Female Immigrant Subjectivities And The Politics Of Voice

Marisela Martinez Short, my Mother, is an emigrant from Guadalajara Mexico. Marisela was born on May 27th 1976, currently she is thirty nine years old. She immigrated to America when she was sixteen years old in 1992. I chose to interview Marisela because I find her story and the way her life changed dramatically very interesting.

The film Voces Inocentes was based on the true story of a young Chava and his friends growing up in El Salvador during the Salvadoran Civil War and illustrates the extreme and devastating realties of the civil war, particularly regarding the use of child soldiers. The film opens following several soldiers marching four young boys along a road in the pouring rain as they cry. The camera shows the solemn group passing a mother, who protectively guards her infant son, even picking him up as she watches with concern as the soldiers lead the young boys past. Soon, the voice of the young narrator woefully states, “I am so thirsty and my feet hurt. I have rocks in my shoes. They’re going to kill us for sure. Why do they want to kill us if we

Enrique’s journey from Honduras to the U.S. unveils the innate loyalty of a loving child to their mother and presents the dangers that a migrant faces on the road with consistent angst; nevertheless, it supports the idea that compassion shown by some strangers can boost the retreating confidence within a person. In Sonia Nazario’s “Enrique’s Journey,” he seeks the beacon of light that all migrants hope to encounter; “El Norte.” Like many children before him, it is the answer to the problems of a hard life. While being hunted down “like animals” leading to “seven futile attempts,” he is

Gregory Nava’s 1983 film, El Norte, is by far one of the most honest and eye opening depictions of the experience many undocumented immigrants and refugees have when trying to come to the United States. By challenging the ethnocentric tendencies of the North American film industry and the general negative stereotypes of Latinos in film, Nava is one of the first writers/directors to break away from the typical representations of Latinos and give such true representation and discussion of many issues surrounding Latinos, immigration, and American society and values. The film focuses on two young Mayan brother and sister, Enrique and Rosa, from their flight from their village in rural Guatemala to their life of hardship and isolation in Los Angeles,

The story begins in Guatemala; it shows the happy family life which Rosa and Enrique have. Their family friends are visiting and they are talking about the life in United States. Rosa’s godmother says she has been reading Good

“His nation chewed him up and spat him out like a pinon shell, and when he emerged from an airplane one late afternoon, I knew I would one day make love with him” (Martinez, 3). And so it starts, the story of a nineteen year old Mexican- American girl named Mary (Maria; as he only chooses to call her), who helps out and eventually falls in love with Jose Luis Alegria, a Salvadoran refugee. Martínez's story of María is told against the backdrop of the 12-year civil war in El Salvador. Maria and Jose Luis develop a friendship that slowly turns into a typical novella love affair. Through their relationship, both characters are forced to confront the violence of their

Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.

Imagine living in a country where you know you could die at any moment but don’t know how much longer till it happens. That was how much of the population of El Salvador used to feel when the government could not control the big coffee corporations. These out of control corporations, highly feared that the people would want to revolt against them so they hired murderers to kill innocent people to spread fear in the minds of the people of El Salvador. Fear, hate, and sorrow were the common feelings felt by the poor and innocent major population of El Salvador caused by the evil wrongdoings of the government during October 1979 – 16 January 1992. This is how the main character, Jose Luis, of the novel “Mother Tongue” by Demetria Martinez, felt before escaping his beautiful yet over constantly dangerous country, which depended on its cash crop, coffee beans to sell on a foreign market as the country’s main income. However, following the stock-market crash of 1929, a drop in coffee prices became apparent and affected everyone in El Salvador, but the poor especially. Making things worse, the glorious United States was funding the men whom were doing all the innocent killings with more weapons and money to increase their military power. So for Jose Luis the safe haven that he had escaped to was also blatantly funding the war that was killing so many innocent people he knew and had forced him to escape for his own safety. With nowhere else to go in order to find safety the United

Each year, thousands of Central American immigrants embark on a dangerous journey from Mexico to the United States. Many of these migrants include young children searching for their mothers who abandoned them. In Enrique’s Journey, former Los Angeles Times reporter, Sonia Nazario, recounts the compelling story of Enrique, a young Honduran boy desperate to reunite with his mother. Thanks to her thorough reporting, Nazario gives readers a vivid and detailed account of the hardships faced by these migrant children.

For twelve years (1980-1992), El Salvador suffered this brutal civil war and saw some of the worst human rights abuses in Latin American history. The government refused to attend peace talks by the FMLN and the FMLN refused to participate in elections knowing it results would be rigged. The military tried to kill all suspected rebels and the FMLN damaged anything that supported the government’s economy. Throughout the war there was so much human rights violations such as subjecting civilians to torture, forced disappearance, extrajudicial killing, mutilation, mass rape, massacres, summary executions, landmines and indiscriminate bombing. As the result, by the end of the civil war about 75,000 people were killed, sadly most of which were civilians in the wrong place at the wrong time. The intensity of military repression and constant fear provoked massive northern migration to the United States. By the mid-1980s almost one-fifth of the Salvadoran population was living in the United

What’s the difference between a young Hispanic girl and a soldier in the Vietnam War? It sounds like a bad joke with an even worse punchline, but though there may be many true answers to this question, there are more similarities than one might imagine. These similarities can be observed in Sandra Cisneros’ The House on Mango Street and Tim O’Brien’s The Things They Carried and their main characters, Esperanza and O’Brien, respectively. Both novels divided into non-chronological stories, both involve characters who feel stuck in their situations, and both realize the importance of returning for the people they left behind.

In almost every culture, machismo (or patriarchy) exists. Women are considered to be inferior and are treated as if they were objects. It is fair to assume that all women have or will face abuse or oppression for the mere fact that they are women. In Honduras, machismo is the backbone of society. In the book Don 't Be Afraid Gringo, Elvia Alvarado tells the story of the life of the Honduran campesinos (peasants) in the context of the military government of Osvaldo López Arellano and the installation of counterrevolutionary military bases between 1972 and 1975. The campesina women are expected to be servants for the men and provide for all of their children. If women dare to break away from these norms, they are denounced as a whore and

For centuries, a great deal of ethnic groups have been disempowered and persecuted by others. However, one should realize that none are more intense than the oppression of women. In the novel, The House on Mango Street, by Sandra Cisneros, women living in the Mango Street neighborhood suffer from their restricted freedom. Three such women, Rafaela, Mamacita, and Sally, provide great examples. All try to escape from their dreadful environment. Most of them fail, but at first, Sally seems to succeed in escaping from her father. However, she ends up meeting a husband as equally bad as her father. Ultimately, the men who live with Rafaela, Mamacita, and Sally act as insuperable obstacles that limit the freedom in their women’s lives.

Anzaldua identifies as a part of an emerging new mestiza consciousness and community, which strives to move beyond simple dualistic thinking and endeavors to “act and not react” This important contradiction lies at the heart of Anzaldua’s analysis. “From this racial, ideological, cultural, and biological cross-pollicization, an ‘alien’ consciousness is presently in the making — a new mestiza consciousness, una conciencia de mujer. It is a consciousness of the Borderlands.” (Anzaldua, 1987, 420). Anzaldua’s proposition of the new consciousness mediates social relations, revolutionary social change, and its wider relevance to feminist theory through discussions of the Borderlands and its implications for ‘identity.’

Twentieth century El Salvador is made up of violence, suffering, and hardships. After the independence of El Salvador, the elite took control of this country which produced discontent amongst the lower classes. During the 1920’s this discontent grew because of political abuse and increased poverty. According to John Chasteen in Born In Blood and Fire, Salvadoran indigenous people were pushed into volcanic land by the