Feminism And Patriarchy In Buffy The Vampire Slayer And Twilight

To begin with, in the article Twilight and Relationships, Dr. Nerdlove elaborates on different augmentative subjects in the novel Twilight, written by Stephanie Meyer. The rhetorical analysis that is being performed is why the writer of the article believes that Twilight is the largest festering cancer movie in the world? Breaking down in the article how the writer portrayed pathos, logos and ethos will bring a better understanding as to why the writer thinks the way he does. Dr. Nerdlove argues that Bella needs men, Edward is a pedophile and how abuse is considered love. He is giving a new meaning to the love story that many woman and young girls have envisioned themselves in.

The Victorian Era was a period from the early 1800’s to the very early 1900’s. During this time period the role of men and women became very distinct. Women had to hold perfect expectations so that they could get married in their early 20’s, however not focusing too much on this because they couldn’t show their sexuality (Hughes). Women showing their sexuality during this time period was thought of as vulgar and unnatural. Men however, were allowed to do pretty much whatever they wanted until married, even participate in prostitution (Hughes). Dracula portrays this idea of women being less superior then man and having more social standards in which they need to maintain.

In Octavia Butler’s Dawn the idea of gender is deconstructed and reformed from the typical human’s definition. Often people do not consider the role of gender in society today. Usually the first thing one notices when meeting someone new is their gender or their presumed gender. However, there becomes a problem when the person whose gender we perceived identifies as a different gender. Butler forces the reader to examine how they judge and perceive gender. While the ooloi are actually “its” their personalities seem to imply a certain gender. The transgender community often brings up this issue because these assumptions of gender based on our judgments of what defines a male and what defines a female can skew how a transgender person is treated and addressed. In Chapter One of Gender Through the Prism of Difference by Anne Fausto-Sterling, the idea of expanding the number of genders based on one’s biological differences is examined through the five sexes theory. By now the concept of gender being defined solely by one’s biology has mostly been left in the past but the question remains of how do we truly define gender? How does being outside of the social norms that Michael Warner talks about cause us to feel shame when discussing our gender and our perceptions of gender? In this essay, I will argue that preconceived notions of gender create shame when a person’s own perception of their gender does not fit the social norms. This stigma around the limited and strict definitions

However, whilst each ‘strand’ of feminism views patriarchy differently, it could be argued that rather than considering patriarchy as three different entities, they are in fact each observing a different angle of the problem. They are all in agreement, nevertheless, that women are indeed subordinate to men within society, and that this needs to be changed. Therefore, in terms of the core theme of patriarchy, feminism can be considered a single doctrine.

subject of social ostracism, and the New Woman, the advent of which was feared by the majority of the British Victorian patriarchy, was a prominent aspect of much mid-to-late Victorian era literature. Supplementary evidence to support the compelling Victorian era literary connection between the vampire and the New Woman can be extrapolated from the unique gender role standards that defined that socially complex era. As Catherine Siemann suggests in her essay, “Darkness Falls on the Endless Summer: Buffy as Gidget for the Fin de Siecle,” the Victorian New Woman’s “personal

In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of

Illegal immigration into the United States has caused America's population to grow, but has also kept jobs from Americans and has ultimately been a negative since illegal immigration into the United States is undermining our federal government. Immigration began in the 1920's and the number of illegal immigrants into the U.S. has quickly escalated in the past 96 years. Even after Ronald Reagan put restrictions on the border to prevent illegals from coming in, illegal immigrants continue to come to America. Illegal immigration is a huge problem for the U.S. that needs to be solved, it can be solved with more restrictive laws that prevent immigrants from coming to the States illegally. Illegal immigration into the U.S. has been a problem for over 90 years, but there are ways and laws that would prevent as many illegal immigrants.

In all four works, Bella Swan in the protagonist. The story is centered around her life. All four books are written in her perspective. Meyer usually tends to write all her stories as first person narratives, including books that are not related to the Twilight Saga like The Host. When Meyer writes, she becomes completely engrossed in the characters. The main reason why she writes is because of the characters she creates. She envisions them in her brain. She talks to them all day, and they talk back. Coming up with the perfect names for the two main characters was a very tough process. She wanted a name that was popular decades ago, but at the same time, she wanted a name that was romantic for the vampire. Since Meyer grew up reading Charlotte Bronte and Jane Austen, she used the characters Mr. Ferrars and Mr. Rochester from their works as an inspiration; thus leading her to choose the name Edward. After coming up with the names for the twosome, and was still in the process of creating their story, they would constantly talk to her. She heard their voices all day, so Meyer would

Joseph Conrad’s varying depiction of women in his novel Heart of Darkness provides feminist literary theory with ample opportunity to explore the overlying societal dictation of women’s gender roles and expectations in the late nineteenth and early twentieth century. The majority of feminist theorists claim that Conrad perpetuates patriarchal ideology, yet there are a few that argue the novel is gendered feminine. Sandra Gilbert and Susan Gubar claim “Conrad’s Heart of Darkness…penetrates more ironically and thus more inquiringly into the dark core of otherness that had so disturbed the patriarchal, the imperialist, and the psychoanalytic imaginations…Conrad designs for Marlow a pilgrimage whose

Feminist theory began in the late 18th century, the main goal was to diminish sexism in society and create equality for men and women. Throughout the years, women have succeeded in gaining equal rights. Unfortunately, there are still issues today. For instance, women are paid 78% of what men are paid. One novel that portrays the argument of Feminism is House of Spirits by Isabel Allende. To begin with, Men are characterized as violent and destructive beings while women are forgiving and possess magic. All the women in the book have names that mean light. Finally, the men in the book have all the power while women remain submissive.

Critical analysis of the novel reveals the themes of sexuality and the buried symbols held within the text. Due to feminism and sexual ideas presented in the book, the stories focus the attention on men who fall victims of the forbidden female pleasures and fantasy. From the setting of Dracula, Victoria Era, the novel encompasses all social prejudices and beliefs regarding the roles assigned to women and men. Men used to have enough freedom and lifted up to authority while women were suppressed socially. Bram Stoker uses the two women; Lucy Westenra and Mina Harker and Professor Van Helsing to express the ideal women should be and should not be in the ideal society. The dissenting opinion gives threat to the patriarchal Victorian society to end in ruins.

In his Literary Theory: The Basics, H. Bertens classifies stereotypes of women in literature into a number of categories; dangerous seductress, self-sacrificing angel, dissatisfied shrew, and defenseless lamb, completely incapable of self-sufficiency, or self-control, and dependent on male intervention. Bertens concludes that the primary objective of these women – or “constructions” – is to serve a “not-so-hidden purpose: the continued cultural and social domination of males”. One such novel that came under feminist scrutiny for these particular reasons was Bram Stoker’s Dracula, although this perlustration didn’t occur until 70 years after Stoker originally penned his masterpiece. However, during the mid-1960s, the rise of the feminist

It is difficult to imagine living in a world without the patriarchal roles that are present in society and have been throughout history. In the article “Feminist Criticism,” by Lois Tyson, the idea of feminism and how society has affected feminism is the focus. These ideas are seen because men have more of a voice in nearly everything and the oppression of women is very common; a society set up like this can be described with the term patriarchy which is “any culture that privileges men by promoting traditional gender roles,” where men are cast as “rational, strong, protective, and decisive,” and women are cast “as emotional, weak, nurturing, and submissive” (Tyson, 1). This thought that men are strong and women weak is not uncommon in

Once again, a final aspect to consider is the narrative structure of the novel. Like Wuthering Heights, Twilight makes use of a first person narrator who invites the reader to take her point of view. A major difference is that Bella is not observing the story she narrates, but experiencing it as a main character. Her narration is more personal and emotional, lacking Nelly Dean's narrative distance. Although the novel is written in past tense, there is no frame narrative or explicit narratee but an illusion of immediacy. One reason the Twilight saga was so successful is that female readers could easily identify with the heroine, not in the least due to her open display of desire for Edward, although the transgressive power of

Books, plays, and movies that depict culture and social life often make statements about social issues such as gender roles, racism, and class distinction. Stories set up a context in which characters relate, often representing “stock” characters chosen from society and placed in situations where their stereotypical behaviors—and sometimes their breaking of these stereotypes—are highlighted. As feminism became a popular movement in Western countries in general and the United States in particular, female voices were naturally heard through fictional characters. Social and political issues commonly fuel entertainment; feminism, racism, and classism—recurring themes in entertainment through the 20th Century and into the modern day—have