Family Of Saltimbanques

For centuries artists have moved audiences through the use of pictures. As time progressed those images became more and more demanding of the viewer until they were meant to invoke a physical response. Perhaps the earliest account of such emotionally exact artwork is the 1818 piece, Raft of the Medusa, by Theodore Gericault. As time progressed people became more politically aware and involved and generations of art portrayed this. Pablo Picasso's Guernica, created in 1937, is a great example of how modern times soon saw a peak in the occurrence of allegorical and politically packed artworks. Gericault's The Raft of the Medusa and Picasso's Guernica are both horrifying accounts of the nature of men that aimed to alter a viewer's political

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

My analysis of how successful and how did this artwork affect the society and culture as its target

Artworks have played an indelible work to the lives of humanity. The creative nature in Artists is a complex matter to define. The uncertainties in the intrinsic nature in art lay difficult aspects that can only be answered by values, themes and skills depicted in an artist artwork. Apart from playing the intricate psychological effect on humans, the artworks have been used as a tool of expression that has been revered and uniquely preserved for future generation. Among some of the most revered modern forms of artwork has included Chicano Art that had a core relationship to Las Carpas, Indigenismo, rascuachismo and other forms of performance art.

The museum I chose to visit was the Dali Museum mainly because I have been wanting to check it out since I first moved down here to Florida three years ago. My sister has always been a huge Salvador Dali fan and even has a tattoo of his painting titled “The Elephants” on her side. I am looking forward to experiencing more of his paintings other than his most popular works of art. I am also hoping this experience will give me a greater appreciation for him as an artist by seeing the diversity of his works. What I am least looking forward to is trying to find one work of art that really stands out to me enough to write this paper about. I am sure I am going to find multiple pieces of art that I will love.

The Painting I chose is called “Mixtec Culture.” And it was painted by Diego Rivera in 1942, Mexico. It’s a Fresco style painting, which is “a wall painting technique that has been used for large scale murals since ancient times” (Getlein 159). This entire painting is an homage to the culture of Mexico, specifically the Mixtec people, and that’s what I love about it. The Mixtec people were renowned for their artwork so it’s fitting that Rivera depicts a peaceful community of artists such as mask and jewelry makers. This painting celebrates the artistic culture of the Mixtec people and that theme is directly linked to the political influences of the time, “Mexican government commissioned artists to create murals about Mexico itself- the glories

Art of the Egyptians and Africans express ………………………..In art, style is a characteristic, or a number of characteristics that we can identify as constant, recurring, or coherent.(Art Terminology 1) Artists express their emotions through their art-making, their finished product will reflect that emotion. They might also create a piece of art that makes the viewer create an emotional response. Emotion is any strong agitation of the feelings actuated by experiencing love, hate, fear, etc.(Dictionary 1)

The Portokalos family appears to have a cultural component that attributes to their behavior and interactions in the system. The family comes from a collectivist perspective; therefore, separation and boundaries may be difficult to establish. Therefore, for the Portokalos family, to enact change, the treatment must work within a collectivist perspective. Utilizing elements of SFT for treatment may be appropriate because SFT has a natural inclination to structure and hierarchies, similar to collectivist societies. The purpose of this section is to address some of the SFT techniques, that I as a therapist, would utilize on the Portokalos family and conclude with a discussion on potential changes that can occur if the techniques are successful.

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

Although chemical compounds are famous in science for their “breaking apart” of or “bonding”, in the story of The Cask of Amontillado, one specific chemical compound is visibly powerful in affecting the human mind, specifically that of Fortunato. “Nitre is potassium nitrate, sometimes also called saltpetre and well known as a component of gunpowder and fertiliser” (Maaren 1.4), although on its own Nitre is powerful in this story because it seems to have a mind of its own and also controls Fortunato. When Montresor says, "But observe the white web-work which gleams from these cavern walls” (Poe), it seems that Nitre has formed on its own into a web-like pattern that is metaphorically similar to that of a spider’s web, which is alive. In addition,

“Salt, A World History,” is an extensive aspect of world history by Earth’s one edible rock - salt. The book begins at the start of recorded history, and highlights humanity’s dependence on salt, up to roughly present day times. It focuses on the effect salt had on, and its contributions to, humankind. The book details how salt affected, economics, religion, science, and culinary practices all over the world.

The two works of art that I have chosen to analyze are 1) Jordan Casteel. Miles and JoJo. 2014. Oil on canvas, 54” x 72” and 2) Aaron Fowler. He Was. 2015. Mixed media, 134” x 165” x 108”. The themes that these works of art represent in regards to the exhibit are love, family, and pain. However, they also fall into other thematic categories. The main theme that seems to apply to both “Miles and JoJo” and “He Was” is Human Experience. Additionally, these arts differ in some ways.

Toulouse’s art inspires me to paint in a similar fashion, how he can get so much across with such a simple painting. The reason for choosing him was that La Toilette captured me, it is such a beautiful painting but it so simple. It doesn’t show the face of the model and only use blue as its main colour but it still gets something across the viewer. That is what inspires me, that even though he painted in such a simple way, he still communicated his messages and meanings easily.

Any art medium can be utilized to tell a story or evoke emotion in a viewer. Artistry is unique in that it is purely visual and can be left to interpretation if the artist chooses to stay ambiguous in the message they are trying to convey. As an artist, I am always trying to analyze the meanings behind famous works of art, whether those meanings happen to be incidental or purposeful. So, when contemporary artist, Enrique Chagoya expressed his adoration for the social commentary expressed in Francisco Goya’s Los Caprichos sketches, I was intrigued.

Niki Caro, the director, uses several elements to create scene changes, shifts in mood, etc. When Porourangi, Paikea’s dad, was showing some images to the family and suddenly there were some pictures of his new girlfriend who was expecting. Koro asked the people to leave the room and both started arguing about Porourangi’s new family. Koro’s words were heard by Paikea when he said referring to Paikea, “She is no use to me.” It was a very intense moment when Paikea left the room and went outside to sit in the boat parked in the sand. Her dad went to her encounter and sat next to her. The shift to this scene showed vulnerability from both characters. Dad hugged her and both of them were in tears. Paikea defended her grandfather by saying, “He