Feminism in Hamlet

Throughout centuries men have been seen as the gender that have more rights than women. According to Diane Elizabeth Dreher’s 1986 book, Domination & Defiance: Fathers and Daughters in Shakespeare, she explains that a woman during renaissance England, “was to conform patiently and silently to the will of her father and, later, to that of her husband, accepting commands, correction, physical abuse, with sweetness and humility” (16). As a result of a renaissance society that promotes and even encourages this type of behavior, men believe that they have more power. When someone believes that they have more power than another person a pattern of disrespect, and in the most extreme cases, physical and emotional abuse are likely to follow. In Hamlet, Shakespeare contrasts two female leads of the play, Ophelia and Gertrude, through reduction to appearance, instrumentality, and silencing in order to show that during this time period, the objectification of women in the play was parallel to the objectification of women during renaissance England.

Sexism: the belief or attitude that one sex is inherently superior to, more competent than, or more valuable than the other (most commonly used for male superiority). This idea that women are weak is not a new one in the modern world. It has been studied for countless years along with the concept of a patriarchal society. A patriarchy is defined as a system of society or government in which men hold the power and women are largely excluded from it. Such systems currently exist in several forms and areas around the world; however, the most common place for these patriarchies is in literature. Novels, plays, works of nonfiction, and other forms of literature have shown to either “reinforce or undermine the

The women in Hamlet are affected greatly after being exploited by the men in the play. Ophelia goes mad – her nature is “indeed distract”- not only because of the exploitation, but also because of her Father’s death,

In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude,

Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them. Ophelia and Gertrude are dismissed as characters through the entire play because they are women. Hamlet refers to women as “frailty,” implying that they are weak and are dependent on men. Reason suggests that with out the males, Ophelia and Gertrude would simply have no story.

In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,

The feminist school has various goals when being used to scrutinize a piece of literature. As Gillespie points out, historically texts were written by males with primarily male protagonists, and thus, the male sentiment is most dominantly expressed in many works of literature. The lessened representation of women in literature is usually confined to typical stereotypes of the historical period. This can be seen in Shakespeare’s play Hamlet, and this will be further explored and discussed. Through the feminist lens, women’s presence and portrayal in the play, as well as the common stereotypes about women in Shakespearean society, can be studied carefully, despite the centuries that have passed between the play’s conception and the present. Additionally, as stated in Literary Theories: A Sampling of Critical Lenses,

While we humans live in a society governed largely by men we have little idea of what a matriarchal society would be like as it clearly doesn’t exist in today’s society. For centuries we have fought for gender equality, but we are reminded in films, plays and novels that Women are submissive and the weaker gender. Shakespeare’s written tragedies had clearly showed his patriarchal perspective with his character Ophelia from Hamlet, whose motivation and dominance is powered by Her father Polonius. Gertrude is another women from Hamlet who is represented as a weak minded, dependant character who has no power or control over what she does. If we look at these two characters from a Feminists point

According to a quote by The Atlantic, America is still a “patriarchal community” (Cohen 1). The majority of humans live in a society influenced by men and have little to no understanding of a matriarchal society because it is not around. For centuries, women have fought for equality and it is a reoccuring theme in literature. This theme can show how people critique and analyze many works of art. Countless people can read a text and depict it differently, from the beginning to end. This depends on what critical lens they view it from, allowing people to comprehend the different ways literature is written. There is many different critical lens to choose from. An example of one of the critical lens is the feminist viewpoint. The feminist theory, analyzes the nature of gender equality. This approach shows how women can compare to men. This can be done politically, socially, or economically. In William Shakespeare's play, Hamlet, he can be seen going against the feminist theory. This lens will affect Hamlet’s two main, female characters Gertrude and Ophelia. While viewing Hamlet through the feminist theory lens, many male characters can be seen as being, aggressively, dominant; creating the women to have many stereotypes.

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

Moreover, as mother to Hamlet, she acts largely as a reflection of the evils within Claudius. Much of the antagonism Hamlet directs towards her is, thus, aimed clearly at the elements of her that mirror Claudius: her lustfulness and corruption. In return, however, Gertrude offers Hamlet a level of motherly love and understanding. When she says "Let not thy mother lose her prayers, Hamlet. / I pray thee, stay with us, go not to Wittenberg," she quite clearly is expressing simple love and a desire to remain close to Hamlet. While Claudius is purely destructive towards Hamlet, Gertrude's ability to filter her lustfulness and corruption through her womanhood allows her to act, at least on some level, as a positive force on Hamlet.

“Husbands can object to their wives working and prevent them from accepting jobs in fifteen economies” (Reiner). Critical lens’ exist. They can be in literature, but also can be in other works. They are present so readers can criticize and analyze literature. An example of a critical lense is Feminism. This applies to literature and other works because female characters often always play a minor role in the action of the work because the male characters in the action of the work over power and out rule the women. In the play, Hamlet by William Shakespeare the female characters Gertrude and Ophelia are often overlooked and treated with little to no respect. Feminism is uncovered in the play Hamlet because of the fact of how rudely male characters treat female characters as if they are not as superior to the male characters and how the female characters act towards the male characters in such an enlightened way as they continue to play a minor role in the play.

Linette Martir Ms. Given Honors English 21 December 2017 Queen Gertrude and Ophelia as Servants in a Royal Castle of Males “We need everyone to be a feminist. Feminism is the fight for the equality of sexes, not for the domination of one sex over another” (Vallaud-Belkacem). Literary theories are lenses through which one can see in literature. An example of a literary theory is the feminist theory, which is created to enlighten others on social problem that are ignored or misinterpreted. Feminism existed since the 1500’s but the theory was created in the 1900’s. Due to the creation of the feminist theory, an audience can look through the feminist lens when reading a book or even watching a movie. This allows an audience to detect how women are portrayed or treated. Throughout the play Hamlet by William Shakespeare, Gertrude and Ophelia are unimportant to the plot. They are not only unimportant, they are also mistreated. Examining through the feminist lens in the 16th century, William Shakespeare reveals the way in which women are mistreated by men in Hamlet utilizing Gertrude and Ophelia as victims. With that in mind, the male roles in Hamlet are dominant because women are lower than men. Both Hamlet and Polonius mistreat Gertrude and Ophelia as if it is normal. The reason Shakespeare normalizes their controllable ways, is because during the time period Hamlet takes place mistreating women was not unusual. Since it is normal, Polonius and Hamlet treat the women poorly without realizing they are incorrect. Shakespeare realized this was an issue so he decided to expose the problem through his writing. Ironically, Gertrude is the Queen and the mother of Hamlet, but that does not stop him from having control over her. To explain further, in Gertrude’s bedroom Hamlet disrespects his mother greatly by making her feel guilty for her choices. He believes “...Gertrude is a moral self who must be brought to account for her sins and must work through the same confrontation of guilt as every other member...” (Montgomery 102). As Hamlet’s mother, Gertrude should have power over him and have the strong voice that can stop him. Instead Hamlet controls Gertrude and demands her to do things such as never to “let the bloat King

Queen Gertrude is the mother to Hamlet, widow to the late King, and new wife to King Claudius as shown within the first act of Hamlet. Following her marriage to King Claudius, her relationship with her son Hamlet becomes strained. Queen Gertrude symbolizes much of what is considered to be a negative aspect of womanhood. To Hamlet, Queen Gertrude is a failure of a woman. Through his dialogue, it is presented that Hamlet desires a woman and mother to be concerned for her family and place tradition above all else. When Hamlet’s mother makes a decision outside of that realm and marries King Claudius, Hamlet strives to berate her for her choices. Through

In William Shakespeare's Hamlet, Hamlet spews extremely harsh words against his mother Gertrude and his love, Ophelia. Some people may claim that these venomous statements mean that he is misogynistic, but, in fact, Hamlet's anger towards Gertrude and Ophelia stems not from their sex but from their betrayal. Throughout the play, Hamlet viciously attacks more than just the women; he has contempt for every person that betrays him and his father. After he recognizes the magnitude of Claudius' deceptions, Hamlet describes Claudius as a "Bloody, bawdy villain! / Remorseless, treacherous, lecherous, kindless / villain!" (Hamlet, II, ii, 607-609). Later, when Hamlet kills Polonius, he feels no remorse and calls the corpse a "wretched, rash,