Felix Rousseau Contributions

The ideas of Enlightenment philosophers rippled throughout the globe, however, they seemed to have the most interesting effect on France. Jean-Jacques Rousseau was a major contributor to Frances political and social structure post-French revolution. These ideas weren’t the only triggers for the French Revolution. A combination of strangling taxes, economic disparity, and an impotent ruler led to the development of an intense need for reform in France. “France spent an enormous amount of money during the American war which put them on the verge of bankruptcy” (McKay et al., pg. 662). To make up for this immense national debt, taxes were raised which put more pressure on the already struggling working class in France. The privileged classes

When Jean Jacques Rousseau wrote his Social Contract, the idea of liberty and freedom were not new theories. Many political thinkers such as John Locke and Thomas Hobbes had already evolved with their own clarification of liberty and freedom of mankind, and in fact John Locke had already publicized his views and ideas on the social contract as well. In Rousseau’s case, what he did was to transform the ideas incorporated by such substantial words, and present us to another method to the social contract dilemma. What would bring man to leave the state of nature, and enter into a structured civil society? Liberals believes that this was the assurance of protection - liberty to them implied being free from destruction and harm towards one’s property. Rousseau’s concept of freedom was entirely different from that of traditional liberals. According to Rousseau, liberty is meant to voice out your opinion, and participation as human being. “To renounce liberty is to renounce being a man” (Wootton, 454).

As mentioned before, Henri Rousseau painted many jungle themed pieces. Rousseau worked to portray contemporaries between the home life and wildlife. Although Henri never travelled outside of France, the jungle theme expressed in his paintings came from experience through common visits to the city’s natural history museums and Paris zoos (Henri Rousseau Paintings). Henri Rousseau painted with such detail, symbolism, and colors, as well as making an everlasting impression on the post-impressionist movement, modern art, and artists of that period.

The 1700s saw the waxing and waning of Enlightenment philosophies and a greater fascination in reason and logic. The individual became supremely important and the idea of selfhood was much debated by philosophers such as Jean-Jacques Rousseau. The idea of the individual also led to greater fascination with culture in many areas in Western Europe, leading to an increase in nationalism. This increase on the emphasis of individual and that individual’s relation to the state led many to begin traveling widely across Europe and record their travels. Though stories of vampires began trickling from Eastern Europe to Western Europe as early as the 1690s, vampires did not gain true traction in Western Europe until the 1700s (Nelson). For less

Born in Geneva in 1712, Rousseau was shaped by the death of his mother and loss of his father at an early age. Sent to live with the Baroness de Warens, he gained a formal education that enabled him to write his later famous works. He loathed the Baroness’ values even when they eventually became lovers, but growing up in her educational environment allowed Rousseau to be exposed to different opinions that would eventually shape his Enlightened ideas, (Historyguide.org, www.historyguide.org/europe/rousseau.html.). This also exposed Rousseau to different religious ideas eventually forming his views that the church was corrupt, (Nardo, Don. “The Onrush of Modern Ideas.” The French Revolution, Cengage Learning, 2008, pp. 21–21.) Then in 1741, Rousseau fled to Paris where he wrote, “Les Muses Galantes.” This work allowed for Rousseau to meet Voltaire and exchange Enlightenment ideas. Being exposed to the “popular crowd” abled Rousseau in 1750 to write, “A Discourse on the Sciences and the Arts” based off of a prison he visited holding Denis Diderot. Diderot was one of the people Rousseau was able to meet due to Les Muses galantes, it was there Rousseau got the inspiration to form an opinion on the following essay question, “Have arts and sciences improved or corrupted the morals of mankind?”( Historyguide.org, www.historyguide.org/europe/rousseau.html.). Rousseau believed the arts and sciences had not corrupted man just simply decreased their freedoms. Being around Diderot in prison abled Rousseau to write, “Discourse on the Origin of Inequality” which stressed his ideals of man’s natural goodness and the corruption of regularized life, which connects back to Rousseau’s visit to Diderot in an institutionalized prison. These events and works all lead up to Rousseau’s most famous and popular work, “The Social Contract.”

In the book The Basic Political Writings written by Jean-Jacques Rousseau, Rousseau in the beginning of the book states a very important question that he hopes to answer in parts throughout the book, the question being: What is the origin of inequality among men, and is it authorized by the natural law? Rousseau takes a different approach than all the other philosophers on trying to figure out the origin of man and their so-called inequality. Rousseau’s point of view on the state of nature differs from other philosophers such as Locke and Hobbes. How do you find the origin of man? Where can the origin of civil society be traced back too? How are men perceived in the state of nature? Does inequality exist in the state of nature? In what

In this essay, I will compare the contrasting views between Thomas Hobbes and Jean Jacques Rousseau based on the state of nature and civilization. Rousseau was seen as an optimist who viewed human nature as good (“Noble Savage”) and believed that civilization corrupted us; While, Hobbes thought the complete opposite believing that humans in their natural state were selfish creatures purely interested in themselves and that government is imperative in keeping us in check. Throughout this essay, I will further explain their differing ideas and I will show how I view and interpret them as well.

The last paragraph of the prelude to the Second Discourse is an impassioned appeal whose scope transcends the boundaries of time and space alike, calling for readers to pay attention to the history of man and society that Rousseau is on the verge of putting forth. Beginning with this authorial intrusion—a form of literary apostrophe—the essay adopts historical writing as its primary narrative mode. This method stands in direct contrast with the approach Thomas Hobbes takes in his Leviathan, in which the Englishman sets out to prove propositions as one might do geometrically, by preceding from valid arguments and sound premises. Rousseau’s rejection of philosophy, at least as he understands it in the Second Discourse, embodies the emphasis

Rousseau believes that even when one votes in the minority they can obey the law and still be free. But, “how can the opposing minority be both free and subject to laws to which they have not consented?” (Rousseau, pg. 153) Rousseau’s response is that citizens must consent to all the laws because “ to inhabit the territory is to submit to the sovereign.”(Rousseau, p.153) In accordance with the social contract, when a citizen votes they should completely surrender their personal interest and vote for what they believe to be the general will. The general will of each individual is considered to be their real will when it comes to social policy. The majority vote will depict the general will, and the

Topic #1 Jean-Jacques Rousseau makes the provocative claim that the transfer of sovereignty involves in the election of representatives signifies a loss of freedom: "The instant a people chooses representatives, it is no longer free." (On the Social Contract, p.103) Do you agree with Rousseau?

In 1898 Henri Rousseau painted The Eiffel Tower, and during this time the Eiffel Tower had been opened for just about about ten years so it was still fairly new. The painting features the Seine River and the Eiffel tower perfectly aligned to create a beautiful scenery. In this particular painting he was inspired by both the Eiffel Tower and the Seine River, but in reality, these two attractions never align how Rousseau portrays them. This shows how, like in many of his paintings, Rousseau toyed with the

The first painting, “Under the Birches, Evening”, is done by Pierre Etienne Theodore Rousseau. He

Over the course of history this idea of freedom has been developed and defined by many famous political and philosophical thinkers. Many of Jean-Jacques Rousseau’s ideas are acknowledged in the “Discourse on the Origin of Inequality” and more notably the “The Social Contract”. John Stuart Mill’s major points originate from a book called “On Liberty”. All of these works are still read today and taught in schools around the world. In particular, their ideas on freedom and liberty have drawn a considerable amount of attention. For instance, Rousseau is well known for his idea of “forcing citizens to be free”, while Mill claims that freedom can be found in “pursing our own good in our own way”. Therefore, it is evident that fundamental differences occur between Rousseau’s and Mill’s ideas on liberty and freedom. Rousseau’s rejects this classical liberal idea of freedom of the individual, and instead argues that the highest quality of freedom is achieved through a social contract where collective decisions represent the law and people have a duty to the state, while Mill sees freedom as not being constrained by the government (freedom from laws) and pursuing one’s own good as long as it does no harm to others.

Eighteenth-century philosopher Jean-Jacques Rousseau influenced many French revolutionaries with his ideas. In the time of the Enlightenment, people believed that humankind could progress and improve through the use of reason and science. One of them was French artist Jacques-Louis David, who was official artist to the French revolution (p158, Blk 3). Just as Rousseau had used his publications to reflect on his ideas, David had used art as a media to reflect the ideas and values of the society in the eighteenth century. In this essay, we will be examining the influence of Rousseau’s views on the relationship between the state and the individual in David’s painting “The Oath of the Horatii”.

The purpose which Rousseau ostensibly gives his social contract is to free man from the illegitimate chains to which existing governments have shackled him. If this is his aim, then it follows that he should be most concerned with the preservation of freedom in political society, initially so that savage man might be lured out of nature and into society in the first place, and afterwards so that Rousseau’s framework for this society will prevent the present tyranny from reasserting itself. Indeed, in his definition of purpose for man’s initial union into society, he claims that, despite his membership in an association to which he must necessarily have some sort of obligation if the