Feminism In The Time Of The Butterflies

In the book Alvarez informs us that this takes place during Trujillo 's reign over the Dominican Republic in the 1930’s to the 1960’s. Throughout history dictators have risen and fallen all across the world. Many have been seen as evil, and sometimes good to others, but no matter what a persons view tend to be there are some who even consider them god. Due to a dictators extensive powers and complete control over every aspect of a persons life this is what comes to be. Trujillo is just the same, at first his true motives were questioned and it wasn’t apparent to all what he really was. As the Mirabel sisters grow up it becomes clear that Trujillo is in control of more of their lives than it may seemed. Trujillo leads a complete authoritarian rule over the Dominican Republic with spies everywhere, this can suggest that he trying to assume the role of a terrible god, who is always watching and ready to punish. While all

In analyzing portrayals of women, it is appropriate to begin with the character of Margarita. For, within the text, she embodies the traditionally masculine traits of bravery, resilience, and violence as a means of liberating herself from an existence of abuse and victimhood. Even more, the woman plays upon stereotypes of femininity in order to mask her true nature. The reader witnesses this clever deception in a scene where the character endures a “wholesome thrashing” from her huge, violent, and grizzly bear-like husband, Guerra (81). Although Margarita “[submits] to the infliction with great apparent humility,” her husband is found “stone-dead” the next morning (81). Here, diction such as “submits” and “humility” relate to the traits of weakness, subservience and inferiority that are so commonly expected of women, especially in their relationships with men. Yet, when one

Out from the kitchen and into the world, women are making a better name for themselves. Although humankind tends to be male dominated, men are not the only species that inhabit the world that they live on. In Julia Alvarez's novel In the Time of the Butterflies, the women of the Dominican Republic are expected to grow up to be housewives and lacking a formal education. Women may be cherished like national treasures, but they are not expected to fulfill their truest potentials as human beings.

Thesis statement: Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships women face, but also explores their power to overcome them.

One of the main sources of tension in How the Garcia Girls Lost their Accents, written by Julia Alvarez, are the sisters search for a personal identity among contrasting cultures. Many of the characters felt pressure from two sources, the patriarchal culture that promotes traditional gender roles and society of nineteen-sixties and seventies America. Dominican tradition heavily enforces the patriarchal family and leaves little room for female empowerment or individuality, whereas in the United States, the sixties and seventies were times of increasingly liberal views and a rise in feminist ideals. This conflict shaped the identities of the characters in Alvarez’s novel and often tore the characters apart for one another.

All four sisters reject their stereotypical role as women in the society by standing up for their beliefs and the revolution. When Minerva said,” It’s about time we women had a voice in running our country,”(Alvarez ?Chapter 1?) shows how outspoken she is about her country. The way Minerva demands equality shows the influence that men have over women in the Dominican culture. During the 1960s, the men expected women to be housewives, and to just cook and clean. In the book when Jaimito says,” The Mirabal sisters like to run their men, that was the problem. In his house, we was the one to wear the pants.”(Alvarez, 176-177) That shows that men expect women to be below them.

Social standards may confine individuals from pursuing their own personal interests. Through the relationship between societal standards and individual interests, Sandra Cisneros’ short story, “Woman Hollering Creek,” introduces the roles of men and women in a Hispanic culture. The protagonist, Cleofilas Hernandez, is trapped in an abusive relationship with her newly-wed husband, Juan Pedro. However, Cleofilas tolerates the toxic relationship due to the social norms of her society, which reveals that the Hispanic culture revolves around a patriarchal society and that women have to be submissive to their husbands. As the story progresses, Cleofilas abandons the gender norm to lead an independent lifestyle.

In “Lieutenant Nun: Memoir of a Transvestite in the New World” by Catalina de Erauso, a female-born transvestite conquers the Spanish World on her journey to disguise herself as a man and inflicts violence both on and off the battlefield. Catalina discovers her hidden role in society as she compares herself to her brothers advantage in life, as they are granted money and freedom in living their own lives. Erauso decides to take action of this act of inequality by forming a rebellion, as she pledges to threaten the social order.The gender roles allotted to both men and women in the Spanish world represent the significance of societal expectations in order to identify the importance of gender in determining one’s position in the social order in the Spanish World.

Castillo’s work definitely gives us a different view on writing and lets us see the power of Xicanisma. In Xicanisma we are able to view Chicana feminism and get a better understanding of Mexican culture and history. In Theresa’s letters she provides us with a glimpse of history when she says, “I hated white women who took black pimps everyone knows savages have bestial members”, “I hated white women who preferred Latins and Mediterranean’s”, and “nineteenth-century romanticism that makes going to bed with

In Chronicle of a Death Foretold, the way women have been represented and characterized gives us an idea of how the female gender are treated differently from the male gender as well as children in Latin America during the 1950s. The husbands were given all the authority, also known as machismo, whereas women weren’t allowed to take charge of anything, and were portrayed as weak and impotent.

In the past, women had less power than men for thousands of years. In other words, men played an essential gender role and controlled people all around the world. Obviously, most leaders were males, and there were more male bosses than female`s in companies. This unequal social injustice has existed all around the world, especially in the Dominican Republic. In this country, men always thought the only responsibility of women was staying at home and taking care of the whole family. In addition, men did not care what women really wanted, and the only way was to force women to do what men asked. In the movie In the Time of the Butterflies, which happened in the Dominican Republic, people struggle under the brutal dictatorship of Trujillo between the 1930`s and 1960`s. In this movie, men play the important gender role that women have no right to apply for university, and they have to be obedient to men. However, women work hard to defeat their oppressed unequal fate and seek feminism, especially for the three Mirabal sisters. The Mirabal sisters are normal women who live in a farm with their parents. Unfortunately, their father is killed by Trujillo, so they become revolutionaries. They lead people to dare to start the revolution against feminist resistance. Although the Mirabal sisters understand they will sacrifice their lives, they never abandon due to their respectable ambition to gain equal rights as men.

Along with educational issues women also faced domestic violence. Minerva, Dede, Maria Theresa, and Patria ended this suffering along with gaining freedom for everybody. Although Alvarez did not include the domestic violence view in the story she did show how women were not treated the same. When Minerva when to the university to study law, upon graduate Trujillo did not award her the license to practice. (Alvarez,138) Along with her being a women doing a man’s job Trujillo allowed his personal feelings dictate that decision and it added more to her rage against his way of ruling government. “...If they kill me, I shall reach my arms out of the grave and I shall be stronger.” and stronger she was. (Mirabal, 2006)

Yet Moraga writing style is very difficult to comprehend at first, due to the barrier that she create by using Spanish and English. Moraga’s choice of words force the reader’s flow to be caught off guard and roots it to focus on every details. She blends both languages together that challenge the reader to understand the multiple categories of her. As she write her struggles to define herself in relation to others, (mainly in the Chicana/o community), she also makes it a challenge for the readers to fully access her trials at first read. In the article “Cherríe Moraga’s Loving in the War Years: lo que nunca pasó por sus labios: Auto-ethnography of the “New Mestiza,” Cloud states that “the placement of her own personal experiences within the context of her community enables Moraga to capture successfully the struggle of an entire people for individual and collective autonomy” (86). Clouds argue that Moraga purposely writes for an “all in one” perspective that can be very challenging for reader to understand. She admits that, “Loving in the War Years first part speaks to the confusion and personal struggle that characterized its author’s formative years, no more so than in its poetic parts. Much of the inner turmoil that pervades Moraga’s self-portrayal revolves around the collision course that is the confluence of her two ethnic identities: Chicana and American” (91). With this reason, the only way that Moraga could have directly and explicitly share her

In the same manner, Señorita Extraviada and Bordertown pose a direct challenge to the official story, which historically has attributed the disappearances and murders to some combination of the women’s fault, the lamentable yet unavoidable cost of rapid and disproportionate modernization, a result of the dangerous instability of the border zone, and the unlawful seductions of the city’s underworld, all of which is propelled, in the media’s narrative and the state, by women’s “imprudent” presence in public.

Allende raises the theme of gender imbalance or gender inequality, is through Eva herself. By definition, gender inequality refers to the idea and situation that women and men are not equal. Eva Luna, narrated from Eva’s first person point of view, goes into vivid detail about her mother’s beginnings, and her fate of being born female, in which case the missionaries who found her just “covered her shame” (Allende 2) with a diaper. This is the very first instance of gender inequality. As Consuelo grew up, the only skills she was taught was how to work as a housekeeper. She was not even allowed to attend a “Carlow Gardel movie” until a more progressive government promised to bring the nation into the 20th century. After Eva was born, the same way of life continued for her, oppressed for being female. She was taught