Faustus Essay

Christopher Marlowe wrote The Tragic History of the Life and Death of Dr. Faustus during the Elizabethan Era, and the original production is said to have occurred in 1592 (David M. Bevington i). Queen Elizabeth I’s reign was one of religious conflict, political turmoil, and brilliant works by artists and therefore, church and state cannot be considered separately when discussing Elizabethan England. Her majesty was not only the commander, but also the head of the church. Under her reign, every English citizen was required by law to attend liturgical services. Membership to the church was a birthright and an obligation, as inescapable as participation in the political body of the commonwealth (Collinson 74-75). To illustrate, Richard Hooker offers an excellent image for Marlowe’s society: church and state resembled the sides or the base of a triangle (Hooker 336). Now, specifically, Calvinism was rapidly becoming the accepted doctrine in Elizabethan England, and the religious elements present in Marlowe’s version of Faust are almost certainly rooted in Calvinism.

Often thought of as the epitome of Romanticism, Goethe’s Faust details the adventures of It’s hero that can be thought of to represent the turmoil that was grasping European society in the years of late eighteenth and early nineteenth centuries. Faust can be viewed as a romantic hero because of his attitude and the progression of his character throughout the story and runs nearly parallel with what was happening around Europe at the time Goethe transpired this play. Faust offers a transition from the cold realization of the Enlightenment to a warm comfort that came to be described as Romanticism. Faust shows a way to express how he deals with morals and all the learning along the way in order to feel fulfillment or belonging, while also shadowing a mindset that European society was struggling to deal with after their world found reason to no longer be a spark for their overall culture of life.

Then Faustus does repent, but the devil comes and is very angry with him, and he begins to frighten Faustus for repenting to God. But Faustus begs for the devil to forgive him and promises never to call upon the Lord or look unto heaven for help. "Nor will Faustus henceforth. Pardon him for this, and Fautus vows never to look to heaven"(II, ii, 101-102). This shows Faustus' weak character, and that he is more willing to attain worldly goods in the here and now, then to attain heavenly goods in the after life.

I think that this play is an example of a damning folly. The reason behind that is that  Faustus is not a good guy. It is also a damned folly because he sold his soul to the Devil and that is not a good thing at all. I think that this play is kind of confusing as well. Faustus said that he could not take it anymore and so he decided to sell his soul to the Devil. I do not think that was good of him to do so. He also said that he would do anything to stay with the Devil. I think that he should have made a better decision when it came to his life. This play was to have specific things about certain things. I do not know what else to think about. I think that Faustus is also a romantic person. The reason behind that I because he was asking

Also in Dr.Faustus, Faustus obsession was the greed for more and more knowledge and power that even the human being could not withstand. Instead of obtaining knowledge like an average human being Faustus went to the devil “Mephistophilis” because he just wanted to know everything “oh what a world of power and delight . . . a sound magician is a demigod” in this he is saying that he basically wants more power than any human can handle he wants powers such as the Gods the power to create things and know all. But throughout this book Faustus will begin soon to realize that gaining all that power also comes with some consequences. “My God my god look not so fierce on me . . . I’ll burn my books ah Mephistophilis”. This quote means that time is up and that Faustus only had twenty-four years to

"Please! Take my child!" Screams a desperate woman, who is holding up a small child. Tears are leaking from her eyes.

Although Faustus may not think it, he guilty of each of those sins, namely jealousy and avarice. This shows an interesting contrast between his self perceptions and reality. He takes full advantage of the power the devil brings him. Faustus has fleeting regrets about his vow to the devil, yet never serious. In his thoughts of repenting, it seems to be only for his own good rather than reaffirming his belief in God. In the end once Faustus becomes conscious that his life of power will be over and he will remain a servant to the devil for eternity, he realizes his huge mistake. When his death is inevitable he curses his choice: “Accursed Faustus, wretch, what hast thou done? I do repent, and yet I do despair. Hell strives with grace for conquest in my breast. What shall I do to shun the snares of death?”

In this paper, it will discuss the theme of Faust and Duc de Nemours: sagas of disillusionment and thwarted ambitions in both novels Faust, Part 1 and The Princesse de Cleves. At first glance one must be able to understand what disillusionment and thwarted ambition is. When one talks about disillusionment, it is referred to as a feeling of disappointment resulting from the discovery that something is not good as one believed it to be. Thwarted ambition refers to the opposition or prevention from something we desire or want to achieve. The stories of Faust and Nemours play a significant role in coming to terms with this theme because of their many attempts at happiness and irrational actions. Faust is disillusioned and demoralized

Just as each Devil’s motivation for enlarging his kingdom varies, so do their relationships with God. This differing in goals also reflects the change in humanity’s religious pursuits between the time periods. When Faustus tries to seek God’s forgiveness, Lucifer expresses his displeasure when he says “We come to tell thee thou dost injure us […] Thou shouldst not think of God: think of the Devil” (Marlow 5). This Devil’s dislike for God is evident in his jealousy over Faustus’s pledge of allegiance. He can’t seem to stand it when Faustus talks about Paradise or creation. This ultimatum to only think of the Devil, as well as the previously identified thirst for power, alludes to some sort of conflict between the Devil and God in Dr. Faustus.

Pride is a sin common to the human nature that Faustus falls, and it should be examined by the reader in their own life. “Did not my conjuring speeches raise thee? Speak!” (Marlowe 1.3.45). This quote shows Faustus’ pride through showing anger after figuring it out that it was not his power of conjuring that brought him there. We can see that Faustus wanted the power of his conjuring to have brought him and is angered, which is shown by the exclamation and his demand for the demon to speak after hearing Mephastophilis, “Came now hither of mine own accord”(Marlowe 1.3.44). This shows that pride is a part of human nature. Despite being human nature, Faustus has an extraordinary amount of pride because he wants to have the knowledge and power equal to that of God. This lust for power is made evident to the reader in Faustus’ example of commands he would give to Mephastophilis. Faustus craves the power to destroy God’s creation or recreate his miracles, which allows his pride to show the desire to become a god himself, “To do whatever Faustus shall command,/ Be it to make the moon drop from her sphere,/ Or the ocean to overwhelm the world” (Marlowe 1.3.37-39). God flooded the entire earth before with Moses, and Faustus’ desire to be able to do what God already has done shows his pride. Faustus is saying he can do anything God can. God, in Christian beliefs, created the

II. Doctor Faustus is contrived of the following: Faustus, a man well learned in medicine and other knowledge’s known to man is dissatisfied with where his life is heading so he calls upon the Lucifer and His accomplice, Mephistophilis, to teach him the ways of magic. They agree to be his tutors only if Faustus will sell his soul to Lucifer and be His after 20 years. Faustus agrees and goes through trying times where he is unsure of his decision and considers repenting but then is persuaded again and again that the magic powers of the Devil are far more

    Faustus’ inability to trust God stems from his connection with evil, and Marlowe uses Doctor Faustus’ thirst for knowledge and power as the primary reason for his gravitation towards and consequent trust of Satan. In the beginning of the the story, Dr. Faustus seeks to become all powerful and all knowledgeable, rivaling the omnipotence of God. To achieve such a “ world of profit and delight/Of power, of honor and omnipotence,”(1.52-53) Faustus indulges himself in the realm of dark arts, studying “metaphysics of magicians/And necromantic books” that promise to enlighten him with extraordinary capabilities. It is the darkness’ ability to answer Faustus’ desires in the now that gains his trust, for Faustus is not interested in serving a God that seemingly does nothing for him.This is further illustrated when Faustus proclaims, “To God?-He loves thee not/The God thou serv'st is thine own appetite”(5.11-12).The instant gratification of evil better resonates with Faustus, and because he never sees God appease him in the way that darkness has, he trusts Satan more than God. Marlowe has Doctor Faustus matriculate towards Satan in the novel’s beginning because of the perks of evil, and he never turns back.

Throughout this play, we see the theme of free will and predestination. Free will is present when Faustus is discussing his reasons for turning to the devils. He is in search of limitless knowledge and magic. After reading a passage from the bible, “The reward for sinne is death: thats hard”, but does not continue to read the whole statement that says, derived from various translations, “For the wages of sin is death; but the gift of God is eternal life through Jesus Christ our Lord” (Westlund). He decides that if everyone is subject to death

In a traditional tragic play, as pioneered by the Greeks and imitated by William Shakespeare, a hero is brought low by an error or series of errors and realizes his or her mistake only when it is too late. In Christianity, though, as long as a person is alive, there is always the possibility of repentance—so if a tragic hero realizes his or her mistake, he or she may still be saved even at the last moment. But though Faustus, in the final, wrenching scene, comes to his senses and begs for a chance to repent, it is too

Things aren’t always as they appear to be. This is true in John Faustus’s case in terms of his relationship with Mephistopheles and in turn the devil himself. Poor Faustus believes it is he who has called upon the demon Mephistopheles and it is his tongue that orders the servant of hell, yet he could not be any more mistaken. In reality, Faustus is the one with strings attached to him and it is Lucifer, Mephistopheles, and the Evil Angel playing the role of the puppeteer. Nevertheless, Faustus remains a student to the ideology of Christianity throughout his adventures, even amongst the bleakest of hours. God never leaves the side of John Faustus, as He relentlessly tries to bring Faustus back onto the path of righteousness.