Femme Fatale Analysis

The film “Murder on a Sunday Morning” is a documentary on the murder of Mary Ann Stephens. This murder took place on May 7, 2000, in Jacksonville, Florida. Mary Anne Stephens was at the Ramada hotel with her husband when a dark male wearing a dark shirt, shorts, and a flat brim hat approached her and demanded for her purse. Within 5 seconds she was shot in the face by the bridge of her nose and killed. It was later that day hat Brenton Butler was stopped by police and identified by husband of Mary Anne Stephens. Brenton Butler was taken into custody where he remained for the next six months facing charges of murder in the first degree and armed robbery. Through evidence such as the clothes Brenton was wearing on the day of the murder, an alibi of going to blockbuster to hand in an application, and lack of forensic testing, Brenton was found not guilty in the case of Florida v. Brenton Leonard Butler after the jury convened for forty-five minutes on the twenty-first of November in 2000. The Jacksonville grand jury also decided not to file criminal charged against the three officers. After the case on March 12, 2001 the forensics department retrieved the purse to process all parts of it to find fingerprints matching to Juan Curtis who admitted to shooting Mary Ann Stephens. The Butler family planed to sue the sheriffs officers in an $8.5 million civil rights lawsuit.

“Women cannot be murderers.” Even though this was not explicitly stated in the newspapers, The Boston Herald in its article “Lizzie Borden” conveys the perception that the feminine ways associated with women would make it impractical for women to commit murder. Lizzie Borden, a young lady accused of brutally killing her stepmother and father with multiple blows to their heads with a hatchet was described as a religious, sincere, and modest human being in The Boston Herald’s article covering Lizzie’s life before and after the murders. During Lizzie’s youth, she suffered from isolation because of her reserved personality and belief that nobody appreciated her presence, but in womanhood turned her life around and attain friendships who vouched for her good character during the time of the investigation. The Boston Herald’s article “Lizzie Borden: Her School and Later Life - A Noble Woman, Though Retiring”, successfully persuades the reader of Lizzie Borden’s innocence with the focus on her femininity through diction and logic.

The tension found inside and between Rose Almond and other characters in V for Vendetta develops her character development and is significant not only to the long-debated differences between a graphic novel and a comic but also to the portrayal of women in this graphic novel. This is significant because V for Vendetta portrays women as submissive, incapable of providing for themselves without a man, and driven by their own emotions which shows that the content in graphic novels (i.e. tension and character development) that makes them different from comic books is not given the same attention or thought for women as it is for

The term film noir was coined by French critics for 1940s-50s American films that shared a dark sensibility and a dark lighting style, such as Double Indemnity (1944), Out of the Past (1947), and The Postman Always Rings Twice (1946). Many theorists related the common noir attributes and aesthetic elements to a post war society characterised by insecurity about gender roles, the economy, changing definitions of race, and nuclear technology. One of the cultural problems the term genre attempts to address is the gender question. The familiarity of the femme fatale character across film noir is the predominant cause for discussion amongst feminist theorists. Feminist theorists became, and still remain, interested in the woman's portrayal in

The article, “Looking at Women” by Scott Russell Sanders published in The Norton Reader, 13th edition, embarks on a journey to find out why men look at women. Sanders starts off with his personal encounter as adolescence were he was told not to look at women out of lustful desire, because women would not want to be stared at like that. He also wondered from his early college days, were his bunkmate had pictures of nude women and he and others would endlessly stir at these pictures. Sanders questions whether women enjoy being looked at by men and how should men look at women. He uses quotes from people and facts to find answers to these questions. He also analyses the problem from global perspective. He wonders why women try so hard to look good. He concludes with the fact that women like looking good, but they sometimes don't like it when men stare at them. Sanders opines in his thesis that " to be turned into an object – whether by the brush of a painter or the lens of a photographer or the eye of a voyeur, whether by hunger or poverty or enslavement, by mugging or rape, bullets or bombs, by hatred, racism, car crashes, fires, or falls – is for each of us the deepest dread; and to reduce another person to an object is the primal wrong” (188).

In Harper Lee’s 1960 novel To Kill a Mockingbird, Lee reveals Miss Maudie’s tender tone toward Scout through her use of detail. One instance in which Miss Maudie’s tender tone is revealed through Lee’s careful use of detail is after Maudie’s house burns down. Scout is clearly troubled because of the fire and is curious as to why Maudie is not the least bit fazed. Scout expresses her concerns about the damage and inquires what Miss Maudie will do about it. Miss Maudie responds by stating, “Don’t you worry about me Jean Louise Finch. There are many ways of doing things you don’t know about” (73). In this situation, Miss Maudie attempts to rid Scout of her anxieties as she knows having Scout agonize over the problem will do no good. She is aware that Scout is already exceptionally distraught by the imminent trial, and considering this, Maudie decides not to lay another burden onto Scout. She instead lists the positive effects of the fire to improve Scout’s state of mind, and make her feel at ease about the whole situation. More than anything, Miss Maudie wants Scout to know that there is no reason to fret about anything else than she already has on her plate. She wants the best for Scout and for her to enjoy a life that is not plagued by the problems of the adult-world. Miss Maudie’s consideration and selflessness show her tender tone toward Scout. Another time in which Lee’s use of detail illustrates Miss Maudie’s tender tone toward Scout is at the town ladies’ meeting. Scout,

Laura Ruede is the librarian expert in the subject of dance. She works in the TCU Library on the third floor in the Music Media Center, from 7:00 a.m. to 3:00 p.m. Ms. Ruede shared during her presentation the myriad of resources available to students at the library. First off, Ms. Ruede is a wonderful resource for dance majors to consult. She is available for individual appointments and group appointments to help assist in research projects or to help students find resources related to dance.

café. After violence and death in Lawrence the people in the town understood that revolution was not as abstract concept to the, and that the battles over sex were part of the war over America’s future. (153) Chapter 6 Sex as a weapon Bailey explains how parts of America’s youth used sex not only for pleasure but also for power. Women were the ones who saw that sex was being used as a weapon. Today in Lawrence and around the country you see part of the sexual revolution taking place in restroom by boys and girls writing “FUCK” in bathroom stalls. Sex as a weapon is a critical part of the sexual revolution. Chapter 7 Sex and Liberation Lawrence formed its own Gay liberation front. It was formed when Lawrence in 1970 was in war. Bailey emphasizes

Anna Karenina is a story told in three locations: the two Russian major cities of Moscow and St. Petersburg and the rural countryside. Each location holds special connotations that are reflected in events and characters that live there. Tolstoy, a fan of the countryside himself, uses the lives of Levin and, to a lesser extent, Kitty to illustrate the moral superiority of the countryside over its more urban counterparts. On the other end of the spectrum is St. Petersburg, a city of superficiality and immorality; the negative implications of this location is portrayed through the lives and tragic downfalls of St. Petersburg natives and inhabitants Anna and Vronsky. Finally, the city of Moscow is portrayed as an area in between the two extremes. Inferior to the glorious countryside but superior to the sinful St. Petersburg, Moscow is a romantic city. It is a city of wavering morality and short-lived dreams; it is portrayed through the lives of the Oblonsky family, and to a lesser extent, Anna and Vronsky’s temporary bliss together. The three locations in Anna Karenina - the moral countryside, immoral St. Petersburg, and ambiguous Moscow - are vital in developing the novel and its characters by adding another subtle layer to one’s understanding of the text.

In the nonfiction media unit, Making a Murderer, Steven Avery had three consensual relationships while incarcerated. His first wife divorces him during his first incarceration for rape. When exonerated and released from prison upon new DNA testing, Steven becomes engaged to Jodi. This relationship is ended by Jodi when Steven is on trial for murdering Teresa Halbach because it violates her DUI parole conditions. While serving a life sentence for murdering Teresa Halbach, he corresponds and begins a relationship with Sandra Greeman.

One of the two art pieces that were chosen from the McNay Art Museum is the Gloria Victis statue, a bronze statue by Antonin Mercié, size is 1879 height, 55in (139.7cm). The second is Women by Jose Clemente Orozco, an lithograph from 1935, 12 5/16 x 17 1/8" (31.2 x 43.5

The “femme fatale” was a common theme in the 1940’s it is a female lead who uses sensuality and mystery to seduce and manipulate the male character of the film. No American detective novel written in the thirties would be complete without the figure of the "femme fatale," a French term meaning deadly woman. A femme fatale is an irresistibly beautiful woman who uses her sexuality to seduce men and lure them into dangerous situations to serve her own selfish interests. There is a fair few of these in The Big Sleep, but none of them is quite the dynamo that Vivian turns out to be. I also believe that Carmen Sternwood could be considered a femme fatale as well.

A film that raises so many questions regarding prostitution, and drugs, Pretty Woman is a romantic comedy that was released March 23rd, 1990. Although this film was and is loved by so many, it also sparked discussions of issues in society at the time the movie came out. Pretty Woman came out as the problem of drugs, especially cocaine, was on the rise. This film also highlighted the issue of prostitution around the United States, along with the growing drug addiction, that often accompanies it. The movie Pretty Woman highlights the issues of drug addiction and prostitution causing waves in the public.

Throughout motion picture history, women have experienced more transition in their roles, as a result of changing societal norms, than any other class. At first, both society and the movie industry preached that women should be dependent on men and remain in the home, in order to guarantee stability in the community and the family. As time passed and attitudes changed, women were beginning to be depicted as strong willed, independent minded characters, who were eager to break away from convention. The genre of the crime film represents such a change in the roles handed to women. Two films that can be contrasted, in order to support this view, are: The Public Enemy by William Wellman (1931) and Bonnie

Femme fatale. Every culture has a mystical femme fatale that is known for being beautiful, enticing and deadly. A female being that has the ability to entice a man with the intent to destroy his very being. The Mermaids, Nymphs, Undines and Sirens, these beautiful and deadly creatures are known all over the world. The alluring charms of these creatures are legendary and have been known globally for centuries. The femme fatale is known for being able to charm and lure wayward men for safety into an out of element location. These men have been away from the company of women or just wanting the female company. The idea of a beautiful and seductive female looking for carnal pleasure is usually desired when a person is in need of physical and