Family Identity In The Play 'No Sugar'

Respect for Aboriginal culture and traditions which is part of the Aboriginal reconciliation and integration movement in Australia is highlighted many times throughout Crow Country and illustrates the best and worst of Australians. The way different characters show respect towards aboriginal culture and feelings contrasts two different attitudes. Today, opinions about aboriginal life and culture are shared through politics, social media and protests. Kate Constable’s book portrays extreme behaviour with racism and provides the reader with a perspective on just how cruel people can be. We have a very superficial understanding about aboriginal culture and this novel encourages readers to explore aboriginal culture and beliefs.

Australian people and culture are often stereotyped in the media in different forms, one of them being film. The two films being examined, ‘Red dog’ (2011) and the ‘Sapphires’ (2012), are an example of the Australian identity but from different points of view. ‘Red dog’ shows the kind and positive side which exemplifies mateship and loyalty. The film ‘Sapphires’ ,which takes place in the 1950’s through to the 1960’s, shows a negative and racist view towards the indigenous people. Both the films show different aspects of the Australian identity, not all insights of the films accurately represent contemporary Australian identity as the Australian identity has changed by the evolution of people and their lifestyle.

* What aspects of Aboriginal life during the Depression do you think Joe represents? Explain an incident from the play that illustrates this.

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

The 7 stages of grieving is an Indigenous Australian collective play co-written by Wesley Enoch and performed by Deborah Mailman. The play has the opportunity to inform, celebrate and transform Aboriginal themes and issues to aboriginal and non-aboriginal audiences a-like. It touches on themes and issues from the past, present and future in a comedic way. I have decided to use the scene “Nana’s story” as inspiration for my visual representation. In this scene, the theme of loss of culture is explored in regards to the policy of assimilation and the stolen generation.

Unfortunately, many migrants that come to Australia find themselves in this situation, struggling to feel included and comfortable with their changing identities. However, these differences make it harder to belong to one group; they can also strengthen bonds with one another. The most immediate and obvious indicator of difference with migrant is that of

Charlie articulates how he “never understood why you would ever feel the need to shoot the fish in the barrel… (if) they’re in a barrel, you’ve already caught them… they can’t escape... why bring guns into it?” Silvey’s use of characterisation and first person point of view portrays Charlie’s realisation of the community’s racial prejudice towards ‘the other’. The “fish” is symbolic of Charlie and how he is different to the people of Corrigan; who are like vultures – constantly seeking the chance to attack those that are considered the ‘minority’. Charlie’s close friend, Jeffrey Lu, is a gifted and committed cricket player who persistently tries to get himself in the local team, however, due to his Vietnamese background, “he’s ruthlessly bullied and belted about by the boys at school.” The emotive imagery and alliteration of “bullied” and “belted” further depict Charlie’s internal conflict in addition to his realisation of the community’s racial prejudice towards the peripheral of society. The use of emotive imagery positions readers to realise the extent to which powerful words can have; causing readers to recognise how crude and harrowing humankind can be towards the marginalised. Thus, Silvey effectively conveys to the reader how the indigenous race were isolated from ‘white Australian’ society; how intelligent individuals were ostracised; and, how groups of people with racially different backgrounds were isolated from mainstream Australian society.

The play the dreamers is about the impact on modern Aboriginals since the settlement of the “white” community it focuses on the

Today I’ll be talking about the play “Blackrock” that I’ve been studying in class this term, the purpose of this speech is to make us think how Australian drama challenges us to think about Australian culture and identity, and the impacts it can have on us as person and as a community.

Written by Australian playwright Jack Davis in 1985, the protest play No Sugar follows the journey of a Nyoongah family, the Millimurras, and the hardships and struggles they face during the Great Depression of the 1930s. It was during that period where both European and Aboriginal women were very much marginalized by society and still played the traditional role of mother, wife and nurturer. Jack Davis reinforces certain aspects of traditional gender discourse in No Sugar and "uses women on the stage in conventional ways to emphasize continuity and tradition, nourishment and care".

This narrative text is based off the film The Sapphires set in Australia in the 1960s. In The Sapphires we see a flashback of Kay’s childhood and how she is part of the Stolen Generation. I will use this storyline as the starting point for my diary entries. The film gave me background knowledge on Stolen Generation and their experiences they faced. However, I need to know extra information so I will do further research about the Stolen Generation, in order to give an accurate description of their experiences. This narrative is targeted towards everyone. It is designed to inform them about the Stolen Generation and how they changed when forcibly moved to an Aborigines White Institution. This piece of text will be written in a diary entry form. I will use informal and conversational language. I will also use descriptive language when describing objects and sceneries throughout the text.

In each instance the individual has been separated from family, it also means a fracturing of their identity. The Identity of Aboriginal people links family and land. The land connection is like a bond to family in a parental capacity; the land is our mother and deserves our respect. Separation from family is also separation from cultural belonging. The family is there to reiterate identity and culture.

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

A huge part of the aboriginal culture and heritage was based on family relationships but many of the children grew up without knowing this. The loss of Aboriginality affected the children when they were grown up to be adults, if they tried to move back to their family’s community they were not welcome because they didn’t know how to settle back into an aboriginals life style.

My mother’s experience migrating to Australia from Poland was quite different to the journey Gino and Angelo experienced. The reason for Gino and Angelo ‘s migration was that their parents died, my mother and her family left Poland because of the situation Poland was in. The only similarity between my mothers experience and Gino and Angelo’s experience was that my mother had her brother and uncle already living in Australia in the same way Gino and Angelo had their aunty and uncle in Australia. This was helpful to my mother and her family as they had help settling into their new life in Australia. My mother was not married by Proxy. She met my father through mutual friends once she had been in Australia for about five years.