Feminist Criticism Of The Yellow Wallpaper. Nicole Hedrick.

When asked the question of why she chose to write 'The Yellow Wallpaper', Charlotte Perkins Gilman claimed that experiences in her own life dealing with a nervous condition, then termed 'melancholia', had prompted her to write the short story as a means to try and save other people from a similar fate. Although she may have suffered from a similar condition to the narrator of her illuminating short story, Gilman's story cannot be coined merely a tale of insanity. Insanity is the vehicle for Gilman's larger comment on the atrocities of social conformity. The main character of "The Yellow Wallpaper" comes to recognize the inhumanity in society's treatment of women, and in her

Women should never be held back by their husbands because they are women. Charlotte Perkins Gilman is an author from Connecticut who wrote the story “The Yellow Wallpaper.” She was a utopian feminist during a time period when her accomplishments were exceptional for women. In “The Yellow Wallpaper,” the narrator (identified as Jane) suffers from depression following the birth of her baby. Her husband diagnoses her with hysteria and prescribes “the rest cure.” Trapped at home, Jane grows bored. She’s set away from everyone but her husband and nurse, and she’s not allowed to write, though this makes her feel better. Her condition quickly worsens. She starts to

The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society . . . or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.

The "Yellow Wall Paper "by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression. The setting of "The Yellow Wallpaper" is the driving force in the story because it is the main factor that caused the narrator to go insane.

The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.

  The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways.  Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society.  The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia.  A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..."   (Gilman, 669).   She lived by these guidelines for three months until she came close to suffering from a nervous breakdown.  Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.

Charlotte Perkins Gilman is known as the first American writer who has feminist approach. Gilman criticises inequality between male and female during her life, hence it is mostly possible to see the traces of feminist approach in her works. She deals with the struggles and obstacles which women face in patriarchal society. Moreover, Gilman argues that marriages cause the subordination of women, because male is active, whereas female plays a domestic role in the marriage. Gilman also argues that the situation should change; therefore women are only able to accomplish full development of their identities. At this point, The Yellow Wallpaper is a crucial example that shows repressed woman’s awakening. It is a story of a woman who

Her husband restrains her from any social, physical and mental activity and allows little room for personal input or fulfillment. Longing for a voice and an emotional outlet, she begins writing in a secret journal, which she describes as a relief to her mind, also saying that her husband would think it absurd, but that she must write in it; it is her only outlet for what she feels and thinks (Gilman 340, 345). John exemplifies his role in society by being such a domineering force and keeping his wife constrained both physically and mentally, mentally being the worst for the protagonist.

As a woman, the narrator must be protected and controlled and kept away from harm. This seemed to be the natural mindset in the 19th century, that women need to have guidance in what they do, what decisions they make, and what they say. John calls her a “little goose”(95) and his “little girl”(236), referring her to a child, someone who needs special attention and control. His need for control over her is proven when she admits that her husband is “careful and loving and hardly lets me stir without special direction”(49). John has mentally restrained the speaker’s mind, she is forced to hide her anxieties, fears and be submissive, to preserve the happiness of their marriage. When the narrator attempts to speak up, she is bogged down and made guilty of her actions. Her husband makes her feel guilty for asking, he says, “‘I beg of you, for my sake and for our child’s sake, as well as your own, that you will never for one instant let that idea enter your mind!’”(225-226). By making her feel guilty for her illness, John has trapped her mentally from speaking up about it, convincing her that she must be more careful about her actions. Men often impose the hardships placed upon women during this era. They are often the people reassuring them of their “womanly” duties, and guiding them

Throughout the beginning of the story, the wife continually references the things “John says” (844-5). That indicates to me that she is timid and perhaps frightened of him. “John says this,” and “John says that,” shows me that our narrator doesn’t feel permitted to have a thought that is her own. The story’s unilateral male, as well as unilateral female conversations are friendly and comfortable. However, male to female conversation in the writing is dominant, aggressive, assertive and sometimes dangerous. Female to male exchanges appear delicate, soft and understanding, always agreeing with the male perspective. I would consider women in this time period to be viewed as a pet or toy to the male, dominant figure in her life. The use of the words in this short is very important, and gives you the information to interpret the story. For instance, on page 845 it says, “It was a nursery first, then a playroom and gymnasium. I should judge; for the windows are barred for little children.” This discloses that our woman has post-partum depression. At the very least, she feels as if she is trapped or in an asylum within her own home. Perhaps this feeling of entrapment lends itself to driving her mad. It is no surprise that the woman feels trapped behind the pattern of the yellow wallpaper. Her days and nights are filled with constant repetition of the same nothingness. She is left with little to

The unequal relationship between the narrator and John is a miniature of the larger gender inequity in society. Gilman makes it clear that much of John’s condescending and paternal behavior toward his wife has little to do with her illness. He dismisses her well-thought-out opinions and her “flights of fancy” with equal disdain, while he demeans her creative impulses. He speaks of her as he would a child, calling her his “little girl” and saying of her, “Bless her little heart.” He overrides her judgments on the best course of treatment for herself as he would on any issue, making her live in a house she does not like, in a room she detests, and in an isolated environment, which makes her unhappy and

For centuries women in literature have been depicted as weak, subservient, and unthinking characters. Before the 19th century, they usually were not given interesting personalities and were always the proper, perfect and supportive character to the main manly characters. However, one person, in order to defy and mock the norm of woman characterization and the demeaning mindsets about women, Charlotte Perkins Gilman wrote "The Yellow Wallpaper." This story, through well crafted symbolisms, brought to surface the troubles that real women face. Her character deals with the feeling of being trapped by the expectations of her husband, with the need to do something creative or constructive, and to have a mind and will of her own. These feelings

    "The Yellow Wallpaper" is a short story written by Charlotte Perkins Gilman in 1890 and eventually published in 1892 in the New England Magazine and in William Dean Howells' collection, Great Modern American Stories (Shumaker 94). The story was original not only because of its subject matter, but also because it is written in the form of a loosely connected journal. It follows the narrator's private thoughts which become increasingly more confusing. The structure consists of disjointed sentences as the narrator gradually descends more and more into her madness as her only escape from an oppressive husband and society.

    Charlotte Perkins Gilman's "The Yellow Wallpaper" has been interpreted in many ways over the years. Modernist critics have applied depth psychology to the story and written about the symbolism of sexual repression in the nursery bars, the chained-down bed, and the wallpaper. Genre critics have discussed the story as an example of supernatural gothic fiction, in which a ghost actually haunts the narrator. But most importantly, feminist critics (re)discovered the story in the 1970s and interpreted it as a critique of a society that subjugated women into the role of wife and mother and repressed them so much that all they could ever hope to be was an "angel in the house."

     In the late nineteenth century, after the American social and economic shift commonly referred to as the "Industrial Revolution" had changed the very fabric of American society, increased attention was paid to the psychological disorders that apparently had steamed up out of the new smokestacks and skyscrapers in urban populations (Bauer, 131).  These disorders were presumed to have been born out of the exhaustion and "wear and tear" of industrial society (Bauer, 131-132).  An obvious effect of these new disorders was a slew of physicians and psychiatrists advocating one sort of cure or another, although the "rest cure" popularized by the physician S. Weir Mitchell was the most