Feminist Criticism In Ballet Shoes

The feminist movement lays claim to a history of both victorious struggle and violent controversy. As women fought for equality with men in the early twentieth century, literature was inspired by this movement. Modernist writers used their artform to provide social commentary in similar ways to realistic writers of the nineteenth century. However, modernist thought allows a much more obvious agenda to be presented through literature. Mina Loy, in “Feminist Manifesto,” and Susan Glaspell, in “Trifles,” both used their respective writings to convey personal opinions on the women’s movement and the relationship between men and women. Though this similarity places them in the same category of modernism, the two differ in their writings

Feminist literary theory assumes that a text is not simply a work of fictional literature that is separated entirely from the physical world. In this lens, the boundaries are non existent. The circumstances of how a work was written influence its criticism and analysis. The location, gender and class of the author and characters are vital to a feminist criticism (Feminist Literary Theory 1) .

Feminist theory, though contrary to what the statement may suggest, is not simply one theory but consists of branches of various critical approaches that target specific aspects of literature in terms of the representation of female writers (and other artists) and the feminine

The first thing that I saw in a Feminism perspective is that the main characters in the novel is played by women, the first character is a young girl (Mariam) and the second character a girl who is growing up in a less fortunate condition. While reading the novel I found that it was obvious that in the novel, “A Thousand Splendid Suns”, men have more rights than women and that can be seen by the fact that men have authority over women. In the novel it was also a fact in the men’s eyes that the women belong at

Whether we look at a romantic ballet like La Sylphide or a classical ballet such as Sleeping Beauty, audiences are constantly mesmerized by the gracefulness and weightlessness of the ballet dancers. They seem to defy the laws of physics, which is greatly possible due to the use of the pointe shoe. However, many masterworks that were created in the Romantic era did not solely rely on the pointe shoe to help convey messages. Instead, the choreography, dancers, scenic elements, subject matter, and music all helped shaped masterworks such as La Sylphide, Napoli, and Giselle. Similarly, in the Classical era, these elements all played a role in shaping famous ballets like La Bayadere, Sleeping Beauty, and Swan Lake. But once we take a closer look at these ballets from the Classical era, we can see how much ballet evolved. Nevertheless, it is important to note that the Romantic era was the stepping stone for this pure art form that we have been able to preserve for more than 160 years.

Analyzing the ways in which a piece of literature includes feminist ideologies can bring out the potential messages that the creators of these productions were attempting to portray, while allowing the reader to critique the literature from a feminist perspective.

On May 24, 1933, a role model, advocate for women’s rights, and a literary star was born. Marian Engel was born in Toronto, Ontario, to a single eighteen year old girl, and put up for adoption. Frederick Searle and Mary Elizabeth (Fletcher) Passmore adopted a beautiful baby named Ruth, who they renamed Marian. Marian spent her younger years growing up in a variety of towns across Southern Ontario as her family moved frequently for her father’s work. Engel began her education at Sarnia Collegiate Institute & Technical School in Sarnia, Ontario, and later continued on to complete a Bachelor of Arts at McMaster University in Hamilton, Ontario. She graduated from McMaster in 1955 and without hesitation, enrolled in a Master’s program for

When on the topic of feminist writing, understanding the time period in which the author’s writing takes place persists as vastly important. Historically speaking, western culture follows a model thoroughly dominated by men. That commonality remains

As a result of the abuse female characters have faced, it has become an objective for authors to prevent this. There have been clear strides recently, putting women as the protagonists, and not in a manner that has them dealing with persecution. The amount of strong, female characters is a large stride in the right direction to end the conflict regarding women’s roles in literature. However, this sudden influx of women in literature may lead to the reversal of the issue; the absence or abuse of men. While certainly literary equality is the end goal, to flip the issue would be just as bad and lead to sexism on the opposite spectrum. To truly mend the rift between genders, there must be no discrimination, the idea that an author is trying to use sexist undertones by not writing the lead as a female should not have to be an idea that readers think about when analyzing modern books. While even still there are issues of gender inequality in literature, there must be moderation from both ends for a resolution to be possible. The only way for equality to be achieved is with the absence of sexist ideals from all

Fiction is often thought of as being “fake” or “false” interpretations of real life. While the people and events that occur in fiction are generally imagined, the most successful of these works appeal to audiences as being realistic to some extent. An example of this imagined interpretation of reality in fiction is the portrayal of women. One association given to women of many genres is that of the needy damsel. With that said, examples of heroism and wit have grown over time, adjusting with the trends of feminism today. While women are often considered delicate and in need of protection in fiction, across the genres of gothic, science and mystery, there are also many depictions indicating the contrary.

Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of them simply because of their gender.

Feminism plays a large role in many dance styles in today's society. It is a key tool to use while teaching younger students as proved by the women showcased in the films provided as well as in the articles, “The lens in which I look through everything now is feminist theory and pedagogy” (Jennifer Bolt). Throughout the interview, Bolt touched on how she felt as if she had a loss of voice when it came to fighting for the dance program, it connects back to her learning about how women had to fight for their voice in society when she was just a girl. Claire Wooten explained how she tended to steer away from what she called “The F word” (Wooten) when directing her classes due to how announcing feminist theory right off the bat seemed to put people off. Wooten stated she directed her classes from an emancipatory standpoint, attempting to remove herself from the equation to heighten student experience and self-progression.

This topic is extremely important as it revolves around the subject of feminism and sexualism, two topics that need to be taken more into consideration when reading a novel. The portrayal of female characters in novels that are read around the world are very impactful towards the female portion of the world as it places them in a spectrum of what they should act and look like to meet the standards of society. Focusing specifically on the development of the female characters and how they are just as powerful as men is an interesting idea to navigate around, focusing on the feminist portion of the novel. In current academic studies there has been substantial amount of works that are about women empowerment, with authors that believe the exact same, such as Purple Hibiscus and The Help.

Feminist Criticism is described as literary criticism to presents different perspectives on how literature discusses issues of gender, focusing on education, financial and social difference in a male dominated society. Critics revolve around power relation between the two genders. They also review how females are represented in different texts and literature and how such representation is sufficient. In addition, feminist critics in politics present literature that seeks to raise consciousness about the important role of women and highlight how language is misused to marginalize women. Influential figures of this form of criticism are George Eliot and Margaret Fuller. They are two who mainly came up with the idea of Feminist Criticism and the basic principles followed by others today. Some famous authors who wrote through the lens of Feminist Criticism are Ellen Moers, Alice Walker, and Tillie Olsen... These writer’s focus on inequality between women and men. Many stories have been written using this thought process as the catalysts for the work.

Feminist criticism scrutinizes the ways in which literature reinforces or undermines the economic, politic, social and psychological oppression of women. One of the tools used