Fate and Love in A Midsummer Night's Dream Essay

True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.

A Misummer Night’s Dream is a comedy play written by William Shakespeare. In this play there are multiple themes however the most evident theme is love. Why is love an evident theme? It is an evident theme because the play commences with two Greek mythology characters─ the Duke of Athens, Theseus and Amazon queen Hippolita planning their marriage. However as Theseus plans his marriage he has to help Egeus persuade his daughter Hermia to marry Demetrius. Unfortunately both the Duke and Egeus failed to persuade Hermia into marrying Demetrius so the fairies (another set of characters. The fairies in this play consisted of goddess of chastity and Queen of fairies, Titania and King of fairies Oberon and his assistance Robin Goodfellow) decide

Before the symbolism of the woods and the land of fairies, the main sources of the conflict between reality and unreality, is intact, there are small hints slowly leading to that direction in the opening scene of Act I, scene i. When Egeus approaches Theseus to aid him with his daughter’s infatuation with Lysander instead of Demetrius, he claims that Lysander has “bewitch'd the bosom of

Oberon, riddled with jealousy over his queen’s beloved “changeling”, plots to make a fool out of Titania with his magic potion so he may steal away the child. Oberon's love-potion has the same effect of that of the famed Cupid's arrows, it charms the sight of those it is anointed upon, and gets them to fall in “love” with the first creature they see. Oberon anoints the eyes of Titania and she ends up falling in “love” with the first creature she sees, Bottom, an actor who is rehearsing in the woods, who’s head has been turned into that of an ass by Puck. Oberon plan is successful, he is in fact able to steal away the child while his queen dotes upon Bottom, but then things start to get more complicated in the moonlit woods.

Love is a very common theme that is seen in literature, and love is one of the most powerful things that can be felt for someone or something. Love can drive a person to do incredible or horrible things, and we see many forms of love that take place in A Midsummer Night’s Dream. This is demonstrated in the book by many characters including Hermia and Lysander who demonstrate true love. Titania and Bottom show magical love. In the play, love is also the cause of a few broken hearts. While there is no one common definition of love that suits all of the characters, the romantic relationship in the play all leans to one simple rule laid out by Lysander, “The course of true love never did run smooth.”

Love comes with many complications and faces many obstacles. Shakespeare clearly portrays illustrates these difficulties this them through various relationships in his play, ‘A Midsummer Night's Dream’. The characters face different obstacles which affect their relationships negatively. In the play, ‘A Midsummer Night’s Dream,’ the main obstacles that cause negative effects on love are the use of magic, the law, and misunderstandings as well as and false assumptions.

In the comedy A Midsummer Night’s Dream, the plethora of comedic styles used by Shakespeare illustrate his intention to poke fun at love throughout the play. The play is notorious for its intricate and irrational plotline, mainly due to the constantly shifting love triangles. Once the powerful fairies become involved with the fate of the naive lovers – Demetrius, Helena, Lysander and Hermia – matters are further complicated. The complication inflicted by the fairies is credited to the powerful love potion that Oberon, King of the Fairies, hands over to Puck, a mischievous fairy, to use on his wife Titania, with intentions to embarrass and distract her. This spiteful attitude is due to Oberon and Titania’s argument over the custody of an

Furthermore, the lines earlier shows Oberon’s plan to control and submit Titania to his will. His plan to make her fall in love with animals by using a potion indicates that he wants to embarrass Titania. He wants to use his power to manipulate her feelings. He craves the control that he did not have earlier in the play when Titania did what she wanted to do. Therefore, his desire to gain control results in the changing of Titania’s fate. Titania’s actions are based on Oberon’s power. Likewise, Oberon gains satisfaction by executing his plan which empowers him and gives authority. Further, not only does Oberon make plans to control Titania, but he also becomes the cause of the conflict among Lysander, Demetrius, Hermia, and Helena. Oberon’s decision to meddle in their affairs directly impacts their fate as they become powerless over their situation. Oberon’s overwhelming sense of entitlement for utter control affects the events that transpire in their lives. Specifically, Oberon’s interference changes how two of the main characters, Lysander and Hermia interact with each other. Their mutual attraction to each other is altered as a result of Lysander’s will becoming influenced by Oberon. Thus, Lysander professes his love for Helena. Then, Hermia verbally attacks Helena:

William Shakespeare starts with a seemingly unresolvable conflict in A Midsummer Night’s Dream. The main characters are lovers who are either unrequited in their love or hassled by the love of another. These lovers are inevitably paired. How does Shakespeare make this happen? He creates many subplots that, before long, are all snarled up into a chaotic knot. So, what actions does Shakespeare take to resolve these new quandaries? He ends up trusting a single key entity with his comedy. It’s only then that he introduces a special character into his world: a mischievous fairy whom is known by the name of Puck. Puck is the catalyst for all these subplots and, indeed, for the entirety of Shakespeare’s A Midsummer Night’s Dream. Try to take Puck

To provide some context, Shakespeare’s A Midsummer Night’s Dream interferes with love through the deception of fairies. When Hermia’s father insists she marry Demetrius, she runs away with Hermia and Lysander. Contrastingly, Helena chases after an uninterested Demetrius, helplessly in love. The fairies meddle with these two couples by accidentally casting a love

What is love? Love is a very powerful emotion! Love is something that can come at any time in your life. It can appear in any way, shape, or form. In the famous play “Midsummer Night's Dream,” by William Shakespeare, love is a major theme that affects many people and causes many challenges. In order for love to conquer these challenges one needs to stay true to their love, they may need the help of some magic, and must be persistent.

They are the former couple’s inverse, and the play’s characters lives all change because of Oberon and Titania.

The biggest obstacle in this play occurs when the power of love is challenged by authority. The play starts with Theseus, duke of Athens, being eager to marry Hippolyta, who he wooed with his sword in combat. Although Theseus promises Hippolyta that he will wed her “with pomp, with triumph, with reveling,” true love between them is questionable. By starting the play with Theseus and Hippolyta, Shakespeare hints the audience of the authority involved in their marriage and leaves the audience wonder if they actually love each other. The focus is then shifted to the four lovers: Hermia, Lysander, Demetrius and Helena - by establishing the story of Hermia being forced by her father, Egeus, to marry Demetrius, when the person she actually wants to marry is Lysander. However, Egeus

After observing the senseless behavior of the Athenian lovers, Puck exclaims to Oberon, “Lord, what fools these mortals be” (III.ii.115)! This line, aimed at Lysander’s foolish behavior is meant to be humorous, but it also cleverly addresses the prominent theme of the story: that love is not under human control. Puck is clearly referring to the foolishness and exaggerated emotions of the four lovers in the play; however, Shakespeare also intends to target the audience members by emphasizing that humans in general have the tendency to do and say crazy things because of love’s powerful grasp on their emotions. Therefore, a character such as Puck, according to Robert Diyanni, “may remind us in some ways of ourselves; they may appeal to us because they differ from us” (Diyanni 1270). Although the Athenian lovers neglect to realize the extent of their ludicrous behavior, their unbalanced emotions are very noticeable to the fairies, who replace the audience’s role in this scene. Moreover, it signifies the contrast between both the human lovers, who become so entangled in a disarray of emotion, and the enchanting fairies, always playful and rascally in

Theseus rules by trying to make everyone happy while abiding by the old Athenian law. Theseus says, “Look you arm yourself to fit the fancies your father’s will.” (1.1.117-118) In this scene, Theseus is telling Hermia to marry Demetrius or to get ready to die. Egeus says that she is his property by the Athenian law. This causes Hermia to run away with her love, Lysander. At the end of the play, Theseus says, “Egeus, I will overbear your will.” (4.1.182) He is telling Hermia’s father that the law will be void for this marriage. This tells that Theseus will override it for the happiness of the four lovers. Oberon rules in a way where he is happy even if it sacrifices someone else's happiness. He will do mischievous things and blackmail others, including Titania, for his own satisfaction or gain. Oberon says, “Give me that boy, and I will go with thee.” (2.1.143) Here, he is telling Titania that if she doesn’t give him the boy, he will not dance with he at Theseus’s and Hippolyta’s wedding. They are supposed to dance at the wedding to tell them that they bless their marriage. Oberon is blackmailing her so that if she doesn’t give him the boy, they won’t dance, thus giving the couples the impression that they don’t bless them. Also, right after he squeezes the love flowers juice on Titania’s eyelid, Oberon says, “Wake when some vile