Female Diasporic Journey

Small Beauty by Jia Qing Wilson-Yang is about the experiences of Mei, a mixed-race trans woman, who moves from the city to rural modern-day Canada as she deals with past and present trauma. The text is an exploration of personal identity and how one connects with the place they live. Colonization still impacts how people shape their identity today; in Wilson-Yang’s Small Beauty the lasting impacts of colonialization shape how Mei views aspects of her identity through the novel including gender identity and race. First, this essay will set the definitions that set the foundation, second it will explore colonization in relation to Mei’s gender identity, third it will examine the impact of colonialization on Mei’s racial

The novel Signs Preceding the End of the World by Yuri Herrera brings to light many issues faced by immigrant women. The novel follows the young Makina in her quest to find and bring home her brother from what she imagines to be a mystical far away land. While the novel focuses on the challenges of immigration, the underlying meaning is much more complex. In Yuri Herrera’s Signs Preceding the End of the World, the common misconception that women cannot be the strong character in the novel is challenged. This is achieved by having the female protagonist, Makina, go on a quest to save her brother, be a vital individual in her community, and fight the misogynistic society she lives in.

Deadly Unna? (1998), is a book based on a true story that tells the tale of non-Indigenous boy Gary ‘Blacky’ Black and his friendship with Dumby Red. Set in Port Victoria in South Australia, Blacky’s evolving relationships with the Indigenous kids in the community inspires him to question the underlying racism that exists in society. In this essay, the author’s methods for conveying the theme of belonging to the reader will be evaluated. Subsequently, Gwynne’s generation of racial segregation in the community, followed by the contrasting types of racism demonstrated by the characters, will be analysed.

The articles “The Myth of the Latin Woman: I Just Met a Girl Named Maria” written by Juthish Oriz Cofer and “White Privilege: Unpacking the Invisible Knapsack” by Peggy McIntosh are two essays covering the topic of race and gender. With a focus on privilege and race, one may assume that these two articles say the same thing, while in reality that is not true. As McIntosh and Cofer come from two different backgrounds and social standing, the authors offer two very unique views on the subject matter. Due to Cofer being a Puerto Rican woman and McIntosh being white woman, the two are opposites when it comes to white privilege and how it has effected them. This allows for them to give different views on the subject within the papers. Each articles differ in the audience, the purposes, and the appeals used within. On the other hand, both works are similar with the end goal and intended audience. As a member of the audiences targeted by both of these authors, I was able to connect to both of their writings due to the many different ways the two authors connected to their audiences.

In Russel Banks “Black Man and White Woman in a Dark Green Rowboat” The author implies that dealing with an unexpected pregnancy may be a difficult and uncomfortable situation. This story discusses a couple that is dealing with a unique circumstance and they have to make a decision. As a reader, you won’t want to miss the tension of this interracial couple as they battle against the pressure of society. I will be discussing symbolism as well as setting throughout this entire essay. In the first section I will be addressing the surroundings; establish a foundation , and illuminate some background on this story. The next part of my essay will be focusing on the conflict and how the setting demonstrates the tension between the main characters. The final section will focus on the resolution, how the lack of change in the setting is symbolic, and has a deeper meaning.

Racism has been a debated topic throughout the years. There have been many questions about if racism is a communal structured method of categorizing and separating people or if it is a learned or inherited behavior. The word has so many different meaning to each person affected by it. According to Miles and Brown, “The concept of racism is heavily negatively loaded, morally and politically” (3). All the way through history, racism has generated grief for those who fall victim to the problem. “Kindred” by Octavia Butler explains how a black woman is able to take a journey back in time to encounter and witness slavery up close and personal. In Natasha Trethewey “Bellocq's Ophelia”, the reader is able to recognize Ophelia’s yearning to be seen as a white woman opposed to a very fair-skinned black women. both Ophelia and Dana encounter racism and stereotypes. “During both of these women’s journeys throughout the stories, they have to face issues and hardships concerning their race in many different ways.”

For centuries, a great deal of ethnic groups have been disempowered and persecuted by others. However, one should realize that none are more intense than the oppression of women. In the novel, The House on Mango Street, by Sandra Cisneros, women living in the Mango Street neighborhood suffer from their restricted freedom. Three such women, Rafaela, Mamacita, and Sally, provide great examples. All try to escape from their dreadful environment. Most of them fail, but at first, Sally seems to succeed in escaping from her father. However, she ends up meeting a husband as equally bad as her father. Ultimately, the men who live with Rafaela, Mamacita, and Sally act as insuperable obstacles that limit the freedom in their women’s lives.

Race plays a large role in who and how we define ourselves. The question time and time again asked is who hold the key in deciding who do someone allow to define along with the limitations of such assumptions us and can the limitations how society views us hold the black individual(s) back. In this response I will focus on the idea of “Racism and its effects on individual experience”. Throughout the novel Wright tries to come to terms with the idea to come to terms with individual identity, conformity/rebellion, and revaluation of the self.

“Representing Whiteness in the Black Imagination” written by American author, feminist and social activist, bell hooks, dissects the dichotomy of black and white culture in a westernized society. Hooks utilizes the term ‘whiteness’ throughout her piece as an acknowledgment of the domination, imperialism, colonialism, and racism that white people have asserted among black people. This discipline progressively has evolved from history; through slavery and forth, leaving an imprint in

Once becoming a part of a different society, she has to adapt to the ways that she is unfamiliar with. She has to erase in a form of what she knows and feels is correct to from her true self. “I am staring painfully at an image. My image? No! – what is left of what once used to be my image”. (Darko p1) The immigrant black woman doesn’t seem to feel whole as she lacks love from her husband, her family and her

This disclosed Black women’s struggle to achieve the ideal of White Canadians when also in maintenance of their own distinctive identity. The daunting task to cope with society’s discrimination and at the same time,

The struggle to conceive an identity that is individual from the societal and cultural boundaries is an experience shared by the female protagonists of Thomas Pynchon’s The Crying of Lot 49 and Sandra Cisneros’ “Woman Hollering Creek”. Both works feature women who are characterized as outsiders to the societies in which they find themselves. Cléofilas struggles to transcend the cultural, class and gender constraints inflicted upon her due to her identity as a Mexican-American woman. Oedipa Maas’ occupation as a housewife and American citizenship mark her as an “insider” to American society, but

Mulattos were accredited the status of “separate but not equal” by the American court three decades before Nella Larsen wrote the novel” (Blackmer 50). Having lived a life that was scarred by racism and her racial status being “separate but not equal” Larsen situates the racial issues in Passing within narratives of domestic disruption and conflict. And Clare Kendry, the ambiguously raced figure in Passing, not only exists outside of a traditional African American bourgeois family structure, but repeatedly defies the confines of this structure, suggesting an overlap for Larsen between race and sexuality. Passing stresses the anxieties and obsessions that make convention bound people reluctant to allow “others” the freedom to travel freely throughout the many world’s identities and sexualities of American society. Larsen’s novel not only explores a legally fraudulent interracial marriage between Clare Kendry and John Bellow, but also subtly delineates the sexual attraction of Irene Redfield for Clare.

Similarly, In The Final Passage, Leila is apprehensive to identify as Black in Britain which causes her to internalise the racial prejudice of white Briton. The conflict between whether Leila should identify with ‘black’, due to the white culture categorising her as such, causes a psychologically damaging effect on her identity in London. Leila upholds that ‘this sense of dual loyalties is central to the concept of marginality.’ Consequently, the teachings from her mother have caused this inner conflict within Leila.

Frantz Fanon’s “The Fact of Blackness,” a chapter from Black Skin, White Masks describes the anxiety felt while held in the gaze of the colonizer. A reading of Judith Butler’s Gender Trouble in conjunction with Fanon’s work raises questions and possible strategies on how to reject neocolonialism and contemporary white supremacy. Fanon’s idea of blackness is performative but not for the gain of the black man, rather for the white man. Butler suggests that regaining control of the black man’s fate comes from interpellation, the act, of interrupting the white man’s claims or ideas, or rather their misconceptions of the black man. A way of disregarding the white man’s claims is a form of rejecting that normativity, similar to Butler’s analysis of drag where one rejects normativity altogether. The black man’s lack of interpellation enhances the white man’s performativity furthering white supremacy; a way of rejecting neocolonialism that disregards societal norms.