Feminism in Lysistrata

Peace and Harmony is the central theme in the play. Lysistrata is out to end the prolonged war. After consideration on how to accomplish her wishes, and idea finally arises. Lysistrata holds a meeting with all the women to become rebellious and refuse to have sexual relations with the men. During this meeting between all the women, Lysistrata states, “From now on, no more penises for you” (Line 124). The women first do not know how to react as they have not seen their husbands in months. However,

Lysistrata, visibly upset that the women have not appeared, turns to her friend Cleonice, who reassures her that everyone will come, but “it’s not easy...for women to leave the house. One is busy pottering about her husband; another is getting the servant up; a third is putting her child asleep or washing the brat or feeding it” (Lysistrata). The exposition to the drama therefore tells us everything we need to know: women are trying and failing to remove themselves from their traditional housekeeping role. This is in part forced upon them by men, but also in part by their own will: throughout the play, the women place themselves in a lesser role and act unable to control themselves.  When Lysistrata explains her plan to Cleonice, Cleonice responds that “salvation hangs on a poor thread” if women are in charge. It is therefore not only men who enforce the anti-feminist view that women cannot “perform so wise and glorious an achievement” as ending the

The women in Lysistrata are portrayed as strong and confident. This is seen in the form of the main character of the play, Lysistrata; who is the first one to propose the idea of withholding sex as a measure to stop the war. She demonstrates the qualities of a true leader as she has a well-planned strategy to get her way: “if we would compel our husbands to make peace, we must refrain”. At first this idea is instantly rejected by the women, but Lysistrata manages to convince them with her words of wisdom. This indicates how strong and perseverant Lysistrata is, and this is displayed by her idea of giving up sex. This is likely to be appreciated by the contemporary Greek audiences, as sex is described as the “most beautiful thing in the world” and Lysistrata is giving it up.

It was seen as irrational to the men that women withheld sex, that their own wives abandon their vice to be heard in a society where there was not a part in democracy for women. Moreover, this situation depicts how serious the women were about having a voice in their government, because a three-decade long war was excessive. Luckily, Lysistrata did not back down from the men and was determined to find a voice amongst the men, in that society, a woman did not belong in the government, because a woman is a housewife and a sex tool. (ADD MORE)

Women in classical Athens could not have had an extremely enjoyable experience, if we rely on literary sources concerning the roles of women within the Greek polis. The so-called Athenian democracy only benefited a fraction of the entire population. At least half of this population was female, yet women seem to have had very little influence and few official civic rights. `The position of women...is a subject which has provoked much controversy.'

Ultimately, she chooses to use manipulation and temptation to her advantage to sway the minds of men. “If we sat there at home in our make-up, and came into their rooms wearing our lawn shifts and nothing else and plucked down below delta-style, and our husbands got all horny…but we kept away and didn’t come to them—they’d make peace fast enough I know for sure” (Aristophanes 80) Lysistrata urges that the women avoid sex by any means, even if they must fight against physical force by their husbands (Aristophanes). By using this tactic of a sex strike applied all over mainland Greece, Lysistrata remains confident that women can persuade men to keep peace as opposed to war. Therefore, evidence suggests in Aristophanes’ play that women such as Lysistrata derives power and authority over men through sex and temptation. Women can only attempt to persuade them due to the fact that men hold too much power to be outright forced to anything.

In the ancient world, views of women were often derogatory, yet some viewed women as intelligent and powerful. The Epic of Gilgamesh and Lysistrata both display the complex opinions towards women of the time. In The Epic of Gilgamesh, the characters Shamhat and Ishtar provide the audience with a biased view towards women, but this work also provides a more positive opinion of women through Siduri, Utnapishtim's wife, and Aruru. As paralleled in Aristophanes’s Lysistrata, Calonice and Peace represent negative perspectives of women, but this play also portrays women positively with Lysistrata and Myrrhine. The ancient texts of The Epic of Gilgamesh and Lysistrata simultaneously depict women as inferior, equal to, and superior to men to represent the complex views of women that were present during ancient times.

Lysistrata comes to the conclusion that the only way to save Athens from destruction in war comes with defiance of her husband. In her role of rebel within the family, Lysistrata decides to "...compel [her] husband to make peace" by withholding sex from him until he stops his disastrous warring behavior (Lysistrata, 7). She concludes, "...there are a thousand ways of tormenting [him]" that will lead to the ultimate safety of Athens (Lysistrata, 9). Unlike Antigone, Lysistrata realistically considers the possible consequences of her actions. She understands that the consequences of rebellion against her husband could be dire. Lysistrata recognizes that her husband might beat her or even rape her in order to get physical satisfaction, but she also realizes that her husband would, "...soon tire of the game there's no satisfaction for a man, unless a woman shares it" (Lysistrata, 9). Lysistrata acknowledges that defying her husband will have consequences, but she chooses to realistically face those possible consequences, and continues knowing that her actions will benefit Athens. Aristophanes' reveals that a woman's greatest allegiance lies with her polis through Lysistrata's role of rebel within her family to save Athens.

In the excerpt Lysistrata written by Aristophanes, a flock of women gather in order to listen to Lysistrata’s speech of how to stop the war and bring peace back to Greece. “So very dainty because that the salvation of all Greece is actually in the hands of women” (76). In order for peace to be restored the women must work together. Lysistrata makes them feel useful and powerful by these statements, but she also forms doubt in their minds. “But what can women

Since the beginning of time, women have always been looked down upon mentally. During the time period of The Odyssey and Lysistrata, women were known as less powerful gender. They have never had much say about what goes on around them. Some women were recognized as a sex symbol. In The Odyssey, some women were goddesses that just wanted sex and other women had to stay at home to help raise their kids and do all of the feminine work. Compared to The Odyssey, in Lysistrata, women denied sex against their men to get what they want. In addition, they did not have many political rights and a say so on what goes on in their country. In comparing both of these stories, women show similarities toward each other.

“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an

While not directly seen, the driving motivator behind all the actions of the characters in the story is in the major conflict of war. This conflict between rival city-states is portrayed as not simply being dangerous for the men who are fighting and dying, but it has a direct effect on the women as well. At one point it is mentioned that the women fight the war twice, “it’s we who give the hoplites life, and then we send them off, for you” (Puchner et al. 801). This occurs once when the woman has to bear the children in birth and then yet again when they send them off to war. It is the driving desire stopping this conflict that lead Lysistrata to concoct and enact her plan.

Lysistrata's role and her powers of manipulation are very similar to those of Medea. Lysistrata is an Athenian woman who is interested in ending the Peloponessian War and also is upset with the treatment of women in Athens. Lysistrata gathers the women of Sparta and Athens together to solve these problems and uses the art of manipulation to find success and power in her journey. Lysistrata develops a plan to deny sex to the men of Greece and take over the Acropolis, which is the heart of Athenian commerce until they stop the war. She is able to manipulate the women of Sparta and

Despite the lower status of women, the plot of Lysistrata is mainly about all of the women coming together and being powerful enough to stop the men’s war. The women in Lysistrata know that the men love intimacy with them and they use that power by withholding pleasure from their men so as to stop the war, even though the women love sex as well:

Lysistrata was written in ancient Greece, a time where women’s position in society was no greater than a servant. In Lysistrata, Aristophanes depicts Greek women challenging male authority through their own femininity in a comic and light hearted way. Wether or not Aristophanes was trying to challenge male authority or was simply making a joke out of women is unclear, but it is easy to note what ancient Greeks thought of women simply by how they depicted in Lysistrata.