Female Characters In Twelfth Night And Othello

The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love

In ‘Othello’ Shakespeare portrays the main three female characters as being quite inferior to the other male characters such as Othello himself, Iago and Casto. Because during that time of which Shakespeare was writing these plays in the Elizabethan era. Society was in which religion was as at the very most top and after was men being the second part of the social ladder and later come women and rule justified women's subordination as the natural order because women were thought to be physiologically and psychologically inferior to men women were expected to be silent, chaste, and obedient to their husbands, fathers, brothers. Even education during the Elizabethan era was only for smart men, and not for women, the women were only allowed to work as cleaners and being mothers. Which makes them inferior to the male sex, we see this in

In Othello, Desdemona proves to be very strong and liberated. Since the beginning of the play Desdemona is portrayed to be strong and independent. Desdemona makes her own decision to wed Othello denying her

In Twelfth Night, the protagonist of the story, Viola, is displayed as a rational, sacrificial, sincere, strong, witty woman, who disguises herself as a man, to become a faithful attendant of Orsino. Viola is one with sacrificial and patient love, willingly loving Orsino, and attending to his every need. Orsino, on the other hand, is shown as an emotional man, who has superficial and transient love for Olivia. This love is very abruptly shifted to Viola at the end of the play, when Viola reveals her true identity. Through this contrast of these two individuals, we can see that Shakespeare makes a distinct different between genders, and allows to draw a contrast between characters to think deeper into their characters and purpose in the story, beyond their surface appearances.

In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.

Others have asserted that the roles of women in his plays were prominent for the time and culture that he lived in,his intent in creating characters to inspire much controversy. Two works, Taming of the Shrew, and Twelfth Night, stand out particularly well in regards to Shakespeare's use of female characters. If you could examine these two plays, you would see that Shakespeare, though conforming to contemporary attitudes of women, circumvented them by creating resolute female characters with a strong sense of self.

Women in the sixteenth century were commonly dominated by a patriarchal society. Meaning their loyalty and respect lay amongst the men in their lives with little choice for opposition. In Othello by William Shakespeare, he portrays the role of women in a way typical to their representation in Elizabethan and Venetian society. While the women may be presented as mentally stronger than their male counterparts, the language given to these female characters suggest that they have internalized society 's expectation of them. Apart from moments of private conversation and Emilia 's reaction to Desdemona 's death, the women behave in a submission that is expected of them, believing it to be the natural way, as the men continue to downgrade and treat them as secondary citizens. Shakespeare represents this status of women through the traditional views of the male characters, moments of submission from the females, and how the women internalize this society.

In the play, Othello, there are many different representations of characters and archetypes. The women of the play are seen as symbolic representations of how the men in Shakespeare’s generation saw women. The women of the play are all individual characters with different personalities. They are seen as objects but stray from the average mold. Shakespeare converts these women into the play with roles that represent the strong stereotypes of women and how they are not what the rumors portray them as.

Viola’s first words that lay out her gender defying scheme are “Conceal me what I am and be my aid for sure a disguise as haply shall become the form of my intent” (Shakespeare 1.2.53-56). Throughout Twelfth Night Shakespeare plays with the idea of gender and its role in society. The audience sees Orsino, the duke, trip over his words in his misogynistic contradictions of his opinions on women and their ability to love. Surprisingly, Viola also shares in such contradictions. However she is far from being misogynistic in modern terms. Viola’s outward duality is Shakespeare’s means of contrasting her with Orsino and reinforcing her disguise. (maybe: commenting on the nature of disguises)

Viola as Cesario is in an advantageous position. Stephen Greenblatt explains that "because women had less freedom of movement........a passage from male to female was coded ideologically as a descent from superior to inferior" (92). Viola's 'ascent', therefore, allows here to seek employment and protection from Orsino, as well as allow her the freedom of movement which gives the scope for Viola's interaction with the other characters. This freedom in movement is paralleled by a freedom to portray any chosen identity and this is what Viola does. She mimics Orsino in her rendition of the courtly lover when she meets Olivia, but because she is in fact a woman, and also, in a way, Olivia's rival in love, Viola puts up a resistance in her courtship speeches. For Viola, there is no real desire to please Olivia or to fear that she may be offended. She mixes her criticism of Olivia with her official "text" when she tells Olivia:

Viola is a very interesting and very likable character in the story “Twelfth Night” by William Shakespeare as she really doesn't have any flawed qualities or misfortune happen to her, as her brother turned out to be alive, she has a big part in the story. Her decision to dress up as a man really sets the motion of the story’s plot, confessions she did not wish to hear were heard from others and leads to her having conflicts with them and more. What ends up happening in the story is Viola no longer wants to be Cesario, she wants to be Viola, as conflicts between her first and second identities have piled up, and she wants none of it anymore. There are many confessions of love but Viola stays true to hers all through the story, not changing her feelings because of some events in the story

He searches for answers, clues, or anything else to prove her unfaithfulness. Feminist criticism focuses on the behaviors and power shown between male and female. Othello represents this because he changes the way he acts around Desdemona once he has heard of her wrongdoing. He is harsh, he doesn’t look at her, and he barely gives her conversation. In this day in age any man or boy would have acted this way because they are rarely the ones to get cheated on. The relationship between him and Desdemona changed his entire character of a man who trusted his wife with everything to a man who know doubted everything he knew about

Main Idea: Shakespeare was not a sexist: All though the main three females in the play were seen as important and contributed tremendously towards the plot of the play. The readers see Shakespeare pushing the ideology of men and women being equal with the slow occurrence of many plots towards the play, and how it all unravels itself. These were proven in the play by when;

Feminism is and has always been a prominent focus in society. Specifically during the Renaissance, when Shakespeare’s Othello was written, were women thought of as subordinate to men. Shakespeare portrays women as merely FOIL characters to their male counterparts throughout the play. They help shed light on the men’s dark sides as well as their true faults. Their roles include wives, prostitutes, and even messengers. The women in the play are disrespected and treated as lesser beings. Although there are imperative female characters in Shakespeare’s Othello, many of them are treated as tools or objects and are disrespected by the men, specifically Iago, Othello and Cassio.

    Let’s look at the roles of the three lady-characters in the Shakespearean drama Othello. Their roles are not marginal, but are rather vital to the tragedy.