Feminist Message in Susan Glaspell's Trifles

Hale and Mrs. Peters find a dead canary and a broken bird cage, it becomes obvious that Mr. Wright was an aggressive and controlling husband. Mrs. Hale states, “No, Wright wouldn’t like the bird- a thing that sang. She used to sing. He killed that, too” (1012). The canary represents Minnie Foster. Before she married Mr. Wright, she was a joyful girl who sang in the church choir. After her and Mr. Wright get married, she is forced to stop singing and is stripped of her happiness. The broken cage represents Mr. and Mrs. Wright’s controlling marriage. The bird cage is violently broken to represent how Mrs. Wright violently escaped her marriage. The women’s discoveries cause Mrs. Peters to sympathize with Mrs. Wright. Ultimately, Mrs. Peters decides to stand up for what she believes.

Trifles, Susan Glaspell’s play written in 1916, reveal concerns of women living in a male dominated society. Glaspell communicates the role that women were expected to play in late 19th century society and the harm that can come of it to women, as well as men. The feminist agenda of Trifles was made obvious, in order to portray the lives of all women who live oppressed under male domination. John and Minnie Wright are two main characters who are never seen; however provide the incident for the play. In this play women are against men, Minnie against her husband, Mrs. Hale and Mrs. Peters against their husband’s, as well as men in general.

After Mrs. Peters and Mrs. Hale find the dead canary in Mrs. Wright's basket, they figure out that her murder of her husband did not result from being upset in her marriage but from enforcing to return to solitude by the killing of her bird. Mrs.

Therefore, Mrs. Wright murdered her husband simply because he murdered her pet bird, and she did so the same way he murdered the bird, making the motive is unethical. Mrs. Hale finds a dead bird with a broken neck inside of Mrs. Wright’s sewing box wrapped in a cloth. Obviously as lonely as Mrs. Wright was the death of her bird would have been catastrophic for her. This is evidence of a motive proving Mrs. Wright killed her husband out of sheer revenge of the death of her bird, it was the last thing he was ever going to take away from her. Along with the broken cage Mrs. Peters states, “Why, look at this door. It’s broke. One hinge is pulled apart” (8). Then Mrs. Hale comments, “Looks like someone must have been rough with it” (8). This is how it happened, Mr. Wright came home from work in

The men, though, laugh at the women's wonderings about the quilt. To them it is of little importance. Likewise, the bird and its cage are easily dismissed. In fact, the men just as easily believe a lie about this bird and cage. When the cage is noticed, its broken door overlooked, the county attorney asks, "Has the bird flown?'" Mrs. Peters replies that the "'cat got it'" (360). There is actually no such cat, but the men do not know that and never question the existence of it. The bird, however, is vital to the case. Mr. Wright killed the bird, Minnie's bird, which may have provoked her to then kill him. In addition, the strangling of Mr. Wright, a form of murder which perplexes all when a gun was handy, is reminiscent of the strangling of that bird. It is another answer to the men's questions, but an answer they never find. The women, on the other hand, take note of all they see. They notice not only the bird, the cage, and the quilt but other things that the men call "trifles," like Minnie's frozen preserves and her request for her apron and shawl. These women are united; it seems, not only as country wives or as neighbors but on the basic level of womanhood. This is apparent from the start of the play. Mrs. Hale and Mrs. Peters "stand close together near the door," emotionally bonded throughout the play and, here, physically, in a way, too. Mrs. Hale and Mrs. Peters also have a kinship to Minnie, just as to each other. They respect her work as a homemaker. Mrs.

As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.

Susan Glaspell’s Trifles is a play about the effect of gender differences on perceptions of duty, law, and justice. The early 1900’s is the setting, arriving at the Wright farmhouse on a crisp, cold morning. Mr. Hale, a neighbor, found John Wright murdered the morning before. Hale has brought his wife, the county attorney, the sheriff and his wife to the home so the men can investigate Wright’s death. With Mrs. Wright as the primary suspect, Henderson, the county attorney, is looking for her motive. While the sheriff and the county attorney are busy looking at the mess left in the kitchen, the women are noticing some of the smaller things, the "trifles" according to Mr. Hale. The men go upstairs, and that is when Mrs. Hale

The men?s prejudice is blatant and although it was easy for Mrs. Hale and Mrs. Peters to pick up on it, they react to it in a variety of ways. Defensively, Mrs. Hale, replies rigidly to the County Attorney?s remark by stating that "there?s a great deal of work to be done on a farm," (958) offering an excuse for Minnie?s lapse in cleaning. Later, he brushes her off when she explains that John Wright was a grim man. To the County Attorney, the women are just there to collect personal items for Minnie, they are not going to give him any valuable insight into the murder. To their credit, the women do not force their thoughts or feelings on the men when biased statements are made in their direction. They hold back and discuss the remarks later after the men go upstairs. Mrs. Peters observes that "Mr. Henderson is awful sarcastic in a speech and he?ll make fun of her sayin? she didn?t wake up" (960). The fact that she believes the men would laugh if they heard the two women discussing the dead canary reveals how sure she is that the men think of them as concerned with the

Glaspell develops the theme of gender roles by what Mrs. Hale and Mrs. Peters fret about at the crime scene. For instance, the first concern that Mrs. Peters voices revolves around Mrs. Wright’s fruit preserves and implies that the women are housekeepers. Both the Sheriff and Mr. Hale remark about how the women are “worryin’ about her preserves” and “worrying over trifles” (Glaspell 3). Later, when the men go upstairs to look for evidence, the women decide to bring Mrs. Wright’s apron, fruit, shawl, and quilt for her in prison. To further establish Mrs. Wright as a domesticated housewife, Mrs. Peters suggests that Mrs. Wright wants her apron “to make her feel more natural” (Glaspell 5). Because of what Mrs. Hale and Mrs. Peters discuss at the crime scene, Glaspell verifies that the women play the role of housekeeper and cook.

“Trifles” a play by Susan Glaspell, emphasizes the thought that women were kept in their homes and their contributions to the home and family went unappreciated and unnoticed. The play gives readers a view of how women were view and treated during the 1900’s. As a female analyzing the play, Mrs. Wright’s motive for killing Mr. Wright was quite clear. Susan Glaspell gives her readers a feminist approach, to demonstrate how Mrs. Wright’s murdering of her husband is justified.

Hale made a remark about Mrs. Wright being worried about her fruit preserves. The sheriff came back with a sarcastic response saying, “well can you beat the women! Held for murder and worrin’ about her preserves” (Glaspell 745). The women knew how hard Mrs. Wright worked on the preserves considering they have made them before. It surely made them upset when the men made it out to be like it was nothing. The men thought they were inferior to the women throughout the investigation. They were focused on the larger picture and did not think twice about what Mrs. Hale and Mrs. Peters were doing because they were more than likely “worrying over trifles” (Glaspell

Mrs. Hale take into account the factors of Mrs.Wright's life, “makes a quiet house, and Wright out to work all day, and no company when he did come in”(Pg.986 ). The women are able to do this because as women of the time they understand the rules of society that you must follow. They even place blame on themselves. Regretful they never came to visit Mrs.Wright, maybe keep her company and ease her,

The concept of the “unseen woman” continues when Mrs. Hale rescues the surviving jar of Mrs. Wright’s cherry preserves, when both women gather clothes to take to jail and when Mrs. Hale begins to sit in the rocking chair; we feel as if that third woman is on stage (Noe). Mrs. Hale completes an action begun by Mrs. Wright when she takes out the sewing basket and finishes a badly sewn piece and later she finds the empty birdcage and silk-wrapped dead canary. These actions enable us to envision Mrs. Wright working in her kitchen on the d ay of the murder and reconstruct the events that precipitated it (Noe).

With the mention of her husband names John, she tells Mr. Hale that he can’t talk to him but he is home. Mr. Hale then questions her about why he can’t and she feverishly states he is dead and died with a rope around his neck. This then leads to Mrs. Wright being arrested and held in the prison, while the Sheriff, Mr. Hale and the County Attorney begins searching the residence for evidences. Also at the scene of the murder is the Sheriff’s wife and Mrs. Hale. Both females witness the belated sexist comments that the males make about how the housework wasn’t done and critics Mrs. Wright lack-a-daisy work ethics. The men then move upstairs, to search of clues of Mrs. Wright’s motive behind killing her husband. The females remain down stairs looking through Mrs. Wright’s things, and comes across her bottled cherries and a quilt she had been knotting. This