Fashion Sexuality And Fashion Pornography

In “The Fashion Industry: Free to be an Individual” by Hannah Berry, Hannah emphasizes how social media especially advertisements pressure females to use certain product to in order to be considered beautiful. She also acknowledges the current effort of advertisement today to more realistically depicts of women. In addition, these advertisements use the modern women look to advertise products to increase women self-esteem and to encourage women to be comfortable with one’s image.

Perceptions of a Girl in Childlike vs. Sexualizing Clothing” written by the authors Kaitlin Graff, Sarah K. Murnen, and Linda Smolak, they do a study on how girls are perceived in societies eyes when dressed in a more sexual manner. In the study there are pictures of a fifth-grade girl dressed in either childlike clothing or super sexualized clothing. A group of diverse students are presented with three different types of pictures and they define whether the girl is average or above average in her achievements. Concluding in their study it presents that wearing more sexualized clothes do affect how they are looked upon and they don’t regard their achievements throughout life. In the study it states, “sexualization of women in advertisements increased significantly in the U.S. between 1983 and 2003” (Graff, Murnen, & Smolak 765) proving that sexualized advertisements have drastically been impacting societies ideal

Lisa Sigel’s, urge towards more historiography within the realm of pornography appears to be a vital response to the contestations concerning a comprehensive understanding of such a chaotic topic. To begin with, Sigel explores the discord revolving periodisation and delineation. She particularly looks at debates around the period the genre was formed as well as the challenges to formulate a single universal definition of pornography (pp. 223-224). Subsequently, her article veers towards research that has been conducted by other disciplines in the field, but it does so in correlation to what work historians should initiate in clearing the gaps that are left behind. Here, Sigel talks of the issues power and censorship has imbued on the research of pornography but she, moreover, examines how this could be corrected. She exemplifies the analyses of literary and art scholars, including Bradford Mudge, Sarah Leonard and Alyce Mahon, as a way forward for historians (pp. 227-231). Sigel goes on to argue that the result of historian work would help align pornography to specific socio-political contexts. She goes on to explore some of these contexts and insists that by continuing this contextualisation process a better understanding of pornography will be obtained (pp.231-233).

As you begin Beauty (Re) discovers the Male Body your read of author Susan Bordo spilling her morning coffee over a shockingly sexual advisement of a nude man. Initially, I rolled my eyes and settled in assuming, I was going to read about the tragedy of how men are now being objectified and exposed in adverting like women. As I flip through the pages looking at the scantily clad images I’m not really shocked; this essay was written fifteen years ago; I see these kinds of images going to the mall. What was shocking, however, was how Bordo a published, woman philosopher born in 1947 wrote about these images. I felt myself blush as I read “it seems slightly erect, or perhaps that’s his nonerect size, either way, there’s a substantial presence

In the essay “Don’t Look Now: The Male Pin-Up” by Richard Dyer, the author analyzes how male and female models look at the spectator. His argument is that men are always photographed in an active manner, and the women are just there sitting passively. Men do this because they cannot be feminine in any manner or otherwise they face a backlash from society. His goal in this essay is to reveal this cultural phenomenon to the reader by stating what the model’s look represents and the activity of models in images. Throughout this essay I will be analyzing how Dyer explains these concepts to inform the reader.

This transformation exhibits how society changed in its perspective on physical appearance. This marked the beginning of men’s desire for what women had been calling the “perfect” body. Before World War II, money was not lavishly spent on the perfection of the body (Luciano 11). After the return of the soldiers, men had more money as women retained their postwar jobs. With women making substantially larger paychecks, men had the ability to spend more time and money to make themselves look like the models displayed in the media. With the new advertisements by Calvin Klein, such as the Mark Wahlberg, also known as Marky Mark, steamy ads for men’s briefs, the appearance of male bodies has intensified (Luciano 112). More and more men, now with the monetary means of looking good, are trying to achieve perfection with their bodies. They want to have the same bodies as those shown in the advertisements and, at times, will not stop until they have reached that goal (Grogan 95).

Our social world is becoming increasingly sexualised as pornographic references and imagery are progressively more intertwined with mainstream media, social media, advertising, and pop culture. According to Tyler (2011), this intertwinement of pornography and pop culture consists of five fragments; the beginning of the pornographic boom, the

Fashion is everything to society and the media. The fashion industry has transformed into a necessity in the life of people. Everyone wants to look good, feel fabulous and feel as if we belong with everyone else. The envy and desire to wear certain things and look a certain way all come, from wearing the latest fashion handbags, accessories, dresses, shoes, and the list goes on. But, when is considering fashion into an individual’s life going too far to the extreme? Many do not consider the whereabouts of fashion materials and how the environment is affected by the mere existence of certain garments. Some may believe these objects grow on trees. But that is clearly not the case. Even though it would be nice. The fashion industry as a

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

Advertising and sex has been linked together since advertising became a big business. The use of sexually indicative images really highlight that sex is commodities best friend. Sex is used to sell all kinds of products and due to my research it seems to sell…best? Sex in the media has gone back to the 1870s when John Everett Mallais painted a portrait of a seemingly innocent Victorian girl, which he titled “Cherry Ripe” (See page a1). In the portrait Cherry Ripe’s arms are “open,” and, to make the message obvious, her hands are pressed palm to palm between her slightly parted legs, forming an image of female genitalia. Not to mention Cherry ripe’s black mitts point out the scandalous suggestion of her hands. In the portrait the mitts stand out and draw attention to the frame of the little girl’s hands. Implying mature pubic hair…? Scholars reviewing Victorians art history have argued that there are not only sexual implications in the title but that the painting reflects the tension between the innocent and the wanted.

The infamous Dutch men’s formal wear company Suit Supply is continually raising controversy in their campaigning. The fall 2010 campaign, accurately titled Shameless, advertised on the Suit Supply website and in the Westfield Suit Supply store windows suggests that dapper men, can score maximum attention with pulchritudinous women. The advertisement showing a male, well-dressed, looking up the dress of his female company. The company is using a “sex sells” attempt to amplify sales of suits to men. The use of women by Suit Supply in the Shameless campaign follows in the footsteps of other menswear company trying to use the sex driven mindset of men to sell clothing.

“BEFOR I CAN TALK TO YOU, PEOPLE SHOW THEIR SEX, AGE, CALSS, POSITION, WITH WHAT THEY ARE WEARING. ALL THIS IS REGISTERED UNCONCIOSLY“ Those words said by Alison Lurie in the language of clothes (1992), reflect perfectly the main point of my research. The society we are now living is an extremely conscious society regarding body image and the way we are presented to the exterior. We found an obsessive trend on wanting to look like celebrities by having certain items or looks and in relation to that a fear of not being percepted the tight way. This is where we found relation to how clothes are part of a conversation we haven 't started and are a form of expression. As there will be explained further on, we use clothes as a sign of our identity,as a way of representing ourselves and stand out from the crowd and also influence on how we appear in front of others making them (clothes) a huge part of our non verbal communication. This essay will discuss the ideas behind self -expression and the role of clothes has changed in that mater thought time.

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

“Sex sells” is probably one of the most used catch phrases that every generation understands starting in their adolescents. With the right to freedom of information and availability of the internet access, there cannot be limits set on adolescent’s exposure to such media marketing. This becomes a challenge as every generation seems to be getting more active and savvy in their use of technology, earlier and earlier. However, the phenomenon of barely clothed men is new even to the younger generations today as it corresponded with the recent normalization of gay culture in the mass media as suggested by Parasecoli. Further, the author confirms that “the enthrallment with the body image, previously imposed mostly on women, is now becoming a common feature in identification processes” (p. 284). Seeing a man in an overtly sexual ad, even when the product that is being sold is unrelated to sex, has become a common

Fashion is a form of expression and with its ever changing ideas and trends it explores and creates an array of identities. As Bennett, A. (2005) states “Fashion…provides individuals with a key means through which to manage their identities in the context of everyday life”. I wish to explore how fashion has developed to which identities can be created by oneself and what is around in everyday life and culture that may influence choice in dress. Is fashion a form of agency or structure? I will continue these ideas around gender and in particular fashion photography and how in which gender is represented within the popular mainstream media. Looking at if fashion photography plays a role in challenging gender roles, and therefore creating new ideologies of identity. Or, does fashion photography intertwine with the rest of media in its representation and stereotyping of both genders? Helmut Newton will be used as a case study and the interpretation of his work. This study will also look at the theory behind androgyny and continuing by also looking at dandyism and if these concepts are being constantly played with in the fashion media.