Shakespeare Father Daughter Relationship Essay

During the Middle Ages, except for those in religious positions, women were only seen as three things, which were daughter, wife, and mother. But in the fourteenth through sixteenth centuries, new opportunities in learning humanism arose for only those in the higher class families. Even though they started to educate themselves, the majority had no rights whatsoever in money matters as well as estate. From the 17th century and up to the scientific revolution, women’s rights had consistently been improving. However, during the revolution, the study of the human body brought to attention that the male brain is quite larger than that of a female. This revelation set back the female race back to a limited role, but this time this setback was

These assumptions are clearly present in Shakespeare's work. In Merchant, financial language and romantic language are inextricably linked, suggesting that money is a source of both power and sexual desirability, particularly for males. The opening scene depicts Bassanio asking Antonio for money so that he may woo the beautiful and wealthy Portia. Bassanio is penniless and, it seems, made weak, unattractive, and perhaps less masculine by his poverty.

In the sixteenth century the role of women in society was very limited. Women were generally stereotyped as housewives and mothers. They were to be married, living their life providing for her husband and children. The patriarchal values of the Elizabethan times regarded women as the weaker sex.’ Men were considered the dominant gender and were treated with the utmost respect by females. Women were mainly restricted within the confines of their homes and were not allowed to go school or to university, but they could be educated at home by private tutors. Men were said to be the ones to provide for their families financially. Women were often seen as not intelligent. Property could not be titled in the name of a female within the family. Legally everything the female had belonged to her husband. Poor and middle class wives were kept very busy but rich women were not idle either. In a big house they had to organize and supervise the servants.

Through the tragedy of Julius Caesar, Shakespeare showed the importance of respect between couples. Through not found in primary manuscripts, Shakespeare effectively developed the perceptive and loyal personalities of the wives. Wedded to Portia, Brutus distanced Portia from his emotional battle. Aware of this, Portia spoke to Brutus showing great oratory skills as she emphasized three-points displaying why Brutus must consult her. Likewise, Calpurnia pushed persistently to convince her husband, Caesar, to remain in the safe confines of their villa, because she noticed the oddities occurring and knew the severity of her dream. Though in a worldly environment, the godly principles of listening to wise council, but also submitting to one’s spouse

Throughout Western thought to 1600, women are portrayed as second-class citizens, their roles in society were inferior to those of the dominant groups in society. Women during this time filled traditional roles of caretaking, birthing and manual labor. They were tools used in society in the form of property or as a source for bearing children, preferably boys. Women were compared to other luxurious items such as gold, and horses and often praised for their beauty. Although many texts portray women in these subordinate roles, some were referred by name but often times not. Overall women weren’t given access to many positions or resources in society due to the way they were perceived by those dominant in society.

Some aspects of the lifestyle ancient civilizations lived almost seem appalling or intolerable when compared to the very developed and carefully shaped the world inhabited today. One of these characteristics of previous societies that prove to be rather challenging to conceive in current times consists of the lack of rights, privileges, and equity women had. Society maintained this assumption of a man’s superiority up until the women’s rights movement of the early twentieth century; yet with the two sexes essentially equal in America today, imagining a restricted life as a female proves unfathomable. Looking back at the history of human kind, men almost always subdued women and treated them as property. When focusing on the first

This article is effective because Evans acknowledges the unavoidable ambiguity of Hamlet and allows readers to view scenes and characters through different lenses. Evans strengthens his argument that friendship is an important theme by using copious amounts of textual evidence and direct quotations while simultaneously referring to Renaissance ideas on friendship. His analysis presents scenes in a nuanced way that displays the theme while allowing readers a choice of interpretation. This tactic is frustrating for readers searching for well-defined and unambiguous answers. However, I believe Evan’s arrangement of multiple meanings is appropriate for Shakespeare, who never wrote to be transparent.

The suitors lasciviously desired Portia for her beauty and wealth. If they could win her as a wife, their reputations and futures would be set. The first suitor to try his luck at the riddle of the caskets was the Prince of Morocco. He chose the gold casket which had an inscription that read: "Who chooseth me shall gain what many men desire" (II.vii.5). This shows that Morocco was a greedy man who desired Portia for materialistic reasons, just like many other men who would desire the gold too. The second suitor to attempt the riddle was the Prince of Arragon, who chose the silver casket. Like Morrocco, Arragon was quite superficial. "I will assume desert. Give me a key for this / And instantly unlock my fortunes here" (II.ix.52). He saw Portia as merely a free ride to financial security. He didn't want her because he loved or cared for her. He only wanted her for her money and power. Women were a prize which men displayed and flaunted. A woman had no true value as a person.

Interestedly, instead of Shakespeare using the word bond as a way to tie Portia and Bassanio and their undying love and promises. We find Bassanio discovering out about Antonio’s situation in a letter telling Bassanio about his lost ships and Shylocks intentions of taking his pound of flesh. The news incites a since of guilt from Bassanio which prods Portia to offer and pay twenty times the original sum. After reading the letter aloud to Portia she suggests Bassanio go to his friends aid and go back to Venice by his side. (3.2.314)

We see how she is manipulated by men through her father, who though dead, still manages to control who she marries from his will. He states in his will that from three different caskets the suitors will have to chose, in each of which will contain either a letter to the suitor or a picture of Portia. In one of the three caskets, either the lead, silver or gold casket, there will be a picture of Portia the suitor picking the casket

"But, as it were, in sort or limitation, To keep with you at meals, comfort your bed, /And talk to you sometimes? Dwell I but in the suburbs/Of your good pleasure? If it be no more, /Portia is Brutus's harlot, not his wife," (II, I, 305-310).

The play ‘The Merchant of Venice’, by William Shakespeare, shows two different father-daughter relationships. The relationships are between Portia and her recently diseased father, the other involving Jessica and Shylock, a Jewish money lender. The first relationship emphasizes love, respect and trust whereas the other are obviously different. Portia’s relationship with her recently deceased father was full of respect and love, whereas Jessica didn't like her father and thought he was rude.

William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.

Despite being under the rule of a female monarch, women faced many inequalities and suffering during the Victorian age. Examples of these inequalities include not having the right to vote, unequal educational and employment opportunities. Women were even denied the legal right to divorce in most cases. As the Norton Anthology states, these debates over women’s rights and their roles came to be known as the “woman question” by the Victorians. This lead to many conflicting struggles, such as the desire by all for women to be educated, yet they are denied the same opportunities afforded to men. While these women faced these difficulties, there was also the notion that women should be domestic and feminine. There was an ideal that women should be submissive and pure because they are naturally different. The industrial revolution introduced women into the labor workforce, but there was still a conflict between the two identities; one of an employed woman, and one of a domestic housewife.

Throughout history, women were “conditioned” to believe that it was their duty to be obedient to men. That it was their “nature to live for others….and to have no life but their [men’s] affections” (Mill, 1995, pg.16). Thus, it seemed natural that women were to be subservient to the needs of the men in their lives. They gave up their lives in order to serve and be accepted by them. Mill, however, claims that this was not the case. The subjection of women was not brought upon by natural development, but rather, through customary power relationships that went on to become institutionalized in the same way that slavery was.