Farewell to Arms Essay

A Farewell to Arms by Ernest Hemingway is based largely on Hemingway's own personal experiences. The main character of the book, Frederic Henry experiences many of the same situations that Hemingway experienced. Some of these experiences are exactly the same, while some are less similar, and some events have a completely different outcome.

In Fahrenheit 451 by Ray Bradbury, rain played a big role in developing the main character Montag. Montag, in the beginning of the book, was like everyone else--afraid of going against the status quo. Finally, as the plot progresses, the use of rain was a major turning point in Montag’s life. As Montag was running away from the mechanical hound, it starts raining; this symbolizes a renewal of Montag and the transition into a new life into a society that he can finally feel comfortable with. While the rain symbolizes a rebirth of some sorts, it also symbolizes sadness for Montag. As Montag is running away, he knows that he’s leaving everything he loved behind--his wife, his home, his friends, and his job. This does add a gloomy mood in this

Foster’s insights about seasons and weather in literature change the story’s interpretation by clarifying their purposes. Foster’s main idea in the chapter It’s More Than Just Rain or Snow is weather always has a purpose; for example, rain, which has an “association with Spring,” can allow a “character to be cleansed symbolically” and “can bring the world back to life.” This insight is clear in the short story as outside Mrs.Mallard’s room the “trees were all aquiver with the new spring life” and “the delicious breath of rain was in the air.” The rain and spring weather may be dismissed as merely setting, but Foster’s insights allow the deeper meaning behind the inclusion of rain and spring to be clarified. The rain and spring show how Mrs.Mallard was cleansed

He had just suffered a major loss and dealt with it in the only way that he knew; through alcohol. Although drinking at this point was not actually mentioned directly, we can nevertheless assume that he was going to make this connection just because of the setting in the rain. This book had many examples of symbolism and they all point to the fact that there is always a terrible price to pay for weak actions or for blind love.

One of the first items the author states is that all symbolism is intentional, there are no accidents when it comes to analyzing famous literature. He describes certain authors like James Joyce and T.S. Elliot as “intentionalists” or writers who purposely try to control every part of the story through symbolism. The author Thomas Foster teaches us never to overlook anything in a novel even if it be little things like the color shirt they are wearing or what the weather is like outside. Building more off the last statement, precipitation, whilst being a little detail added into a story, holds a lot of important roles in moving the story along and even providing hardships for characters to overcome. Even more than that though, he says “It’s never just rain”, rain provides as a symbol in the story so that if someone is in the rain it’s almost as if they are being cleansed.

As a symbol of tragedy rain is frequently used by Hemingway in this novel. Rain is a symbol of disaster already beginning in the first chapter when the reader learns that the war is not going well and that the " the permanent rain brought the cholera". Here rain is related to illness. Rain also falls when Frederic and Catherine are looking for a hotel room so they can be together before Frederic must leave for the front. Catherine buys a nightgown for the evening. And when they find a room, she looks in the mirrors and feels cheap, while Frederic looks outside at the storm. The rain degrades the farewell of Frederic, and Catherine tells him that „[she] never felt like a whore before". Rain also falls during the troop's retreat which is symbolizing a failure. One night when Catherine and Frederic are in the hotel in Italy, Frederic awakens to the sound of rain and learns that he will be arrested. And during their time of escape from Italy to Switzerland it is very windy and rainy. That symbolizes how their escape would definitely be difficult. It takes them many hours to row to Switzerland’s shore.

In the chapter “On the Rainy River”, the title itself expresses sadness, grief, and or pain because rain displays emotions and the mood feelings. In the beginning of the chapter, he was as an innocent young

“I have walked out in rain -- and back in rain.” from “Acquainted with the Night” shows the depression of the character because most of us relate to rain as an emotional moment and makes us feel vulnerable. When it rains, the whole atmosphere becomes very gloomy and sad, and the author is trying to express the characters sadness.

In ‘How to Read Literature Like a Professor’ by Thomas Foster, Foster states that in literature weather can be used for much more than just plot progression. through the use of fog, rainbows, snow, rain, and many other weather elements it gives literature a much richer meaning through symbolism, foreshadowing, and other literary devices. In Act 3 Scene 2 of King Lear, Lear is beginning to lose his sanity in a storm as he shouts “LEAR: Blow, winds, and crack your cheeks! Rage, blow! You cataracts and hurricanoes, spout Till you have drenched our steeples, drowned the cocks! You sulfurous and thought-executing fires, Vaunt-couriers of oak-cleaving thunderbolts, Singe my white head! And thou, all-shaking thunder, Smite flat the thick rotundity

In the first chapter of How to Read Literature Like a Professor, every trip a protagonist takes becomes a quest in the story. These quests often entail a Quester (the protagonist), a specific place to go, a reason to go to a said place, obstacles, and challenges on the way, and the Quester’s real reason to go to said place. Whatever is gained from this quest can vary from unlimited wealth to a whole lot of nothing, but the Quester seems to always be guaranteed to receive one thing: self-knowledge. In chapter 2, Foster emphasizes the point that whenever people eat or drink together, it’s communion. Basic survival states that people need food to be able to live.

The atmosphere played a part in how Rasselas felt in chapter seven in The History of Rasselas: Prince of Abissinia . When he was sad the weather would have a sad and rainy atmosphere. As it was the rainy season, it would rain nonstop the whole day which made Rasselas isolated and lonelier and sadder. "The rains that are almost continually falling in this season make it impossible to go far from home" making Rasselas journey very challenging (119, Johnson). The weather symbolizes how Rassealas was

After spending some months in their snowy cabin in Switzerland, Catherine is finally just a month away from labour. The decision is made when the rain comes: “‘Let’s see how the weather turns out.’ It rained for three days. The snow was all gone now on the mountain-side below the station. The road was a torrent of muddy snow-water. It was too wet and slushy to go out. On the morning of the third day of rain we decided to go into town.” (Hemingway 263). The rain is what causes them to move into the town where Catherine dies in labour. Also, the description of the rain being so miserable gives a very melancholy feeling to the reader. Henry mentions that the rain prevented them from going out, reinforcing that rain has a direct negative effect on their lives. In the article “A Farewell to Arms”, Keith Neilson further expands on Hemingway’s use of rain: “Hemingway associates the plains and rain with death, disease, and sorrow; the mountains and the snow with life, health, and happiness. Catherine and Henry are safe and happy in the mountains, but it is impossible to remain there indefinitely. […] When Catherine and Henry descend to the city, it is, in fact, raining, and she does, in fact, die.” (Neilson 3). This further shows the rain’s foreshadowing of negative events because of how it coincides with Henry and Catherine moving to the city. Also, there are other natural symbols such as the snow, mountains, and plains that act with and against rain. Since this shift to rainy weather coincides with Catherine being a month away from going into labour, it foreshadows her and their daughter’s death at the end of the novel. In summary, rain foreshadows Catherine’s death when it coincides with Catherine being close to

This shows us, Victor is obsessed with his project using with descriptive adjectives. It also uses onomatopoeia and pathetic fallacy to create a vivid image in the reader’s mind. ‘Rain’ usually associated with sadness and depress, also ‘Night’ is symbolize of death or darkness of the soul. It leads to the reader could feel fear realistically like they are in that situation. Moreover, the atmosphere of the chapter 5 seems foreshadow the future of victor and his creation

In the first chapter of the novel, Steinbeck characterizes the rain as joyous and fortunate, as the tenant children would run and shout “after a rain” (Steinbeck 3). In chapter twenty-nine, the migrant people were terrified of the rain, “shivering and hopeless” (Steinbeck 433). Rain for them as farmers meant crops; rain for them as migrants meant no work. Steinbeck repeats “wind” throughout the first chapter to emphasize the dismay it causes, and repeats “rain” in chapter twenty-nine to express the havoc it causes. The way the people deal with distress and obstacles changes over the course of the novel. In chapter one, the men crouch into the dust to determine the solution to their problems. By chapter twenty-nine, the men gather together to figure out a solution. As the personification of natural elements lessens, the people become more reliant on each other than on the land. Yet, the connection between the people and nature in the first chapter carries on to the

The downpour recounts an idiosyncratic phenomenon from his childhood that lingered a cherished occurrence on the writer’s mind; watching as the rain drenched earth and everything on it, then becoming shadowed by the vehement thunder to follow, impacted the writer tremendously as the result/damage of the aforementioned coerced an aesthetic appreciation towards this phenomenon. This heavy downpour embarked the unforgettable memories of playing outside in the heavy rain as he reminisced on the vast imagery of nature’s elements along with the striking sounds that followed. In this extract, the writer’s application of stylistic devices and emotive languages such as: his amplification of “The Downpour” in his description, energizing personifications,