Feminist Story Of Disney's The Princess And The Frog

I chose to analyze the movie “The Princess and the Frog” since I knew how sexist Disney princess movies in the past, such as Cinderella and Snow White and the Seven Dwarves, have been, but also the interesting twists that try to hide sexism in the more modern tales. “The Princess and The Frog” really is a classic Disney love story. Tiana is a woman in New Orleans who dreams of one day running her own popular restaurant along the Mississippi River. Prince Naveen travels to New Orleans with the sole purpose of marrying a rich woman to reclaim his part of his family's fortune. His greed is his downfall when he seeks the services of Dr. Facilier, a voodoo man who turns him into a frog and turns his servant, Lawrence, into the prince. In a chance meeting at a masquerade ball, Tiana and frog Naveen meet. Naveen promises to pay for Tiana's restaurant if she would kiss him to turn him back into a human. Tiana relents, kisses him, and then is also turned into a frog. It is a race against time for them to find a way to turn themselves back into humans.

When examining The Little Mermaid from a feminist perspective, it becomes clear that the little mermaid is a misogynistic tale that glorifies a woman’s dependence on men and the objectification of women.

Many parents/caregivers today may ask themselves if their little girls may be growing up too fast? Are they becoming little women too soon? Stephanie Hanes wrote an interesting and valid article “Little Girls or Little Women? The Disney Princess Effect, “ which argue that many young ladies today in age may be impacted by Disney Princess regarding their life expectations. The author talks about the issues of young girls feeling the necessity to mature sooner rather than at a timely matter.

Young children often hear many fairy tales growing up, one of the most famous is the tale of a princess kissing a frog to magically transform the frog into a prince so that they could live happily ever after. In 2009, Walt Disney and Pixar Films released The Princess and the Frog which portrays different aspects of Louisiana’s history during the 1920s. The film tells the story for a young ambitious chef, Tiana, and her struggles to follow her dreams due to her race, her sex, and the time period.

Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite

Like all fairytales, Rapunzel has a history that extends far earlier than the 1800s when it first transcribed by brothers Jacob and Wilhelm Grimm. However, Rapunzel is a tale that continues to be re-written and re-interpreted even today. From the 1970s with the feminist revitalization of fairy tales to the early 2010s with Disney’s Tangled (2010), this timeless tale continues to engage its listeners. In 2015, Katie Kapurch of Texas State University revisited Rapunzel with an eye on its more recent modernizations. By starting with Anne Sexton’s poem “Rapunzel” from her 1971 collection Transformations, Kapurch analyzed the lesbian elements of the tale in order to examine the 21st century Tumblr culture that “ships” Tangled’s Rapunzel with Brave’s (2012) Merida.

Authors James Poniewozik and Peggy Orenstein are both concerned with the increase of princess culture among young girls. Poniewozik’s article “The Princess Paradox” and Orenstein's article “Cinderella and Princess Culture” discuss similar aspects of princess culture that could be potentially harmful to it’s audience. Both Poniewozik and Orenstein take on a feminist perspective in their articles. Specifically, both authors discuss feminist themes in princess culture but Orenstein focuses on toddler to pre-teen aged girls while Poniewozik is more concerned with specifically teenagers.

Growing up watching Disney movies you never notice how sexist they really are. I always watched The Little Mermaid, but watching it now is very different. When you are younger you just watch things because you like them, you do not necessarily understand them. As you get older you realize what you were really being taught. Walt Disney’s movie The Little Mermaid displays a lot of sexism and displays how society should see women and how women should act.

Disney’s princess movies from the Classic era have translated the society’s definition of women and their roles during the 1930s.

Hans Christian Andersen’s story, “The Little Mermaid” talks about a girl who saves a young man from drowning and falls in love with him, and she later learns that the young man she saved was a prince. In this world women believe that they are not capable of doing nothing or being nothing without a man in their lives. Disney’s film, “The Little Mermaid”, by Ron Clements and John Musker, present a version that makes an appearance for children, so it is harder to catch on where a woman needs a man in her life whether it is her father or a husband. In the Disney film the director makes the mermaid (Ariel) look so vulnerable and weak for a young woman. Women now these days say that they were made to believe that they have to depend on a man because they will not make it without them. In the story the author made it seem like all women cannot do want they want or that they are limited to do and say certain things because they are women. Women grow up to believe and to think that they need a man because that is how many men and society made women and young girls look like. So, part of this faulting it the men because they beliefs are that women cannot do what they do or that women and young girls belong at home to behave right and look pretty for the men. Andersen is a good example of Feminist and Gender criticism because women should believe that they can make it without having to rely on a man. Women should start believing that they are as equal as a man whether it’s at a job, relationship, at home, and in society because we are not meant to be looked at as a fragile and weak woman, we are supposed to show everyone that women should be equal to men on all types of levels. Andersen examines representation of gender, dependence, and cultural stability to explore notions of equality in gender.

In Marxism, the value of things, commodities, are based on the money it can be sold for, or the other commodities it can be traded for (exchange value), or the social status it confers to its owner (sign-exchange value), rather than valued for how it is used (use value). For an object to become a commodity it has to have exchange value or sign-exchange value, which is determined by the society where the object it is exchanged. This economic relationship between commodities and their exchange value or sign-exchange value is called commodity fetishism.

Marx’s analysis of capitalism begins with an investigation of the commodity because the wealth of capitalist nations is essentially “an immense collection of commodities” (Chapter 1). Marx differentiates between the use-value and the exchange-value of any given commodity. The use-value of a commodity refers to its qualitative ability to satisfy a human need, while its exchange-value is the “quantitative relation… in which use-values of one kind exchange for use-values of another kind” (Chapter 1). Therefore, exchange-value is not an intrinsic quality of a commodity; it is only discovered in comparing a fixed quantity of commodity A to a fixed quantity B. Since differing quantities of these two commodities appear to have the same value,

Marx viewed the ‘commodity’ as the most elementary form of modern wealth. The essence of the commodity is the

When someone mentions the name “Cinderella”, the first thing that usually comes to our minds is the fairytale in which the fair maiden who works so hard yet it treated so poorly gains her “fairytale ending” with a wave of a magic wand. However, the fairytale of Cinderella written by the Grimm Brothers has multiple differences in plot from the fairytale we all usually think of. The plot of the Cinderella written by the Grimm Brothers, written in 1812, is that a young female’s mother passes away early in the story, departing with the message to Cinderella to remain “pious and good”. Cinderella remained true to this message given to her by her mother, and she showed this in her work ethic. Because Cinderella had remained pious and good, her mother, in return, watched over her in the form of the birds above her grave that gave Cinderella help and material things that she needed. In the end, Cinderella has her “happily ever after”, for when the prince held a festival to find a new bride, she was chosen due to her insurmountable beauty. The feminist lens critiques how females are commonly represented in texts, and how insufficient these representations are as a categorizing device. These representations of women often include them being passive and emotional—staying back while the men do the work. Cinderella relates to the feminist lens because she fits into the typical representations of women created by men. Feminist criticism is important to recognize because women are often falsely represented as helpless, thus needing a man to come to their rescue. It is common in literature to see helpless women, crying and begging for help instead of being able to work out their own problems and hardships. Others, however, may believe that it is still important to uphold the fundamentals of the feminist lens because it keeps the man in power, which they say is important in keeping the man the head of the household. Cinderella thoroughly represents the feminist lens because it shows how women in literature uphold the representations of passive and emotional, created by the man.

Cramped in a small Los Angeles office, Walt Disney drew a few larger than life cartoons. After Disney’s big hit Alice Comedies and cartoons of Mickey and the gang, he moved his office to Burbank, California. There, Walt and his brother, Roy, came up with their most famous movies such as Cinderella, Snow White, and Alice in Wonderland. Now with two American amusement parks, three international parks, multiple cruise lines, multiple resorts, over five hundred films, and over thirty academy award, it’s hard to not heard of Disney. Every boy or girl has at least seen or heard of Disney movies. It’s such a big part of society today that it becomes influential in a kid’s childhood. This project will look at the underlying effect of the Disney princess phenomenon and how it shapes a young girls’ perspective of herself and how she’s “supposed” to be.