Feminist Laura Mulvey 's The Poisonwood Bible Essay

There was a time (not so long ago) when a man's superiority and authority wasn't a question, but an accepted truth. In the two short stories, "Desiree's Baby", and "The Yellow Wallpaper", women are portrayed as weak creatures of vanity with shallow or absent personalities, who are dependent on men for their livelihood, and even their sanity. Without men, these women were absolutely helpless and useless. Their very existence hinged on absolute and unquestioning submission…alone, a woman is nothing.

Towards the end of ‘On the Equality of the Sexes’, Murray specifically invokes the story of Adam and Eve, a story used for centuries to depict women as the sinners, to turn the argument against itself and argue that Adam, or the men, are the real sinners in the Bible, as Adam knowingly breaks the rules while Eve was innocently deceived by the serpent. “Adam could not plead the same deception,” says Murray, “nor ought we to admire his superiour strength, or wonder at his sagacity”, implying that people overestimate the skills of men while dismissing the intellect of women as commonplace. The bigger takeaway from Murray’s invocation of Adam and Eve is that it shows the audience that she is trying to make her argument more relatable by putting gender equality in the framework of the Bible, a piece of work that was not only a religious text, but a way of life for most people in Murray’s time. By analyzing the Bible through a feminist lens and swapping the roles of Adam and Eve, Murray saved women’s reputation as the repenting sinners, but in mentioning the Bible to justify her point, Murray ultimately retreats back to the practice of relying on others’ words to make her ideas worthy of public consumption.

Patriarchy is a social system where men dominate and govern most of the world’s economical, educational, familial, health, political, and religious systems. This political social system that insists that males are inherently dominating, superior females, has been taking it toll on different demographics. To maintain dominance, men exude their sensitive, inferior “masculinity” through various forms of psychological control, manipulation, violence, and terrorism. The subservient role-playing woman has to orchestrate to patriarchal chime by being nurturing, obedient, passive, and weak

Emily Dickinson once stated “saying nothing...sometimes says the most”. This is very true in Barbara Kingsolver’s The Poisonwood Bible when Adah chooses to keep silent and not waste her days speaking about pointless things. She only speaks when she absolutely has to, which is not often. Maybe she only stayed mute because of Emily Dickinson’s opinion, but she also stayed silent because she thought it was funny and out of spite for her bleak prognosis from doctors. People think she is strange for doing this,but most assume her silence is due to her hemiplegia, as the doctors diagnosed. Her silence is a feature of her “slant”, or her entire identity (439). Adah also has other significant features of her personality, such as sarcasm and her love of palindromes. In The Poisonwood Bible, Adah Price’s syntax and diction aid in creating her odd characterization.

The two publications that best contextualize gender are the Lowell Offering and the Godey’s Lady Book periodicals as the articles found in both magazines depict traditional gender roles for males and females. For the Lowell Offering, this is best seen in the article entitled, “Woman’s Proper Sphere”, which focuses on the thoughts associated with oppression like, “Is it ambitious wish to shine as man’s equal, in the same scenes in which he mingles” or “Does she wish for a more extensive influence, than that which emanates from a woman’s home?” Yet these progressive questions are met with answers like “How necessary, then, that she should understand these pursuits (of men), that she may truly sympathize with and encourage those, with whom she may be associated. In this way…her influence must and

Feminism: the advocacy of women’s rights on the grounds of political, social and economic equality to men. Rachel Price, the oldest child of the Price family, is accustomed to taking power and does not let a soul stand in her way of what she wants. Rachel takes on an inept independence since she is the oldest child. When arriving to the Congo, her sense of feminism is portrayed through her actions. Rachel even states, “Congolese men didn’t treat their own wives and daughters as if they were very sensible or important. Though as far as I could see the wives and daughters did just about all the work” (Kingsolver 222). Throughout The Poisonwood Bible, written by Barbara Kingsolver, Rachel establishes her independence from escaping the sexist wrath of her father, knowing how to manipulate the right men, and owning her own hotel.

Based on the book blurb, The Poisonwood Bible is described as a very straightforward story about a family of missionaries who travel to Africa to spread the good word, but run into problems when the Congolese people are not as open to the new religion as hoped by the missionaries. However, once the reader begins to analyze the text, they realize this family was not at all predictable or straightforward. From beginning to end, Kingsolver uses detailed imagery of the Price family, the Congo setting, the Congolese people and all activities the characters would partake in to lead the reader to a clear understanding of each scene. With elaborate descriptions and a vigorous tone, Barbara Kingsolver paints a picture of a classic white family who

When reading Lynn Japinga’s Essential Guide to Christianity and Feminism, there are many different lessons that you can take from it, ranging from lessons on what it means to be a feminist, what it takes to be considered a practicing Christian, and the many critics that both Christians and feminists face. Much like The Bible, the lessons you take depends on how you read it and what of your own knowledge and experiences you bring into the analysis. As someone who is on the forth year of sociology and gender studies programs, I went into the reading with a preconceived view on what it means to be a feminist and with knowledge of the potential dangers that women within Christianity face.

The Mrs. Hopewell was mesmerized by the charm of the Bible salesman. She thought he was “good country people,” but it wasn’t until Hulga spent time with Manley that we learned his true personality. Manley’s name is symbolism for exactly what it says, masculity. Hulga was a strong woman, but it wasn’t until she allowed herself to be vulnerable to a man that she became weak. When he removed her glasses, he left her blind to her surroundings and to the truth. He took advantage of her. He tried to make her vulnerable by forcing her to say that she loved him, even though she clearly was not ready, and then making her prove her love for him by removing her artificial leg. If Hulga had stayed true to herself and not allowed herself to be manipulated by a man, she would have seen passed his lies. This situation proves that failure to stick to feministic thinking can allow woman to be controlled by

The Poisonwood Bible is a book about a man named Nathan Price who takes his wife and four daughters on a mission into the Congo. All of their ups and downs are documented throughout the story. This novel was written by Barbara Kingsolver in 1998. This story was inspired from her own personal trip that her father took her on, to the Congo, where they lived without and water, electricity, and many other necessities. During the time period that this book was being written, a lot of feminist and post-colonial literature was being acknowledged. Feminist literature is both nonfiction and fiction that supports women by defending political, economic and social rights for women. Many works of feminist literature depict strong willed women who

“Our Father in heaven, hallowed be your name. - Matthew 6:9. The idea of “God the father” is one that is rooted deep in our society predominantly the ways in which it rejoices men. The almighty all and powerful God is outlined as a male figure in the bible, constructed using almost entirely masculine language. This simple fact has provoked men to assume the position of authority, to oversee over his family. This simple fact leads to an imbalance of power between men and women subconsciously oppressing women within our society. In Mary Daly’s “After the Death of God the Father,” Mary explains how the Judeo-Christian culture has served to bring structure to a sexually imbalanced man driven culture." This male-controlled society has its establishments in the most discernible parts of Christianity.” Mary’s work is a continuation of what is known as “The women's liberation movement” furthering the conversation of societies hold on a woman and bringing change. In this critical evaluation of Mary Daly's work, I will discuss the thesis and argument of the reading, along with an analysis of its assumptions and implications.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

In a man’s world, women who want must suffer. They are turned away from personal achievement and forced down a path that encourages a devotional, misguided love. The desperation derived from this obsessive love inevitably causes destruction to its bearer in Toni Morrison’s Song of Solomon. In her novel, the protagonist Milkman searches for his personal and communal identity against a backdrop of disenfranchised, lovelorn women, and the reader watches as their inescapable desires for affection bring women to ruin. Morrison’s female characters are constantly wanting, propelled by their quest for intimacy. In this novel, female love is all-consuming and obsessive to reflect age-old oppressive patriarchal values; women are primarily defined by the men in their lives and achieving a home and a husband should be paramount for even nonconforming women. This wreaks havoc on the psyches of Hagar and Corinthians and begets endless anxiety over marriage and commitment. Through the consistent disintegration of her female characters, Toni Morrison examines the repressive, traumatic ‘ideal’ path for women and its prevalence in our and her novel’s society.

It must be said that men of power create the structure of life--which is not necessarily profitable or fitting to women, nor to the human race in its entirety. Women do not live in this structure:“They lead beautiful lives--women. Lives not only divorced from, but irrevocably excommunicated from, all reality” (156).

Fulfilling the image of a corrupt and sinful world, society devalues women and demeans their existences, oppressing them into a world of submissiveness and destruction. The patriarchy not only have detrimental effects on women, but the entire world as well. However, women have always exhibit strength and development despite the lack of opportunities, and they reveal the virtuousness of moral character. In the 19th century dark romantic novel, The Scarlet Letter, Nathaniel Hawthorne reveals the atrocities of the patriarchy and masculine hegemony in society and thereby perceive women as the current redeemer of humankind’s sin. He, thereby, urges individuals to deter from the idea of women solely carrying the burdens of humankind’s sin and to