Fashion In The 1990's

as "the New Negro Movement" later the Harlem renaissance." The art today isn't really memorable

Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is

Most people can argue that there is a fine distinction between what is recognized as art and vandalism. The individual is often faced with uncertainty when the topic of graffiti arises. The public often portray graffiti as a destructive act towards his or her surroundings however; graffiti can also be considered a form of self-expression. Many questions can be made pertaining to the graffiti movement, but the main question is graffiti a crime or an art? The answers lie in the complex phrase of “beauty is in the eye of the beholder”.

If you were to go open a dictionary and look up the definition of art, you would see that it has art as “The expression or application of human creative skill and imagination…” (“Art” 2017) and “Works produced by human creative skill and imagination.” (“Art” 2017). From these definitions, graffiti is art, yet in most cases, it’s considered vandalism because it is done without permission of the property. When graffiti is done in a designated place or with the permission of the property owner, then it can truly be considered art. But even if these circumstances are not met, if the graffiti goes beyond a simple tag, it is art.

The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black

Just as Hip Hop is a form of art, so is graffiti. It allows individuals to express one’s feelings. Graffiti is one of the main pillars of Hip Hop . Graffiti is used as a way of expressing one’s feelings about what the individual is undergoing. This can be political and social issues such as racial profiling.Graffiti artists use spray paint to create symbolized images or expressions on billboards, subways and building walls. Although this is an obvious form of expression to many people, however to police, it is a form of “vandalism.” Vandalism is an action which leads to destruction or damage to public or private property. According to the Museum of The City, an exhibition written by Greg Eickmer, “Graffiti is generally viewed as

Thesis: the paper’s focus on hip-hop as a music genre that has changed the lives of the black Americans

The intersection of social movements and Art is one that can be observed throughout the civil right movements of America in the 1960’s and early 1970’s. The sixties in America saw a substantial cultural and social change through activism against the Vietnam war, women’s right and against the segregation of the African - American communities. Art became a prominent method of activism to advocate the civil rights movement. It was a way to express self-identity as well as the struggle that people went through and by means of visual imagery a way to show political ideals and forms of resistance. To examine how a specific movement can have a profound effects on the visual art, this essay will focus on the black art movement of the 1960s and

Above an image of a group of punks with customised clothing including rips, studs, chains, safety pins, leather and denim. In addition to this body modifications such as multiple piercings and tattoos were increasingly popular for

Attention Getter: In 1984 the first cd play or “Walk-man” was released. The first laptop came out in 1982 and cost a mere $8,150 which comes out to $19,630 today. In 2001 the first smartphone was released. All of these devices since have been outdated and updated. And the company that runs them all is Apple Co. And Apple would not be where it is if not for the mastermind behind it all, Steve Jobs

Hip-Hop isn’t just four elements combined within a culture, it is also “ a way of life, a language, a fashion, a set of values, and a unique perspective” (Efrem 2), the hip-hop basic and sub-elements have a strong impact in the American society mainly on its

African Americans are no stranger to discrimination. Children across American are taught about the horrific times of slavery. Following slavery, we learn about the discrimination African Americans face in the light of their bittersweet freedom. Due to this unstability, many amazing young African American artist emerged with breathtaking stories to reveal; the stories weren’t easy to expose because publishing companies and the alike were very

I like to believe that art was a way for Blacks to express their pain, hopefulness, and love that everything Black wanted and could just outright say was put into art; therefore, art was a happy place even though it expressed pain but in pain there is its own beauty. DuBois (1925:53) stated that even though Black art has both personal and universal aspects, that those two things are “combined with certain groups compulsion.” meaning that there was a Black person that spoke for the group through art. His thoughts would lead to black Aesthetic.

The term ‘hip-hop’ refers to a complex culture compromising of four elements: deejaying, rapping, rhyming, graffiti painting, and b-boying. These elements incorporate hip-hop dance, style, and attitude. “Hip-hop originated in the primarily African American economically depressed South Bronx section of New York City in the late 1970s” (Tate, pg.1). Hip-hop is a culture of fashion, language, music, movement, visual art and expression. The genre of hip-hop comes with a very significant history and evolution with its own heroes, legends, triumphs and downfalls. “Real” hip-hop is often stressed in the 21st century due to what is being passed off as hip hop, and it is often made clear that just because one takes a hip hop class, or listens to hip-hop music, does not mean they conform to the true immersion of hip-hop culture. Therefore, “real” hip-hop encapsulates the true essence of hip-hop culture, untarnished by impurities such as rapacious record labels, and vapid, materialistic subject matter. Due to the background of how and where hip-hop first emerged, the African American culture often feel responsible to protect what is for them, and to protect the culture of hip-hop entirely. Boyd states that even though hip-hop as a culture was created as a social movement, the “commercializaiton” of hip-hop demonstrated in film and media construes it to another form of urbanization and popularity”(Boyd, 79). However, in the two movies being examined in this essay (Save the Last Dance

Street art is critical to remaining in the street as if it is removed and put into a gallery, the whole message and purpose is lost. Street art being in public spaces is an essential component to the artists expressing their message across to everyday peoples. If the art work is created from street materials “then its use of the street is internal to its meaning;/ as a result, most pieces need not be placed in a gallery” (Riggle). Nicholas Alden Riggle’s also states that “pulling them from the streets the curator eliminates their material use of the street, thereby destroying their meaning and status as street art” (Riggle). It is assumed that the artists responsible for creating street art believe deeply that “art should lift us out of