Features Of Post Impressionism

Post-impressionism and Pop Art resulted as an artistic reaction on both sides. Post-Impressionism groups diverse pictorial tendencies that arose in France surroundings to 1880-1905 like reaction to the impressionism. In the other hand pop art was an artistic reaction to abstract expressionism. It can seem surprising the fact that in so short space of time, as soon as a quarter of century, so many evolutions and involutions in the land of art have taken place, mainly considering that until second half of century XIX, the great

Through its depictions of the new age of materialism, Realism eventually became a symbol for the bourgeoisie who had, from humbler origins, recently risen to new positions of power within the Parisian government. Nevertheless, Realist works had begun to gain acceptance in salons only reluctantly; some still scorned their work as “monstrously ugly”.

Post-impressionism was more methodical than impressionism. Many post-impressionist works were done in a studio instead of out in the environment. Because of this, it is clear that these pieces were more time-consuming and were individual visions of the

     Post Impressionism, as the name would suggest, is the art movement that directly followed Impressionism. One artist, who led the Post Impressionism movement, was French artist, Paul Cézanne. Much of his early work was pure Impressionism and, although he was introduced to the style and guided by Camille Pissarro, Cézanne's works showed a distinctive uniqueness. Cézanne broke away from Impressionism because of the lack of composition; he felt the desire to depict subjects in the third dimension as well as appearing flat. Cézanne did not agree with the Impressionistic trait of portraying the world through light, instead, he built up images by a generous use of colour.

The post-impressionist they used impressionism’s technique but they wanted to take style to whole new level, these group of artist adopted only technique from the impressionism and added their emotions to their painting and wanted to show their

There was rebellion in both domains against the traditional belief and style of things. The new type of literature was called symbolism, and symbolist wrote poetry influenced on by Freud’s ideas of the human mind. They believed the objective knowledge off the human mind is impossible, and that the world was only symbols from the human mind (not real). Reality in art was changed into emotions and impression. Post-imperrsionaism arose. Art no longer had to represent reality, but rather emotions and opinions through symbols. Society was being deeply investigated by the artists.

In the early twentieth century Post-Impressionism was the avant-garde art movement in the world, with its central city Paris, France. Artists from different religious backgrounds, cultures, and societal hierarchies migrated to Paris to take their art in new directions. France was a city of tolerance during both Pre and Post WWI; therefore, it was a beacon for those who wanted to convey their emotions and ideas visually. Paul Cezanne, Pablo Picasso, Georges Braque, Marcel Duchamp, Henri Matisse, Marc Chagall, Amedeo Modigliani, Chaim Soutine, and Robert Delaunay came to Paris and sought to create art with a personal aesthetic and to capture the essence of the modern era.

According to, David W. Galenson and Bruce A. Weinberg, in their article, Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism, the goal of the Post-Impressionism artists were to symbolize, rather than describe nature. Therefore, this in turn, allowed them to use more innovating techniques and to express their emotions; Gauguin and van Gogh were particularly zealous about using their emotional state to convey the content of their paintings. A quote taken directly from Galenson’s and Weinberg’s article, perfectly describes this attitude of emotion, rather than observation as the key artistic foundation of Post-Impressionism:

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

“Most artists that was Post-Impressionists didn’t think of themselves as Post-Impressionists. The name was given to them by an English artist and critic Roger Fry in 1910.” (Bolton 4) Some examples of Post Impressionist artists are Vincent Van Gogh, Georges Seurat, Paul Cezanne, Henri de Toulouse-Lautrec, and Camille Pissarro.

The Post-modernism era that started around the 1940’s brought forth a brand new idea called anti-art. What it entailed was complete detachment from the art of the previous era, including impressionism, naturalism and landscapes to name a few, all of which were attributed to the High art phenomenon. Andy Warhol being one of the leading

Characteristics of Abstract Expressionist Paintings-optical buzz, all-over composition, Matisse sometimes painted images on large canvases, as did Picasso but paintings still retained an object like character- the viewer needed to stand back to see the complete composition. Abstract expressionist paintings, on the other hand, draw the spectator into them. The field of vision is thus larger than the field of vision of the spectator, who finds himself in a world beyond measurement (class handouts) "Portable Mural"

Rewind roughly back to the 1860’s. Several apprentice painters, namely Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Frédéric Bazille learned that they did not share the same views of the Académie des Beaux-Arts. The Academy believed that mythological and historical scenes for painting was vastly superior to that of still life and landscape scenes. The Académie des Beaux-Arts would run an art show, the Salon de Paris, which was the only way for an artist during that time to gain prestige, commissions, and of course money. The Salon would only accept paintings which were in their approved style, which was based on the art of the old masters. Since the art of these young painters did not conform to the standards put forth by the Académie des Beaux-Arts, their art was mostly rejected until Emperor Napoleon III settled to allow the public to judge the submitted art themselves. The Salon des Refusés was created just for this purpose. The results of the new Salon were such; “While many viewers came only to laugh, the Salon des Refusés drew attention to the existence of a new tendency in art and attracted more visitors than the regular Salon.” (Denvir, pg. 194). Louis Leroy wrote a disparaging review on Monet’s work, “Impression, Sunrise”. He suggested that Monet’s painting was a sketch, and it could not be called a finished work. This was where the Impressionists acquired their name. Yet even though their

Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.

People judge a book by its cover. It is the ultimate truth, contrary to the popular adage. Being judgmental of someone or something by the physical features is a natural human instinct. Accordingly, in today’s world, book publishers hire illustrators to make aesthetically pleasing book covers to accompany their writing. They are designed to grasp attention when the books are displayed among other books. This is why I decided to research about why a particular book cover was chosen and how it was related to the story. Katherine Mansfield lived through art periods known as Impressionism and Post-Impressionism. Impressionism is “a style or movement in painting originating in France in the 1860s, characterized by a concern with depicting the visual