Feminist Criticism Of The Wife Of Bath

In Geoffrey Chaucer’s Canterbury Tales, he introduces a character known as the Wife of Bath. It is her turn to tell the stories, and her tale begins discussing her past marriages in the prologue. Married five times, the Wife of Bath tells us about her own marital issues, and the way she was able to manipulate the gender roles to her own advantage. As interesting of a character as she is, I find Chaucer created the Wife of Bath to deliberately introduce the issues gender roles play in our society. I believe that the role the of the Wife of Bath in the tale was purposely written by Chaucer to twist the traditional gender roles of the time, satirizing how gender plays in society.

Oftentimes in primeval literature, female characters are unfairly judged based off sexist tendencies of previous centuries. In the mock epic, Canterbury Tales, Geoffrey Chaucer narrates a religious pilgrimage to Canterbury. One of the twenty-nine traveling characters mentioned is the Wife of Bath, a spirituous, opinionated woman who tells the tale of strength and dominance. Although some may argue that Chaucer is stuck in the past and therefore uses the Wife of Bath as a reinforcement for gender stereotypes, Chaucer proves her a strong, powerful character, unconfined to ludicrous gender roles.

The Canterbury Tales depict many characters that, although fictionally created by Geoffrey Chaucer, may give the reader the opportunity to analyze and interpret their tales as a way of determining their personalities. The Wife of Bath and her prologue accurately supports this statement, as her intentions become expounded due to her questionable actions. The Wife of Bath exhibits in her prologue that she lacks respect and gratitude towards the men she beguiles into marriage and does so by falsely claiming direction from God. She shows not only deceit towards her many husbands, but also does not possess the ability to care about others before herself.

"The Wife of Bath", in the collection of Chaucer’s Canterbury Tales, illustrates the stereotypical image of a women in medieval times ("The Portrayal of Gender in The Wife of Bath's Prologue and Tale.") The tale characterizes women as lustful and greedy burdens on men. However, to readers today, "The Wife of Bath" represents a strong minded feminist woman who is confident and open about her sexuality. Narrated by a character called Alisoun, "The Wife of Bath" reveals an insight to a woman’s point of view in medieval times. Alisoun begins her long prologue by declaring that she follows the rule of experience; announcing that she’s a self–proclaimed women. Throughout the her tale Alisoun questions and challenges the idea of power and authority in medieval society. Through Alisoun, Chaucer gives women a voice to express their call for equality and their need for power. By using description and characterization, Chaucer gives readers an insight to a society in which women are starting to express their desire to have power ultimately arguing that in order for men to be happy women need to have sovereignty in medieval times.

Often, the most memorable female characters are those who break out of the stereotypical “good wife” mold. When an author uses this technique effectively, the woman often carries the story. In Geoffrey Chaucer's Canterbury Tales, he portrays the Wife of Bath, Alison, as a woman who bucks the tradition of her times with her brashness and desire for control. Chaucer effectively presents a woman's point of view and evokes some sympathy for her.

The Wife of Bath is perhaps the most fully realized character in the Canterbury Tales. Headstrong, boisterous and opinionated, she wages a perpetual struggle against the denigration of women and the taboos against female sexuality. She issues a number of rebuttals against strict religious claims for chastity and monogamy, using Biblical examples including Solomon to show that the Bible does not overtly condemn all expressions of sexuality, even outside of marriage. Those who use religious texts to argue for the submission of women are the most fervent targets of scorn for the Wife of Bath. She claims that the reason for the bias against women in these texts is due to the lack of experience and contact with women of those who write the text. It is this antipathy to intellectual arguments against femininity that causes her to tear the pages from Jankin's book.

Geoffrey Chaucer’s The Canterbury Tales is considered a work of satire towards medieval society by many literary critics. Chaucer uses the Wife of Bath as a prime way to quip a key fourteenth century practice wherein medieval society is patriarchal from noblemen to peasants. Women are one of the most restrained groups. The Wife of Bath narrates a story mocking male superiority and spouts a pro-women narrative. In this tale, the Wife of Bath shows women not submitting to a man’s world. For this period in time, she is a progressive who implies men are not in control of society which does not fit the mold of women at the time. She infers women are running everything from behind the curtain with men merely being used as puppets.

The Wife of Bath’s Tale features a character that seemed to resemble a feminist. But in Chaucer’s time, feminism was thought to be abnormal and the pilgrims

Chaucer’s “Wife of Bath Prologue and Tale” focus on the story telling of a woman who has experienced her fair share of marital issues. She is depicted as a promiscuous woman, married five times and had plenty of male suitors, the Wife was not like any other woman during this era. Although her reputation was how most perceived her, she was not a fan of being scrutinized for what she considered as her duty as a woman; to not remain single. This is seen through the depiction of women in society, how marriage ought to be in the eyes of religion, and how men were to view a woman like her. The language that is used throughout Chaucer’s prologue and tale allude to the evolution of women as well as how they struggled to gain any recognition in

In The Canterbury tales, Chaucer uses The Wife of Bath as a representation of what it was like for Women in the Middle Ages to be striped of equality and bow to the otherwise male dominated society. For the representation of women Chaucer uses the Tales of “The Scholar”, “The Second Nun “The Reeve’s”, and “The Franklin” and many others in a very dry, pretentious manner to steer readers into the view of how a women of the Middle Ages should be as a so called “virtuous” wife or woman. The concept of marriage plays a major part in manifesting the idea of the issues of inferiority of women. The perception rendered as women having to be obedient and inferior figure to their husbands or male counter parts. Chaucer

Many literary critics throughout the years have labeled the Wife of Bath, the "gap-toothed (23)" character of The Canterbury Tales by Geoffrey Chaucer, a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it. However, this is not the definition of a feminist. A feminist is someone who believes that women and men are equal, while also is able to recognize and appreciate the unique characteristics of both sexes. A feminist celebrates what it means to be a woman, and a feminist is definitely not what Chaucer meant his character to be interpreted as. If anything, the Wife of Bath could safely be called a sexist. She constantly emphasizes the negative

The Wife of Bath contains three issues that were pretty extreme for the women of the time period. The negative connotation linked with the women and sex is the first one, the second is the position of husband and wife in marriages that leave the women submissive and the men in control, and third is the violence done by men to women. The seriousness of these issues were not discussed at all by men and most certainly not by women. The fact that the Wife of Bath brought up such issues and promoted the ideas of women in these situations was profound. The wife is smart in her delivery in both the Prologue and Tale. The Tale restates all of the subjects of marriage, violence, and sex that she first brings up in the Prologue, and

The Canterbury Tales by Geoffrey Chaucer is a collection of very well written stories with very complex characters. The most interesting characters are the female characters on their way to Canterbury with the rest of pilgrims as well as the women in the stories that the other pilgrims tell. Among these women, the most notable are Emily from the Knight’s Tale and The Wife of Bath. Both of these women, however different, appear to be strong, capable and self-ruling. In both cases, these women’s stories show Chaucer’s view on relationships with the opposite sex- that they will always be imbalanced, and that women are merely trophies to be won and displayed for all to see and, lastly, that subservience is equal to love.

Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This

Misogyny is not only visible in the Miller’s tale, but also in the Wife of Bath’s tale through the very superficial standards set for women by men. The old woman asks that the knight marries her in return for giving him the answer to the riddle and he reacts in disgust and horror, “‘...to take me as your wife…‘Alas and woe is me!...I am ugly and poor…my damnation! Alas, that any of my birth should ever be so foully disgraced!” (Chaucer, “The Wife of Bath’s Tale,” 199-213). The knight is visibly distraught, using words such as “damnation” and “disgraced” when the old woman expresses her wish to marry him. He displays these emotions not because she wants to get married, but because she is ugly and poor. He is worried because an ugly wife will mar his reputation and is a poor reflection of him. This translates to the misogynistic society during the time period where women were seen as property to be shown off, rather than people who deserved respect. The recurring theme of misogyny in these two tales shows that Chaucer does not feel sympathy for the opposite gender, but instead belittles their plight.