Female Power, Maternity and Genderbending in Shakespeare's Antony and Cleopatra

The long nose and pointed chin are two distinct features of Cleopatra that are demonstrated by the image on the coin that sepeate her from those that play her today. In his ‘A.D. 75 Life of Antony’ Plutarch himself professes, “Her actual beauty … was not so remarkable that none could be compared with her… but the contact of her presence … was irresistible”. As a consequence, it can be understood that it is ancient sources that possibly provide the truest image of her, being from the period of her life. That is not to say however, that ancient sources have incorporated a complete truth. This can be seen with the evidence provided by Roman and Latin sources.

Shakespeare uses language to explore the controversial gender roles. His use of two distinctively opposing female

How did Cleopatra rise to and maintain her power? Not much is known about her life since she lived so long ago, but what is known is enough to piece together some of her life story. Cleopatra was a strong and intelligent woman who made it through all the struggle and strife of the ancient world until it became too much for her. Cleopatra’s reign began and ended with tragedy, but was maintained by exploited love connections.

In Shakespeare’s time, women didn’t have as much freedom as they do now. Instead, it was a time that they ought to behave in a certain way in response to their family’s honour under a strict social hierarchy and rules. However, Shakespeare gave three women power in Othello. Desdemona, Emilia, and Bianca, although they are from different social classes, are able to use their power to successfully resist male authority.

In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.

In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,

In reality, Shakespeare gave women important and positive characteristics such as intelligence, attractiveness and strength. Cleopatra was one of Shakespeare's most independent and

In Elizabethan times, gender roles were dominant in society. Women were regarded as the weaker sex and were taught from birth to cook, clean, and do similar tasks so they could marry and their husbands would be proud (Ram, Pham, Sok, Hamsafar, and Wilhemsen, “Gender Roles in Elizabethan Society.”). Women were expected to bear children and take great pride in being mothers (Ram, Pham, Sok, Hamsafar, and Wilhemsen, “Gender Roles in Elizabethan Society.”). They had few rights; they could not vote, choose a profession, receive an actual education, join the army or navy, or generally provide for themselves (Ram, Pham, Sok, Hamsafar, and Wilhemsen, “Gender Roles in Elizabethan Society.”). Men, on the other hand, were to provide for the women in their families, make all decisions, and have ownership of the family’s land and home (Ram, Pham, Sok, Hamsafar, and Wilhemsen, “Gender Roles in Elizabethan Society.”; Petit, “A Look at Male Gender Roles in Shakespeare’s Renaissance.").. The men could vote and all actors on stage were men. In general, men had every advantage in that time period (Ram, Pham, Sok, Hamsafar, and Wilhemsen, “Gender Roles in Elizabethan Society.”; Petit, “A Look at Male Gender Roles in Shakespeare’s Renaissance.").

In both classic works, the female lead is unable to make rational decisions due to their heightened emotions. In Shakespeare's "Anthony and Cleopatra" Cleopatra, normally known as a strong and beautiful leader, was reduced to the stereotype of a love jealous female who makes irrational decisions because of this jealousy. In a scene in which Cleopatra finds out Anthony married Octavia her jealously due to her love for Anthony causes her to inflict pain on the messenger who brought her the news. Even though it is irrational punish the messenger because he is only the source of the news not the source of Cleopatra's pain, she still takes out her anger towards Anthony on the messenger. This causes her Chairman to say the line "Good Madam keepe your selfe within your selfe, The man is innocent." to try to convince her she is being irrational due to her emotions. It is reactions like this example in which women are stereotyped in letting their emotions effect their reasoning so

In a cast of over 30 characters, there are only two women. This is a statement describing the world renown play The Tragedy of Julius Caesar by William Shakespeare. These two female characters are Calpurnia, the wife of Julius Ceasar, and Portia, the wife of Marcus Brutus. Other than these two women, the cast is composed entirely of male characters. In a work of literature so populated by men, one may ask why Shakespeare takes the time to include any women at all. However, after further reflection, it is clear to see the reason as to why they are included. Upon including Calpurnia and Portia in The Tragedy of Julius Caesar, William Shakespeare deepens our understanding of their husbands, highlights the social values of the time, and

From the expansion days of Ancient Rome to the fall of the Roman Empire, women have always succumbed to living subjacent to the status of their omnipotent and dominant male figures. After leaving her childhood home and the rule of her father, a young Roman girl would then be coerced into the dominion of her husband, often taking a plethora of roles, ranging from lover, caretaker, and best friend. It is often lightheartedly stated that, “Behind every great man is an even greater woman,” and William Shakespeare exemplifies this concept beautifully in Julius Caesar, in which he effectively used the spouses of the two main characters to add more depth, drama, and literary elements to the play, bringing it to life. Although the only two

Though Cleopatra is guilty of being disloyal, she also falls victim to some acts of betrayal and loyalty throughout the play. Cleopatra in fact, feels as though Marc Antony in the beginning of the play- or at least feels has betrayed her as though Marc Antony will show minimal loyalty to her. Cleopatra expresses these feelings in a conversation with Marc Antony:

The following study is based on the plays Antony and Cleopatra which is written by William Shakespeare and All for Love which is written by John Dryden. Both writers are the most prominent playwrights in the history of English literature. We can see that both writers through their respective works have focused on the relationship between two prominent characters of the ancient world- Marc Antony, who was a Roman ruler and Cleopatra- who was considered the most beautiful woman in the world and who was also the queen of Egypt.

“For most of history, Anonymous was a woman,” Virginia Woolf once boldly stated. Though she was from a privileged background and was well educated, Woolf still felt she was faced with the oppression that women have been treated with for as far as history goes back. Her education allowed her to explore the works of the most celebrated authors, but one who she had a long and complicated relationship with was the Bard of Avon himself, William Shakespeare. As one of the most highly regarded and well studied authors of all time, Shakespeare has been elevated from mere playwright to a pillar of the British Empire, instrumental to the institutions that boasted British superiority. It is evident throughout Woolf’s writing that Shakespeare’s works were highly influential. Her novels frequently allude to his plays, most notably Orlando, Mrs. Dalloway, and also in her famous essay, A Room of One’s Own. Though Woolf admires Shakespeare’s androgyny (specifically in A Room of One’s Own), she also makes the case that his treatment of female characters does not allow for the women to be three-dimensional, therefore leaving them flat and lacking in depth. Even though for the most part Woolf’s assertion is correct, there are several examples in Shakespeare’s plays that suggest otherwise, namely in the play Othello. Additionally, in a similar vain, one could explore Shakespeare’s treatment of other minority groups in his works, such as Jews and anyone who is not English. Though it is easy to

Despite its first performance being in 1608 where women were not allowed to take part in theatre, William Shakespeare’s King Lear is arguably dominated by the female characters. The story focuses on a king who is driven into madness and decides to handover his power to his two eldest daughters, Regan and Goneril. These two daughters are exceptionally important to the development of the play since it can be argued that they are the ones commanding a fair share of the events that take place. This can also be said about Cordelia. According to Kate Downey Hickey and Catherine S. Cox, Cordelia is the essence of the play as she offers truth and evasiveness. In the following, the role of women will be discussed in King Lear. How are the female characters