Father and son

Johnson provides a brief account of the novella 's plot, together with his own perspective on the fact that so much of literature and literary analysis concentrates on the relationships that the characters have. In this case, the author examines the family as composed of children of ineffectual parents. While this writer does not know this with certainty, it is possible that many cases requiring family therapy are due to this very cause. The author then goes on to discuss the family in the context of the greater social system.

Conflict was used effectively in the short story to reveal the theme of the story. The boy has an internal conflict about which parent to stay with, and because his father left, he seemed to have favored him. He wanted him back so badly that every night, he watches him on the six o’clock news while wearing his old jackets. He was blinded by his father’s sudden departure that he forgot about what is really important. Additionally, another development in the short story’s conflict has been used effectively to reveal the theme. When the boy went to Macdonald’s to see his father’s true colors, he thought: “I finished my drink quickly, thankful that he had to be back in the studio for the news.” By the time he saw his dad for the first time in a while, he knew he was not the man he thought he was. At that moment, he also realized that he lost sight of what he had all this time: His mother’s unconditional love. If it wasn’t for the characterization of

The young sisters, who know little about their father’s suffering, make fun of the hole without knowing the consequence of their action. The father is unable to intervene on his daughters’ behalf, as he sits there “face paled.” (40), till the mother orders the children to keep quiet. Apparently, his role in the family structure prevents him from expressing his emotion directly to his children. Nevertheless, after a visit to the doctor, it turns out that the father’s internal organs are intact despite their state of severe deformation, which shows the father’s incredible determination to remain functional in his family role after his tragic loss. Ironically, the doctors “pronounced him in great health” (41), which implies that apparent defects in mental health could be suppressed by the father’s unwillingness to challenge his image as a man, thus they are not easily detectable. The father’s behavioral patterns after his father’s death are in accordance to many stereotypical views of men.

The first feeling of this story is that the boy and his father struggle with their relationship, but as it unfolds, the reader sees how they do care for each other. It also becomes easier to spot the difficulties of communicating within a broken family. The father does a fine job to of turning the boy’s scheduling obsessions into a positive for the boy by noting it as one of his strong points.

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

The contrast between the son’s first words with his father and his later conversation emphasizes how rapidly he is growing up. At first, the son lovingly exclaims, “not the same story baba, a new one”. However, towards the end, the son’s affectionate speech turns angry, as he shouts,“are you a god, the man that screams?”

“Love and Honour and Pity and Pride and Compassion and Sacrifice”, focuses on the relationship between the protagonist, who is referred to as ‘Child’, and his father, referred to as ‘Ba’. The opening story follows the protagonist as he is struggling to overcome writers block, whilst dealing with his estranged Vietnamese father who is visiting. A number of flashbacks are used as a literary device to divulge into the protagonists past with his father as well as the fathers past. This reveals, not only an abusive past with his father, but also his father’s memories of the Vietnam war. It becomes clear that the son makes excuses for his father, with his girlfriend Linda also noting this, “I think you’re making excuses for him…You’re romanticising his past to make sense of the things you said he did to you” (pp.20). The protagonist reflects this himself, making the excuse that “he was a soldier” (pp.13), and that is why his father treated him as he did. The protagonist, despite once being able to admit to Linda that his father abused him, can no longer admit this, as his relationship with his father grows, and it can be argued that he is willing to overlook his past in an attempt to reconcile with his father. “It was too much these words, and what connected to them” (pp.13).

One of the major themes that can be found in Night, by Elie Wiesel, is one of father/son relationships. To quote a father from the book, Stein, “The only thing that keeps me alive is knowing that Reizel and the little ones are still alive.” Not all father/son relationships are as good however. Another part of the book reads, “I once saw. . . a boy of thirteen, beat his father for not making his bed properly. As the old man quietly wept, the boy was yelling, ‘If you don’t stop crying instantly, I will no longer bring you bread. Understood?’” In presenting examples like these, Wiesel communicates a message of the importance of good father/son relationships to his readers. This paper will examine father/son relationships throughout the book,

The transition of the boy’s opinion of his father (from exasperation at his carelessness to admiration of his free spirit) reflects a relaxation of the boy’s severity and of the story’s serious tone. Initially, the writer uses clipped phrasing during the son’s dialogue with his father – such as the blunt “I guess” (1) and the lack of the playful response “Right, doctor” (1) – to create an

The narrator was writhing in the misery of the burden of brotherly love. The narrator’s mother, via tasking him with looking after Sonny, asked him to serve as his sibling’s keeper and protector. The narrator was riddled with grief throughout his life right from the burden of brotherly love that was placed upon his shoulder, to the dilapidated living conditions he and Sonny had to endure while shaking up in the projects, to the imprisonment of his younger brother and the death of his own daughter-

The boy and the father have strong morals demonstrating a high level of authenticity, especially in a world where morality is extremely uncommon. To be ‘authentic’ means to genuinely be yourself. Although, as presented by Existentialism, one cannot be their true self until one has defined themselves. First, one must create their authentic selves, then they must live according to that (Varga). The father and the boy have strong principles to do what is right, even when their fellow survivors have completely abandoned morality altogether. At times, the father struggles with following said principles, however, he then justifies his actions which are purely for the safety of his son. This depicts that the father will do anything and everything to assure that the boy lives. The father expresses that “He knew only that the child was his warrant. He said: If he is not the word of God God never spoke” (5). When a man holds a knife to the son's neck, the father does not hesitate to kill him. Although this is

The short-story “A Conversation with My Father”, by Grace Paley, combines several themes and the author uses the elements of abandonment, denial, irony, humor and foreshadowing, to bring this emotional story together. This story is mainly about the relationship between a parent and his child. The primary characters are a father, and his child. There is no mention of whether the child is his daughter or son. The tone of the story and the conversations made me believe that the old man has a daughter, and hence I will refer to the child as his daughter.

father did not die a ‘complete’ death and that haunts him. This pain is shown in a unique way

The short story heavily revolves around the protagonist woman Mary and her depressed son. The two are driving home from the hospital and the tension between them is very high. The reader is told that Mary and her husband Seamus was married for 20 years before conceiving David which resulted in the two being older parents and even more importantly not expected to become parents. Mary can’t comprehend what has made David so depressed though she realises that she may could have been there for him more often when he was growing up. The primary themes in the story is depression and the journey from life to death, furthermore motherly love and family dynamic plays an important role in the story “She smiled at the idea that now she would have two of them for company” (P.3, L. 84). The story is narrated by a third person omniscient narrator, this is evident by the narrator knowing the different character’s thoughts and furthermore the story begins with in media res “Mammy, how do people die?” he had asked, and Mary explained

The story begins with the parents trying to decide upon a suitable birthday gift, a difficult task since he has "referential mania" (Nabokov, 1948), a mental condition that causes him to believe that inanimate objects conspire against him. "Man-made objects were to him either hives of evil, vibrant with a malignant activity that he alone could perceive, or gross comforts for which no use could be found in his abstract world" (Nabokov, 1948). To him, glass and pools are spies, coats are malicious, and clouds speak together about him, while storms and running water "are hysterical to the point of insanity" (Nabokov, 1948). From the son's point of view, we learn that he must be constantly vigilant of the objects interested in him, even if they are far away and beyond his vision. Indeed, his suicide attempts are his way of trying to "tear a hole in his world and escape" (Nabokov, 1948).