloved. Written by Toni Morrison, a prominent African-American author and Noble Prize winner for literature, the novel Beloved focuses on Sethe, a former slave who killed her daughter, Beloved, before the story begins. Beloved returns symbolically in the psychological issues of each character and literally in human form. The novel is inspired by the true story of Margaret Garner, a slave in the 1850s, who committed infanticide by killing her child. Barbara Schapiro, the author of “The Bonds of Love and the Boundaries of Self in Toni Morrison’s Beloved”, Andrew Levy, the author of “Telling Beloved”, and Karla F.C. Holloway, the author of “Beloved: A Spiritual”, present ideas of the loss of psychological freedom, the story being “unspeakable”, Beloved being the past, and the narrative structures of the story rewriting history.

Toni Morrison’s Beloved is a genius piece of literature that stands out from the others. Following its publishing date in September of 1987, it was rewarded with a Pulitzer Prize for Fiction only a year later. This novel holds an abundance of literary merit for numerous reasons but the main one being that it combines the powerful forces of history and literature into a pure work of art. Not only does this book display vivid historical accuracy in the perspective of a slave during the Reconstruction era in the United States, but the language that explains this particular situation is rich in figurative language and challenges readers line by line.

Sethe’s relationship is in a balance at the beginning. She has the two poles of attraction, Paul’s desire to settle down and start a family, and Beloved’s desire to draw Sethe back into the past. Throughout the novel, acts of cruelty wind into her life and alter the outcome of her days. Cruelty in Beloved affects both the perpetrator and victim in that the perpetrator becomes consumed by such acts, and the victim simply devolves to be more and more vulnerable to such acts. In Toni Morrison’s Beloved, Beloved’s acts of cruelty reveal how one’s inner desires can overcome the perpetrator, and dehumanize victim in the long term.

The atrocities of slavery know no bounds. Its devices leave lives ruined families pulled apart and countless people dead. Yet many looked away or accepted it as a necessary part of society, even claiming it was beneficial to all. The only way this logic works is if the slaves are seen as less than human, people who cannot be trusted to take care of themselves. In Toni Morrison’s Beloved the consequences of a lifetime of slavery are examined. Paul D and seethe, two former slaves have experienced the worst slavery has to offer. Under their original master, Mr. Garner the slaves were treated like humans. They were encouraged to think for themselves and make their own decisions. However, upon the death of Mr. Garner all of that changes. Under

Morrison represents the past of African-Americans from her own perspective drawing attention to what slavery can do to individuals and their families. Because of the experiences of slavery, most slaves repressed their memories in an attempt to forget the past. When they repressed their memories of the past it causes them to lose a sense of self and their true identity. Sethe, Paul D. and Denver, all experience this loss of self, which can only be remedied when they all accept the past and their memories of self. Beloved serves as a reminder to these three characters of their buried memories, eventually causing them to rebuild themselves.

Krumholz argues that Beloved is a mind healing recovery process that forces the characters to remember and tackle their past. In her essay, “Toni Morrison”, Jill Matus regards Beloved as a form of cultural memory that analyzes vague and possibly removed history. Furthermore, in his book, Fiction and Folklore: the Novels of Toni Morrison, Trudier Harris focuses on the issue of ownership and slavery in Beloved. In all, historical background is a huge player in understanding Beloved. Morrison set the novel during the Reconstruction era, after the Civil War, which sets the entire tone and plot for the main character, Sethe.

Beloved is a novel by Toni Morrison based on slavery after the Civil War in the year 1873, and the hardships that come with being a slave. This story involves a runaway captive named Sethe, who commits a heinous crime to protect her child from the horrors of slavery. Through her traumas, Sethe runs from the past and tries to live a normal life. The theme of Toni Morrison’s story Beloved is how people cannot escape the past. Every character relates their hard comings to the past through setting, character development, and conflict.

In Beloved, Morrison discusses the power that the past can hold over a person. Sethe murdered her daughter and was stopped before she had the chance to murder her other children. However, the murders did not occur out of malicious intent. After escaping her owner, Sethe is terrified that someone will catch her and her children and force them into slavery. She feels that the worst thing in the world is

In the first few pages of the novel, Morrison uses Sethe’s forgetfulness of Beloved’s soul to parallel the forgetfulness of slavery in the average United States citizen. The narrator states, “Counting on the stillness of her own soul, she had forgotten the other one: the soul of her baby girl.” (5). The wording, “the other one [soul]”, implies that the soul of Beloved and that of Sethe are one, inseparable. Yet, Sethe seems to strive to place a barrier between the two souls in the interest of her inner “stillness”. For the modern reader, this sought-after “stillness” derives from the tendency

 Toni Morrison’s powerful novel Beloved is based on the aftermath of slavery and the horrific burden of slavery’s hidden sins.  Morrison chooses to depict the characters that were brutalized in the life of slavery as strong-willed and capable of overcoming such trauma.  This is made possible through the healing of many significant characters, especially Sethe.  Sethe is relieved of her painful agony of escaping Sweet Home as well as dealing with pregnancy with the help of young Amy Denver and Baby Suggs.  Paul D’s contributions to the symbolic healing take place in the attempt to help her erase the past.  Denver plays the most significant role in Sethe’s healing in that she brings the community’s support

Moreover, both of these ways prove to be emotionally unhealthy for the characters; thus, they learn a way to deal with it throughout the course of the novel. Toni Morrison intentionally utilized a technique of leaving the reader with a lot of unanswered questions, in addition to pulling the reader into the spirits of many diverse and emotionally saturated characters. Since the author purposefully left many unsolved issues for the reader’s interpretations, I will be trying to answer one of the most controversial questions the book arises. Who (or what) is Beloved? Many would argue that Beloved is the soul of Sethe’s third child, who she killed to protect from being a slave, while others think that Beloved did not even exist and that she was nothing but a fabrication of the other character’s troubled lives.

Identity is who a person is or how they see themselves, but is this something they are born with or is it something they learn over time? Can this identity be changed? Or is it permanent once set? Identity is a major theme in Toni Morrison’s Sula. Scholars discuss the different identities that the characters possess, but tend to fail to mention character development or lack of character development. Character development or lack thereof is usually an important literary move in most writing. This development provides a deeper understanding of characters in addition to a deeper understanding of themes throughout the literature. Sula focuses mainly on the lives of Sula and Nel, which makes tracking their character development easier to track and observe their identity and sense of self. Identity is a major, yet easily overlooked theme in Sula.

Morrison's Beloved offers a non-linear perspective and a reshaping of the discourse of slavery. The identities of the characters in Beloved are recreated through dealing with and facing their past. Morrison not only reexamines and modifies the history of slavery; she also acknowledges the female African American identities in the cultural and societal contexts that were dominated by the white race. Morrison has said, "if we don't keep in touch with the ancestor . . . we are, in fact, lost" (Rushdy, 567). In order to keep in touch with the ancestor, Morrison adds, that it is essential to reconstruct memory: "Memory (the deliberate act of remembering) is a form of willed creation. It is not an effort to find out the way it really was-that is research. The point is to dwell on the way it appeared and why it appeared in that particular way" (Rushdy, 567). The concern of appearance and philosophy of conveyance is fractionally part of her project, stating we must, "bear witness and identify that which is useful from the past and that which ought to be discarded" (Rushdy, 567). Morrison uses one tragic and traumatic event, in this case infanticide, to set the story into a tone and context that is easily relatable and understood. As a result, the reader