Rambod Jafari Rohani
Film 283 - First Essay
Topic #1
03/11/2015
Alienation: Discrimination Eats the Soul If we agree that in each major conflict between two poles apart cultures, the submissive culture often tries to gain more cultural capital by joining in to the more powerful culture, while the dominant culture is hesitant to change and tries to prevent them from achieving that supremacy, then I am positive that a comparison between "Ali: Fear Eats the Soul" and "Black Girl" underlying themes would help us to understand this relationship better. Despite the formal and visual dissimilarities between the two movies, "Ali: Fear Eats the Soul" (1974) and "Black Girl" (1966) are analogous in terms of their core theme: it's not just us against
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For instance, the high level of contrast between the black and white colors throughout the movie seems intentional, signifying the contrast between Diouana and the world around her in France and the racism that she is experiencing. The relationship between Diouana and Madame is never equal or friendly. Consequently, almost all the shots that show their interaction consists a high-angle shot of Diouana and a low-angle shot of Madame; for example, in the scene where Madame tries to wake her up in bed. Therefore, the audience always sees Madame from the bottom and Diouana from the top, indicating the dominating view and status of the white imperialist over his African territory, over his slave. Correspondingly, A. H. Weiler notes "The villains [in 'Black Girl'] appear to be the changing societies, the native class dominated by poverty and unemployment and the seeming French apathy toward their former dependents' demand for dignity" (NY Times, 1969). The hegemony of the superior race and class is more vivid in "Black Girl" compare to "Ali: Fear Eats the Soul," both in its plot and its framing. However, both movies also share alike interactions between insiders and outsiders. Neither of the Emmi's family members and landlord, nor the neighbors of the apartment have
Stereotypes and generalizations about African Americans and their culture have evolved within American society dating back to the colonial years of settlement, particularly after slavery became a racial institution that was heritable. However in the clips we watched and from my own viewing of the movie Carmen Jones the movie explains two media stereotyped roles present in films with black characters, the black jezebel and the integrationist hero. Their representations of these roles have many implications on how their characters interact with each other and other characters throughout the film and the outcome of the film’s plot. For a number of years in American film, one could find two black stereotypical presences, the integrationist hero, who dominated the screen for a time, and the black jezebel, also present in many films. Hollywood made movies that featured the well liked,
The Tuskegee Airmen movie was about the hardships that the first African American fighter pilots faced in the United States Army Air Corporation. This movie is based on a true story of how the African Americans pilots battled against racism and for equal rights. They became one of the greatest and fearless fighter pilot teams in the United States during World War II. Hannibal Lee is on a train ride to Tuskegee Air Base in Alabama. He meets two passengers, Walter and Leroi, who are going to join the 99th Fighter Squadron as fight cadets. One example of segregation occurs on the train because these three black airmen are forced to give up their seats for German prisoners because there was no more room to sit. Lieutenant Glenn was the first man they met when they got to Tuskegee. He was the man in charge along with other people in the unit. The people who were training to be cadets were African American, middle class and well educated men.
Quentin Tarantino’s film Jackie Brown, released in 1997, challenges the pervasive stereotyping of not only blacks but specifically black women. Nowhere is the cinematic devaluation of African Americans more evident than in images of black women which, in the history of cinematography, the white ideal for female beauty has overlooked. The portrayal of black women as the racial Extra has been fabricated through many semblances in the history of American film. Film scholars and feminists alike have long been plagued with lament for the negativity and stereotyping that sticks with black women in American cinema. In this paper, I will argue that Jackie Brown highlights and stresses the racial variance of the female African American protagonist,
Race does not play a large role in this movie, which tells you a lot about the community the movie is set in. None of the characters in the movie are people of color. This tells the audience that the movie is dealing with an all-white, poor, rural community. This allows the audience to fill in information regarding this community based on what is already known about such communities.
De Beauvoir translates the idea of the Veil that Du Bois presents in The Souls of Black Folk in a way that applies to the oppression of women. Du Bois defines the Veil as the greatest problem to the liberation of black people because of the mental oppression it defines. The Veil symbolizes the way the black people see themselves through the white race’s perspective which causes self-hatred and a belief of inferiority to the white race. When arguing the cause of this mental oppression Du
"The Black Girl" uses suicide to shock the audience into realizing the message of the story. Although the message is harsh, it is also real, and the point is well taken by the audience.
The 1974 melodrama film Ali: Fear Eats the Soul (Angst essen Seele auf) produced and directed by Rainer Werner Fassbinder follows German charwoman Emmi Kurowski and her struggles against society concomitant with her relationship with Moroccan guest worker Ali. Situated in West Germany and filmed the year after the halt on the recruitment of guest workers, this movie can be interpreted as a response to the debates and issues surrounding the presence of foreign workers. Native germans frequently disputed and contended the treatment, contributions, and potential to integrate into the German society that historically rejected the identity as a country of immigration. The staircase clips from Ali: Fear Eats the Soul highlight the susceptibility
Over the hour and a half of Samuel L. Jackson reading Baldwin’s words , I Am Not Your Negro presents us with a range of interviews and digs into the murky, racist history of Western popular culture. The film is not subtle: sections are bookended with stark, black and white title cards, Doris Day’s smiling face morphs into a lynched body hanging from a tree, the end credits burst on screen to the sound of Kendrick Lamar’s ' The Blacker the Berry'. But the film’s power comes from its punch, and the punch is a strong one.
I chose Mean Girl because is a comedy full of notable quotes, funny characters, and is a very entertaining film. However what many individuals may not recognize is that film it shows several psychological concepts like parenting styles, adolescent egocentrism, role identity, and orders. Mean Girls takes places in the high school scenery. It all being with a girl name Cady Heron from Africa that has been home schooled her entire life until her family and herself move to Evanston, Illinois. Cady had to start high school life all over, and learning many things about her self and others, she also needs to make friends and try to blend in. She made friends with two classmates Janice and Damien who gave her all the details about the cliques and hierarchy rules at their high school. Which lead them to talk about the “Plastics” which involve the three most popular girls at their high school Gretchen, Karen and most importantly the queen bee of the school Regina George. Everyone wanted to be like the “Plastics”. She becomes involved with a well know school clique called “The Plastic” and this is how everything started. This film shows very funny but real life
The film Color of Fear is an ambitious attempt at trying to reach and discuss race in the United States. The focus is on what it means to be of various races in modern society; a society that many people wish to believe is no longer bogged down with issues of racism, and how that shapes a person’s experience. It portrays a very real discussion surrounding race. There are times when tempers get heated and voices rise as well as moments of calmer persuasion as well as feelings of guilt coupled with attempts of atonement and understanding the other to each of their best ability.
Back in the 1900s, France colonized many countries. Senegal is one of those countries that France controlled. The foreign government of France controlling Senegal is similar to the French couple deciding everything for Diouana. An example is when the French couple receives a letter from Diouana’s mother and responds to the letter by writing what they want. The French couple holds a dominant position in the household and does not allow Diouana to voice her opinion. At first, Diouana was excited to go to France with the French couple because she imagined how her life would change, but she was fooled. Diouana misunderstood that she would continue to care for the children, but she was treated like a slave. It is like Diouana fell for the trap because she had to do labor on a daily basis. Diouana had a low social status, accused of many things and treated poorly. After a while, Diouana could not stand being mistreated all the time which ultimately led to her committing suicide. The director of Black Girl wanted to tell the audience that Diouana suffered a lot ever since she started working in
The movie «12 Years a slave» is based on the book «12 Years a Slave» by Soloman Northup. It's his life story of how he got lured in a trap and kidnapped in 1841. It's about how he was sold into slavery in the south, and what happened during those 12 years a slave .
This is cleverly shown through the mulatto characters Lydia Brown and Silas Lynch. These characters were stereotypically shown as being manipulative and corruptive when given power. Lydia was the servant for the Stoneman family who was overtly sexual in her scenes and was sneaky when Austin Stoneman comes out. Lynch obtains political power and becomes the symbol of black leadership. Lynch in the end of the film is corrupt and tries to force Austin Stoneman’s daughter to marry him. During that scene he was drunk and sexually aggressive. One theme that is derived from this is that mixing of races causes a degeneration of the white race and that any mulatto will eventually regress to their black savage instinct. The second theme that comes from these episodes is that blacks are not capable of holding power in society without being corrupt. This places the ideology of superiority and inferiority on the basis of race.
An example of racism occurred at the beginning of the film when the Arab looking father and daughter attempted to buy a gun. The clerk at the gun shop made a few blatantly racist comments about the customers because he assumes they are Middle Eastern. There were several references to the September 11 attacks. It didn’t matter that the two were Persian, not Arab. Unfortunately, the reoccurring theme post 9/11 is that all Middle Eastern people became potential terrorists. It is amazing that people have the ability to interpret bad events and cast their own prejudices on different ethnic groups to mask their own feelings of anger and frustration.
The Minority Report is a film that tries to stop crimes before they happen, with the enlistment of 3 teen pre-cogs. These pre-cogs predict future murders and the authorities swoop in and arrest the would-be murders, before they have the chance of committing the crime. Even thing goes great until Anderton, a cop played by Tom Cruise, is suspected. Written by Philip K. Dick and then turned to film by Steven Spielberg in 2002, the short story to film became a success. Though there are many differences between the book and the movie, one would think Steven Spielberg would not be able to grab audience’s attention, but with his skills, Spielberg went above and beyond all measures. Many times, novels to films end up being either a great hit