Federico Lorca's The House of Bernarda Alba and Isabel Allende's The House of the Spirits

in four of the scenes, Act 1 scene1, act 3 scene 1, act 3 scene 5 and

The House of the Spirits written by Isabel Allende is an extraordinary novel that weaves together, history, politics, and current events to create a unique piece of literature. Throughout the novel on several occasions it is clear that there is inequality between the aristocrats and the peasants and this leads to struggle between the classes. The issue of class struggle takes the form of growing conflict by causing a division between the Conservatives and Socialists. At the head of the Conservatives is Esteban Trueba, a violent and materialistic figure. He believes people need to work their way up to the top and there is no reason that peasants share the upper classes wealth. On the other hand, Pedro Tercero Garcia represents the

People imprint themselves on their surroundings; they inject fleeting moments into the veins of their environments, boiling the blood that swims hot through every crevice, echoing and lingering indefinitely. According to Wisker houses are the principal locations where the presence of its residents leave lasting imprints on the structure (2011, 4). Novels To The Lighthouse by Virginia Woolf and Pride and Prejudice by Jane Austen both use domestic environments as important sites to emphasise and reflect their characters by deploying the literary techniques of language and style from their respective eras. Woolf as a Modernist writer from the early twentieth century uses experimental techniques and the supernatural genre that was prevalent

"She must change for youth: when she is sated with his body she will find the error of her choice". Act 1

Based on Cisneros’ works of literature, gender roles in a Hispanic culture revolves around patriarchal rule. The repercussions of a patriarchal rule includes the limitations of female liberation and development. Cleofilas’ abusive situation exemplifies the limitations of her independence and development as she can not make her own decisions and has to solely depend on her husband. This situation is illustrated when Cleofilas explains that the towns are “built so that you have to depend on husbands... You can drive only if you’re rich enough to own and drive an own car. There is no place to go” (Cisneros 628). Cleofilas reveals that men are the dominant gender and have more authority, and that women are compelled to depend on them in her society. It is an exceptionally rare case that a woman can afford her own car, for the men usually control the finances in a household. Additionally, Cleofilas has nowhere to seek refuge from her husband. Although she yearns to return to her father’s home, she decides not to due to the social standards imposed on her. In her society, the act of returning home after marriage is socially unacceptable. She understands that her family will be viewed in a negative light if she were to return home, as seen when Cleofilas refers to her town as a “town of gossips” (627). Similar to other men in the society, Juan Pedro’s authority is shown through his abuse. Cleofilas recalls, “He slapped her once, and then again, and again; until the lip split and bled an orchid of blood” (626).

This narrative speaks volumes about the author’s culture, which describes her religion, as well as the lifestyle of typical Hispanic families. In Latino or Chicano culture, we find that gender as well as religion plays a huge role in the lives of many individuals, causing them to shape a stereotypical kind of culture. Catholicism is one of the major forms of religion in Hispanic and Latin countries due to the influence from the Europeans. This made many of the Latin American Countries adopt this religious practice regardless of their belief. To this day, many practice Catholicism as a way to appeal to cultural norms. We see the importance of religion to the girl’s family, especially her father. Throughout the story we see the girl’s search for her own religious relationship through her abuela instead of the one forced upon her by her parents. The other influence that culture has is on gender roles within the family dynamic. Throughout the story we see the girl made fun of for her hands and for being different. This is because in latin culture girls are supposed to be dainty and gentle. They were not meant to be violent or rash, like the young teenage girl was. The gender roles constructed by culture were what her father tried to assign her into, and her mother enforcing them,

Alienation, starvation, neglect and abuse are all words that invoke unfavorable connotations and are treatments that no person would ever want to be subjected to. Living in those conditions is something that most people choose not to think about let alone witness with their own eyes. By not seeing it, they find it easier to pretend it doesn’t exist. In the short story “The Ones Who Walk Away from Omelas,” Ursula Le Guin writes about a city that from the outside looks like the perfect utopian society – a rich culture that is full of laughter, joy and peace, devoid of any violence, poverty or social inequities. Beneath the surface though hides a very dark secret that bares the true nature of Omelas. The citizens of this ostensibly flawless

Minister’s Black Veil” by Nathaniel Hawthorne and “The Pit and the Pendulum” by Edgar Allan

Aspiring to be free, to be successful, to be a picture perfect family, and to be happy; these are the traits of the American dream. Although, in one 's mind a specific picture forms when reading about the American dream this does not mean everyone is seeing the same landscape. A prevalent theme in The Joy Luck Club by Amy Tan, The Glass Castle by Jeannette Walls, and Flight by Sherman Alexie is the potency and prevalence of diversity on the American dream. In each of these compelling works, connoisseurs get a taste of life from different demographics’ viewpoints and a measure of what it means to be yearning for the diverse definition of American ideals.

The human mind is a fragile thing. It can be both strengthen and broken down easily. Actions and even words can be the thing to kill a person mentally. Physically harming or locking away a person can lead to mental and bodily withdrawal. Harming a person with words can leave lasting effects and always stay within a person's psyche. Oppressing and locking away a person's true nature or desires can cause someone to act in way that he or she has never behaved before. When done by a loved one, it can affect a person even more. In William Faulkner's “A Rose for Emily” and Susan Glaspell's “Trifles”, two different women are kept mentally and physically locked away by a person who is supposed to love and protect them. Though Emily and Mrs. Wright

January 8, 1981, Allende begin writing a goodbye letter to her 99-year-old grandfather who was dying, she narrates in her biography, Paula, “I wanted to tell him not to worry, that nothing would be lost of the treasury of anecdotes he had told me through the years of our comradeship; I had forgotten nothing” (Levine). Once she started she could not stop, it quickly turned into her family story titled, The House of the Spirits. This book was a way to connect to her family she left behind so many years ago. Even though the country in which this book is written is never named, it is assumed this takes place in Allende’s native country, Chile. In this novel,

Dom Casmurro by Joaquim Maria Machado de Assis, and Chronicle of A Death Foretold by

Latin American literature is perhaps best known for its use of magical realism, a literary mode where the fantastical is seamlessly blended with the ordinary, creating a sort of enhanced reality. Though magical realism is practiced by authors from other cultures, the works of authors Salman Rushdie and Toni Morrison, for example, are notable examples of non-Latin works in which magical realism has been used to both great effect and great celebration, it is in the works of Latin American authors where the style has flourished and made its mark on the literary world. Yet even in Latin American works we can find many different kinds of magical realism, all used to achieve a different end. In the works of the Cuban poet and novelist

Bartolme De Las Casas is an interesting character. His passion for people who at the time were seen as a sub species of humans (if even human at all) is remarkable. De Las Casas came from a modest family and was well educated. He was brought into the world of the America's through his father Pedro De Las Casas who was an encomiendo himself. His travels through the New World prior to 1510 when he became an ordained priest shaped his crusade to defend the Natives.

The difference between “Serpents of Paradise” by Edward Abbey and “Thinking Like a Mountain” by Aldo Leopold is specifically that one essay focuses more on the hunting aspect of life. Both essays seem to care about the environment. In Abbey’s essay he tries to figure out how to avoid killing the snake; he needed to stay calm and move it without getting bit. In Leopold’s essay he killed a wolf to save the deer population; allowing him to hunt more deer. Each essay was written with great description, yet showing one author cared more about the animal and its environment over the other. In both Leopold and Abbey essays they wanted to alter their environment, but only Abbey succeeded due to Abbey having the correct knowledge when it came to his environment.