Fate And Fate In Sir Gawain And The Green Knight

Fate versus free will is a huge theme in the play Macbeth. It is Macbeth's fate that leads his free will to act the way he does. When the witches say "All hail Macbeth the future king" (I.iii.51) it leads Macbeth down a road of death and self-destruction. If Macbeth hadn't known

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

Throughout life, many of us will find ourselves in some of the worst situations that leave us wondering who’s to blame. The truth is that the misfortunes that befall us are due to our own actions and sometimes due to fate or bad luck. Fate is one person's destiny and it can not be understood by simple mortals but a greater power beyond human comprehension. Fate is so powerful that it can control a person's outcome on life before it happens. Many people tend to become victims of fate in which they catch a glimpse of what their future is going to look like, but do not totally take hold of the outcome. Macbeth can not fully realize the possible outcome of his fate because he is human, and therefore is a victim to his power driven

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

Fate has sundry meanings. One of the meanings of fate: power that predetermines events. Destiny’s definition suggests that events will occur and do not change. Whatever unravels in life cannot change by mankind. The statement has undivulged meanings; fate has the opportunity to change if the person wants events to end differently. However, wrong decisions will only seal fate. In Shakespeare’s Macbeth, The fate becomes confirmed through Lady Macbeth wanting more power, Macbeth’s inner conflict, and the three witches tricking Macbeth and leading him to his demise.

During several soliloquies and asides Macbeth expresses his "black and deep desires" (1.5.51) to become King and gradually overcomes his moral reluctance and foreboding long enough to kill Duncan. The independence of Macbeth in this decision is best described when he states:

Even though the green knight turns out to be good at the end of the story, he still presents Gawain with a variety of difficult challenges throughout the poem that make him seem evil. The green knight is first perceived as evil when he barges into king Arthur’s castle and insults the knights of camelot for hesitating to cut off his head. The moment that Sir Gawain volunteers to cut off the green knights instead of allowing Arthur to do so he is crossing the threshold from the ordinary world into the world of adventure. When Gawain departs on his journey to have his head cut off he is putting the greater good of camelot before his preference of not being decapitated by giant green knights. This choice that Gawain makes marks his first step towards becoming a better knight. Even

Fate is one person's destiny, it cannot be understood by mere mortals but a greater power beyond human comprehension. Fate is so powerful that it controls a person's outcome on life before it happens. Many people become victims of fate in which they catch a glimpse of what their future is going to look like, but do not totally grasp the outcome. Macbeth cannot fully comprehend the possible outcome of his fate because he is mortal, and therefore is a victim to his power driven quest and his ultimate fate. Many have been said to agree with this statement. For example, as stated in Shakespeare A to Z, "The Witches are an enactment of the irrational. The supernatural world if terrifying because it is beyond human control, and in the play it is

There are many parallels that can be drawn from the three temptations and hunting scenes and the three blows exchanged by the Green Knight. All of these scenes are interlocked together in the way that Gawain's quest is told and his trails he endures leading up to his meeting with the Green Knight to fulfill his promise made the year before.

After the establishing of the threat, Gawain agrees to the “fateful region of both treasure and danger…” (Campbell 53), also known as the call. The Green Knight himself initiates the quest, originally representing the herald. As Gawain rose the sword and let it fall on the knight’s neck, the Green Knight “neither faltered nor fell; he started forward with outstretched hand and caught the head…” (Weston, 9). At the attempt to decapitate the Green Knight, Gawain realizes that he will not be easily killed and rethinks what he has agreed to. At this point, the reader can define the Green Knight as a trickster for misleading Gawain into his death. Time flew by for Gawain and soon took off on his journey to find the mysterious knight. On a chilly winter night, Sir Gawain prays to God to help guide him to a safe place to spend the rest of the night. He comes across a castle in which he stays in for three days. The castle’s owner shelters Gawain and tests his loyalty.

The theme of Fate vs. Free Will arises in many literary texts. Within J.R.R. Tolkien’s novel The Lord of the Rings: Fellowship of the Ring, the main character Frodo has the titular ring thrusted upon him, setting him on a dangerous journey against his will. A similar occurrence happens within the poem Sir Gawain and the Green Knight (Translated by the same J.R.R. Tolkien), where Gawain takes on the task of chopping off the Green Knight’s head because no one else offers themself up to take King Arthur’s place, which leads him to go on a journey 365 days later in order to retain his reputation. Both of these characters set off on life-staking journeys only because another person gives them the task against their will. Also because of their male gender, another thing that was beyond their free will, these two characters are easily allowed to go on their adventures in the first place. Even though both Gawain and Frodo are fated to go on their journeys, they do not follow the expectation that a hero must be masculine in order to be successful, and wind up fulfilling their quests by the end of their tales.

Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.

In the Elizabethan Era, society was highly suspicious of the power of supernatural forces and it was commonly accepted that one’s life was governed by fate and was predetermined. Shakespeare’s Macbeth challenges the Elizabethan ideology of fate by privileging that although Macbeth was a victim of his “vaulting ambition” (1:VII 27), he was ultimately responsible for his villainous actions. Shakespeare has foregounded certain events to privilege that a person has free will and a concience and the cosequences of going against one's conscience, thus challenging the assumption of the Elizabethan Era. The audience is invited to sympathise with the protagonist, Macbeth, and see him as a tragic hero. Before his descent into evil, Macbeth

In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his