Feminism In The Song 'Run The World ( Girls'

Beyoncé is a singer known for her fantastic voice, rejuvenating dance moves, and most importantly her empowering throughout her songs. These skills are no different in her song “Pretty Hurts.” Released on June 10, 2014, from her self-titled album Beyoncé, the song written by Sia, Joshua “Ammo” Coleman, and Beyoncé herself resonates its empowering message with people of all different genders, body types, and races. This song, in particular, is targeted towards women, especially young women who are still developing. Beyoncé gained popularity when she started off in an all-female group named Destiny’s Child back in 1997, and once she broke off from the group, she only continued to grow as an artist and person. In all six of Beyoncé’s solo studio albums, there are songs with galvanizing messages of female power and all of them reached number 1 on the charts. In Beyoncé’s song “Pretty Hurts,” she uses social issues, rhetorical appeals such as pathos, literary devices, metaphors, and vivid imagery to further the theme of female empowerment.

In Joan Morgan’s “From Fly-Girls to Bitches and Hos,” her feminist point of view addresses the problem of degradation and sexism in rap and hip-hop music. Through this passage, Morgan looks at the deeper meaning and connects rap and hip-hop music with the African American community. Between the beats, the lyrics of this specific genre of music show listeners various situations the African American community deals with, like crime, drugs, alcohol, relationships, and their day-to-day life in America. With Morgan’s feminist criticism, she states that the blame is not only on rap and hip-hop artists, but also other women because they should be speaking out against being called “bitches” and “hos”. Through the rhetorical strategies of description,

Beyoncé Knowles’s Lemonade video album brings the words of Beyoncé into a visual media and shows the viewer a deeper meaning behind the album. After this video came out many articles came forward analyzing Lemonade. One article, in particular, that was intriguing is Bell Hooks “Moving Beyond Pain.” Hooks starts her article saying that the Lemonade video was created as a money-making, business strategy, but as the text continues the reader can conclude that “Moving Beyond Pain” is actually about African American women, and women in general, standing up for themselves.

Director Sut Jhally, in his documentary film, “Dreamworlds 3: Desire, sex, and power in music videos”, analyzes the issue of how women are portrayed in the music world. Jhally, in his film argues how music and media has become a proud industry when it comes to advertising women, all for the benefit of popularity and record sales. Jhally believes these videos both inform and misinform our culture about our dominant attitudes regarding femininity masculinity, sexuality and race. He uses an empathetic tone in order to appeal to pathos, the feelings and experiences in women when he presents video clips that are somewhat offensive to watch as proof that women have become a common necessity shown in music videos. Often presented as being sexually aggressive and submissive, being objectified by men. He also intentionally wants to try to stir up emotions as he introduces song lyrics of women being called inappropriate names and images of women being fondled by men throughout the film. Sometimes, aggressively without consent.

Robin Thicke’s music video to his song “Blurred Lines” avidly contributes to the patriarchy, while portraying sexism, gender standards, and beauty standards. His music video can be analyzed from a feminist theory approach, as it’s evident that his song and video contribute to a patriarchal society and its inherently sexist and sexualized ideologies. The ideology behind the song and music video is purely sexual and about male dominance. The lyrics to the song and actions in the video exhibit extreme over sexualization and objectification of the women. Analyzing this piece of popular culture through a feminist approach opens up a provoking conversation about how popular culture functions in a patriarchal culture. Analyzing pop culture though a feminist theory can allow for a larger variety and more in-depth analysis about the social aspects and political agenda within popular culture.

In 1997, Shania Twain released the song “Man I feel like a woman!”. The catchy melody immediately made this song a huge hit, but it’s the meaning of the lyrics that made it the feminist anthem that is still loved after so many years. The music video itself is empowering as it shows a confident Shania in the spotlight surrounded by her male musicians. However, the lyrics are what this analysis is more focused on. Twain sings about being her true self and letting loose. The song is an example of feminism, because it challenges gender stereotypes, the pressure put on girls to look a certain way and gender norms. The argument will be structured in three paragraphs, each developing on one of the ideas found in the thesis.

Beyoncé Knowles, a well-known singer, songwriter uses two of her songs: “Freedom” and “Formation” to tell the story of herself. “Freedom” is the beginning of her story where she is searching for freedom and equality showing that there is still much inequality and injustice for African Americans in America today. The song slowly transitions to a more positive tone when she seems to have made something beneficial out of her difficult situation. “Formation,” however, has a completely different tone. While she does address negative situations from the past at the beginning of the song, she quickly transitions to a more positive tone full of pride in where she came from, who she has become, and what she has overcome. Together, the two songs

The main purpose of Beyoncé’s songs is to emphasise feminism and invigorate gender equality through her lyrics. She does so by using by conveying feminist philosophy in her lyrics. In Run the World, Beyoncé sings “strong enough to bear the children, then get back to business.” Figurative language is used to express be that women give birth however then after they proceed to work. Throughout the song used is both repetition and rhetorical question as this is how Beyoncé portrays the women empowerment theme, domination as well as confidence in her tone whilst preaching the line “Girls, we run this motha (yeah!)” and “Who run the world? Girls!”. Having expressed the line “My persuasion can build he nation” Beyoncé is building women up by speaking

This song displays the traditional messages sent by male artists. What about female artists? What do their songs portray? Andsager and Roe’s findings give a good description. According to them, there are two kinds of female artists. The strong, more established female artists portray women as “fully equal.” These women are in their thirties at least, they are more established, and they dress in casual suits. They sang romance, female emancipation, and heartbreak like the rest, but they did not compromise their image in their videos. They use Trisha Yearwood as an example in her song Everybody Knows. The other type, were women who “fell into the lowest level on the consciousness scale.” They used Deana Carter’s song We Danced Anyway as an example. In this song she rolled on the beach in a wet t-shirt. Another one is Faith Hill’s song Breathe. In this song, Hill is seen rolling around in her bed sheets with no clothes on.

Beyonce is an African American female artist making incorporating empowering messages for women around the world. She is creating work that speaks to an audience that might not receive authentic mainstream. Beyonce ultimate goal is to visually and sonically entice wisdom through her music. Recently in a shocking video release, Beyonce debuted a new song “Formation” as well as a politically charged music video. This song was an uproar in the music industry worldwide. Millions of people around the world negatively viewed this song as a controversy. The music video and song caused many people to debate and cause a worldwide conflict.

Following its birth, hip-hop promoted important social and political causes. Hip-Hop artists use their lyrics and videos to convey messages to their audiences. It has become common today to dismiss the impacts women have made on the hip-hop culture. Nevertheless, Men have not only used hip-hop to promote important causes but also females. One of the more prevalent hip-hop artists since its beginning is Queen Latifah. Queen Latifah uses hip hop to promote issues important to females to audiences of people who do not traditionally identify females as significant leaders. Queen Latifah began her hip hop career in 1988 - a time when females were still emerging from their traditional roles as homemakers. By that time, more women were entering the work force making a living for themselves no longer depending on men. The 1980s found a reemergence of the feminist movement where women sought equality to men. Queen Latifah released her song “Ladies First” around that same time. Latifah promotes the feminist movement through her lyrics, visuals, and rhetorical appeals in her hit single “Ladies First.”

Beyoncé’s visual album Lemonade gives a more personal view of her upbringing and how it influences the person she is today. One song in particular, “Formation,” explains how she was raised and how hard she worked to earn everything she owns. As a black woman, Beyoncé worked especially hard to overcome prejudice to become the iconic artist she is today. Beyoncé’s intention behind “Formation” is to empower all black people, but especially black women. Malcolm X’s speech “Who Taught You to Hate Yourself” delves into the racism that African Americans have always faced in America. In this speech, he questions why African Americans feel the need to separate themselves from their own race. In her article, “Beyoncé and #BlackLivesMatter,”Anna

Feminism as an idea has been actively intersected and integrated within the western mainstream pop culture progressively since the beginning of the 21st century. Some of the largest players in the current mainstream music scene not only identify as feminist but also encourage their millions of fans to do the same. While this could potentially be a positive influence on a movement that has struggled to gain larger scale mainstream representation since it’s beginnings in the 19th centaury, this essay aims to explore the damage it is inevitably causing to the movement.

When one hears the word “feminist”, many different things may come to mind. One may think of the “bra burning” feminists of the 1960s or the “riot grrrl” feminists of the 1990s. It can bring to mind issues such as abortion, birth control, and unfair wages. There are many different aspects of feminism, some of which are understood only by those involved in the movement. But like most things people are passionate about, feminism has held a strong place in music since its very beginning, and can be seen in its festivals, its politics, and in the average American’s everyday life.

In the words of pop singer and ardent feminist P!nk, “Women have fought so long and hard for our rights and equality, and now all our attention is put on being a size 0.” P!nk’s hit song “Stupid Girls”, released with her 2006 album I’m Not Dead, provides a commentary on society’s perception of a woman’s role and how women respond to that perception. She rejects the foundations of the stereotype that women exist as subordinate to men, while challenging the behavior of women who conform to these societal expectations in order to please men. Although she composed the piece to encourage women to take pride in intelligence, the song has come under critique for “slut-shaming” by stereotyping women who focus on external appearance, labeling them as “stupid”. The piece simultaneously demeans and empowers women, demonstrating just one of the many flaws in the feminist movement that exist today.