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'Fear Of Fantasy' By J. R.

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Fairytales for the Young and Old Fairytales are given the assumption they belong strictly to realm of the young and naïve. Involving a “magic of a peculiar kind” (Tolkien) that entertain these adolescents and distract them from reality that encompasses the world around them. It transforms this reality into grandiose stories and characters who engulf the minds of the children exposed to these stories which is discussed in the in the writing “On Fairy Stories” by J.R.R Tolkien. Tolkien explains the values and parts of these stories that truly embody their purpose especially for children. While on a contradicting hand author Bruno Bettelheim’s “Fear of Fantasy” reveals to us the context in which adults view the use of fairy stories in child development. …show more content…

He believes because of modern ways of communication people can no longer portray experience as it is too short lived (Benjamin 84). The story teller therefore is dying because people are losing experiences to tell of. Therefore if the creator of fairytales and their stories are dying we can conclude that the genre itself is being degraded and morphed. There is an implication of being “dumbed-down” by this process, which is exactly the point. Stories are losing its true value of being able to what Benjamin identifies as “useful counsel”, meaning these stories no long educate. There is no experience gained from the story because the story itself is made up in the sense it has no backing from reality. It is the idea of teaching someone to ride a bike but yet you have no experience in doing so. Tolkien acknowledge this on the same note as Benjamin by stating “Fairy stories have in the modern lettered world be relegated to the “nursery”…primarily because adults do not want it, and do not mind if it is misused” (Tolkien 11). This is concerning because this means adults are dooming the children, who as a class have a “lack of experience” (Tolkien 11), to continue the cycle of degradation that Benjamin warns of because of modernity. Adults choosing to dismiss the use of the intricate tool of storytelling through fairytales as means for only children exclusively is a clear indication they feel they have experienced enough in their life. Adults do not value story telling because story telling itself, a form of experience, is dying and being replaced with quick continuous information. A vicious cycle that repeats and repeats itself till experience is no more. Therefore making development near impossible if not

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