Essay Feminism and the Shakespeare's Works

In the wife’s prologue she beings by granting herself authority, given the time and circumstance of the background this would be shocking to most of those around her. She does this two ways: first, she gives her experiences of her many marriages, she then alines her experiences with that of a respected man. “Experience, though no authority. Were in this world, would be enough for me To speak of woe that married life affords; For since I was twelve years of age, my lords, Thanks be to God eternally alive, Of husbands at the church door I 've had five (If I have wed that often legally), And all were worthy men in their degree.” This is a clever trick she is using at the very beginning. when she states that her experience is not an authority. This is because she is almost lessening herself before she alines herself with a king in the next statement. She humbles herself, and allows her audience to make her higher. But she insures this higher thought by highlighting her

Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that

Feminist critical lens examines certain texts with a primary focus on both gender’s relationship with each other and how such relationships demonstrate effects towards beliefs, behaviors, and values. This critical lens also examines a patriarchal-centered society and how such society define and interact with women with an emphasis on stereotypes of both genders that are present and evident in the text being analyzed. William Shakespeare’s Othello can be scrutinized through the feminist critical lens. A deep analysis focused on feminism of the play Othello paves way for the judgement of different societal status of women in the period when the play took place, the Elizabethan society. Othello is a best fit that demonstrates how men were

Throughout Romeo and Juliet, by William Shakespeare, there is an overlaying presence of the typical roles that men and women were supposed to play. During Elizabethan times there was a major difference between the way men and women were supposed to act. Men typically were supposed to be masculine and powerful, and defend the honor. Women, on the other hand, were supposed to be subservient to their men in their lives and do as ever they wished. In Romeo and Juliet the typical gender roles that men and women were supposed to play had an influence on the fate of their lives.

William Shakespeare's Twelfth Night as a Feminist Play The play Twelfth Night was written in the Elizabethan days, near the end of the ruling of Queen Elizabeth I. It was also during The Renaissance, which is also the rebirth of learning, which this play was born. It was a period of change, questioning and vitality.

In the play Hamlet written by Shakespeare, a young prince is trying to avenge the untimely murder of his father. Later on, Hamlet pretends to be insane, when finding that his father is dead and then uses others to get what he needed. As this happens a girl about Hamlet’s age struggles with Polonius her father and Laertes her brother. Poor Ophelia is unable to fight back all those against her as she slowly goes insane. Ophelia has the idea that she doesn’t like to be undermined and tries to create this new image of herself. When this play is read from a feminist perspective, the way it is interpreted the work is in the mindset of advocating for women 's rights. The feminist side of things shows how women are represented, but we would rather have a fair representation. Ophelias’ death was caused by the raging madness of Hamlet.

In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.

Before someone has the ability to analyze a female character in one of William Shakespeare’s works, one must take into account Shakespeare’s views on feminism, as well as how females were viewed in the time period. Is Shakespeare teaching us that women have no greater value than a breeding mule, or that women are truly property, simply to be owned by men? Obviously Shakespeare’s opinion is that women are inferior to men, seeming that his views are clearly portrayed by Helena’s character in A Midsummers night’s dream.

account thy love. Art thou afraid to be the same in thine own act and

    Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)

Ann-Marie MacDonald’s Goodnight Desdemona (Good morningJuliet) uses intertextuality to unveil the complete Shakespearean characters of Juliet and Desdemona to reveal the feminist narrative lurking between lines of Shakespeare’s plays. Only through the intertextual re-examination of the Shakespearean text itself via the interjection of genre and the reassigning of dialogue, within the metatheatre, is the true feminist representation of the female Shakespearian characters unveiled from behind the patriarchal preconceptions. From this understanding we may read Goodnight Desdemona (Good Morning Juliet) to be true feminist reworking of Shakespeare. Therefore the metatheatre’s intertextuality reinforces and supports the traits of the feminine.

Upon receiving an assignment to find and perform a monologue from Shakespeare’s plays, I was delighted, but quite quickly, my happiness turned into a frustration. In my research of finding Shakespeare monologues, I had read many wise words written by Shakespeare. Much to my dismay, however, many of these “wise” and intelligent sounding monologues were the monologues of male characters. By the third hour of my search, I was ready to throw my laptop out the window and scream, “Do you intend to tell me that there are only a few school appropriate and lengthy monologues in all of Shakespeare’s plays that demonstrate the strengths of female characters!” But knowing the time period that William Shakespeare had written in, I put no blame upon

In the play Othello , Othello strongly represents feminist criticism because he cares so much about their relationship that he couldn’t handle the thought of her cheating on him. He played a big role in the play from being a powerful governor along with being a deep lover. Othello and Desdemona, the daughter of A senator from Venice, fell for each other and are married behind her father’s back. The father, Brabantio, finds out and says that Othello used his magic on her, but yet he still sent the two to Cyprus together. Othello captured Desdemona with his stories about his past and Desdemona quickly falls in love with him. Even though the love of the two is strong Othello lets his ensign Iago draw him into his lies about his woman showing

     Throughout history, men and women have been assigned specific roles to which society prescribes standards and qualifications. There are certain tasks that have been traditionally completed only by men, and others that have been assigned to women; most of which are separated by the realm of the domestic sphere. During the period of the Renaissance, men and women were assigned very different roles within society. The value, social expectations, legal status, and rights of citizenship differed greatly between the sexes as well as among the classes. Many of these gender roles can be identified through careful readings of the literature produced throughout the Renaissance.

The patriarchal and patrilineal society of Shakespeare’s era often made it difficult for women to be on the same level as men in terms of property, money, and rights. What is not often mentioned is the way in which even male-male relationships were glorified as well. In a society which thought males to be the best gender, it is not surprising that male friendships would be put above that of even the marriage of a man and wife. William Shakespeare and Mario DiGangi explore this concept in Shakespeare’s play, The Winter’s Tale and ensuing critical essays, respectively. Shakespeare sets up this concept through the glorification of the friendship (or, possibly more than a friendship) between Polixenes and Leontes as well as inferiorizing all feminized characters in the play. Through these marital fissures, Shakespeare’s play—along with DiGangi’s secondary essays—shows that conjugal happiness is nearly impossible in his society for Hermione and Leontes, furthering the divide between men and women.