Feminism In Othello Essay

The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love

In Othello the Moor, Shakespeare combines destiny with a fatal character flaw and that flaw is jealousy.  Shakespeare's tragedy allows one character to hold the key to the entire web he has spun and that character is Emilia. Emilia is the lone character who garners the knowledge to all circumstances of the events surrounding the characters in Othello the Moor.  Although other characters in the play are privy to certain details of the unfolding events, Emilia is the character that uses this knowledge to the benefit of the play.  Emilia's character is minor yet necessary.  Without her character the play would have no means of unraveling the confusion created by the author.  Emilia, wife

In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.

This further develops Emilia’s character to the audience, as it displays her view of men, and how she believes that females are treated unequally in the world. Emilia’s view of men can be summed up in one of her very own quotes:

Throughout ‘Othello’, Shakespeare uses the manipulation of the protagonist, by the antagonist, Iago, to present a play controlled by men. In such a male dominated society, Shakespeare presents the women in the play as tragic victims at the hands of their husbands, in particular Desdemona and Emilia. Throughout this essay I will relate to the Aristotelian and Senecan descriptions of tragedy to come to a conclusion of how in ‘Othello’ Shakespeare presents women as tragic victims of men.

Emilia is often dubbed as “the feminist of Othello” by a scholars and critics because of her, seemingly, fiery independence among a sea of submissive women (Caitlyn, Act Four: The Feminist of Othello). The characterization of a woman who speaks out for herself suggests that Shakespeare thought progressively as during that time women were mere objects rather than human beings. The plot of Othello revolves around the misgivings of poor communication and lack of trust among the characters. Tragedy ensues, as it does in all of Shakespeare's works, but could it have been prevented? Report after report applaud Shakespeare for developing a true feminist role model, however sometimes a character who has attitude gets mistaken for honorable. This poses the question, does Emilia truly deserve the title as of a feminist?

In Othello, the play vividly portrays the tragic fall of an admirable General who is transformed into a victim through manipulation by the atrocious villain, Iago. William Shakespeare illustrates the setting of Venice in the late 16th century, displaying gender inequality as an issue where wives are viewed as possessions belonging to their husbands. However, Emilia, being one of the most loyal characters, developed qualities of an early feminist who opposes unjustified treatment towards Desdemona. Emilia is practical and realistic due to her clear knowledge of humanity within both genders, in which she further challenges the male authority in order to advocate her right to speak.

Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found

In Shakespeare's tragedy, Othello, Emilia expresses her underrated intelligence to prove others' beliefs against her. Unlike the other women in the book, Emilia understands men and their thinking; therefore she shows no shame for standing up for what she believes in. Emilia unexpectedly ruins her husband's plan, which suddenly alters the outcome the story.

In the play Othello The Moor of Venice, by William Shakespeare, Emilia's speech (4.3.84-103) has been called renaissance plea to women's liberation. This is because she tells of what she has experienced with her husband Iago, and what is bound to happen to her mistress Desdemona. Comparing their both lives in her speech, it vividly explains what happens to so many women in who are in a relationship, who find themselves in the same problem. According to her speech, there are some married women who do cheat on their husbands, there are problems in marriage relationships that men are the cause of them and she warns men that women can do what men can do.

   Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.

    Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)

   Shakespeare’s tragic drama Othello features sexism as regular fare – initially from Brabantio and Iago, and finally from Othello. Let us in this essay explore the occurrences and severity of sexism in the drama.

In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.

Sacrificing freedom and being controlled by one’s spouse is a very prominent feeling for many when entering a marriage. This is especially true in William Shakespeare’s, Othello, which takes place during the Elizabethan era; a time when women were condemned for speaking out, especially against their husbands. In a private conversation with Desdemona, Emilia reveals her belief that “it is their husbands' faults/If wives do fall. Say that they slack their duties,/And pour our treasures into foreign laps;/Or else break out in peevish jealousies,/Throwing restraint upon us. Or say they strike us,/Or scant our former having in